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Soon To Be Neglected

@boxgamex

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maxistentialist-deactivated2020

I made this 30s spot for the DNC.

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A clip from Kanye West’s failed HBO pilot that was a knock-off of Curb Your Enthusiasm and was improv-coached by Matt Besser? YES PLEASE.

Michael: Listen, Dad would like for you to break into the permit office.
G.O.B.: Dad? Dad said he wanted me for that?
Michael: Yes, he did. Will you do it?
G.O.B.: Maybe. I have some conditionth. Termth.
Michael: What?
G.O.B.: One condition and one term.
Michael: All right. Let’s have a condition first.
G.O.B.: A free banana whenever I want.
Michael: Single dip.
G.O.B.: Double dip. But I’ll take one stick.
Michael: All right, what else?
G.O.B.: Creative control, spin-off rights and theme park approval for Mr. Banana Grabber, Baby Banana Grabber, and any other Banana Grabber family character that might emanate there from.
Michael: I retain animation rights and we go back to single dip.
G.O.B.: Done.
[Yahoo!] killed a lot of good startups, wasted a lot of engineers’ time, etc. Perhaps I spent too much time inside that particular sausage factory… I wish I had not sold it to them. The cash and freedom do not even come close; I would rather work on a big, popular product.

Joshua Schachter, on Delicious (via azspot)

How the Logic of "Friendzoning" Would Work If Applied in Other Instances:

*Man walks into a store and finds employee*
Man: Alright, I've had enough. Why haven't you guys hired me?!
Employee: Uh...well sir, when did you put in your application?
Man: I never filled out an application.
Employee: Well sir, we can't consider you for employment if you've never filled out an application.
Man: No, that's bullshit, because I've been coming here for years now, and every single time I tell you all how much I love this store and how much I appreciate your customer service, unlike some of your other customers might I add!
Employee: Well, but that doesn't-
Man: AND I even told you that I didn't have a job!
Employee: But sir, that doesn't indicate to us that you would like a job at our store. And again, if you've never filled out an application, we can't consider you. Besides, we're not hiring.
Man: OH! Not hiring, HA! What a laugh. I see your store go through seasonal workers all the time. They come and go like nothing, but you won't consider me as a part-time employee even though I KNOW you've been looking for workers to fill positions? That's insane!
Employee: Sir, we've been looking to hire a few people for management positions. Do you have any management experience?
Man: Well no, but what does that matter?
Employee: ...Well sir, that's what we're looking for. You won't be suitable for the position without management experience.
Man: Oh that's such a load of crap. You know, you'll be waiting around a long time for a manager if you don't lower your standards a little. Who cares if someone knows how to manage a store? I LOVE this store and I'm willing to work here, that's all that should matter to you.
Employee: That...doesn't make any sense.
Man: NO! I'm done. This is over. From now on, no more Mr. Nice Guy.
Employee:
Man:
Employee:
Man: Fuck you, slut.
Source: claudieblue
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"That's where 'Tumbalog' comes in."

On February 12, 2007, I pitched my pal, Nelson Minar, on an idea for a web service we could build that would make it easy for people to setup their own mini-site where they could post random bits of text, photos, etc.

In retrospect, I realize that it probably never would have gotten much traction with casual users, but, hey, who knows?

Maybe someday, amirite?

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aaronrutledge-deactivated201710

Here’s a quick analysis of the album structure for Daft Punk’s Random Access Memories. After discussing it at length with a few friends, I wanted to find the real details as to why the album structure was so great.

Here’s what I’ve found:

- They have paced the album to have a mirror structure tonally. The “1st Half” and “2nd Half” of the album are almost the exact same length, and the entire album uses Touch as a central balance point.

- Given Touch’s melodramatic tone, they’ve placed both of the tracks with the strongest groove (both happen to be Pharrell’s guest tracks) right before and after Touch.

- The two slowest tracks are each 1 place from the beginning and end, to keep the overall balance of the album in equilibrium.

- There’s amazing attention to detail in the key changes from track to track. Most easily noticeable in the Chilly Gonzales piano segue from track 3 to 4.

TLDR; Daft Punk have focused on creating something that is intended to be listened to from front-to-back, without any real focus on getting the “singles” in front of you as early as possible. This is something not seen too often in popular music since most things have moved to digital track sales.

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This is how I spent my Saturday.

I’m a fan of Cave In, and in idly looking to see if there was a video for “Retina Sees Rewind” yesterday, saw that there was not. There were several videos taken from live performances when the band went on tour in 2009, though, so! I picked the one with...

An intense editing project