blotthis: (Default)
[personal profile] blotthis
Lately, I've largely been listening to ambient or ambient-like music, because when I'm not working, I'm working. :upsidedownsmiley: As mentioned elsewhere, I've adored the Monument Valley soundtracks for this, as well as the Disco Elysium OST, which I think, even aside from its efficacy as a focus-machine, might be one of my new favorite albums. Highly recommend. 

I've played those two (four) games, so that may be a key part of my enjoyment. Maybe? I've also found that the Skyrim: Elder Scrolls V and The Witcher game soundtracks work pretty well, and I haven't played either. I've additionally bounced off of Hades I (game I have played), Katamari Damacy, Night in the Woods, Expedition 33, and Death Stranding (games I haven't), and the Game of Thrones soundtracks (show I haven't).

Who knows. [personal profile] queenlua gave me an excellent reco for Emancipator, which has been going great! If any of you are also looking for that sweet spot of propulsive-but-background that video game music can be excellent for, here's a non OST contender.

Outside of video game OSTs and their alikes, I relistened to three albums recently, on the strength of Really Loving a Track or Two. In the cases of Zach Bryan's Zach Bryan and NakamuraEmi's Nippon no Onna wo Utau Best, I barely remembered the album, but had come to love a track or two so deeply I felt nearly certain I probably just hadn't been ready for it. 

Wrong in both cases! Both albums are fine. I might come back to ZB again, someday, for one more 'gain, but I suspect I've pulled the greats off of it. For those curious, the tracks in question are, from ZB, "East Side of Sorrow," which made me cry every time I heard it for a week (personal problem); and "Hey Driver," a terrific collaboration with the War and the Treaty; and from NakamuraEmi, "I," which slaps.  

I'm doing my yearly "listen to all my likes in alphabetical order," which has taken me, at this point, to the Ms. Last month, I rediscovered Tracy Grammer's "Hey Ho," and was like oh hey. Let me get some more of that! So I turned to Flower of Avalon, that album it appears on. I was really hoping to love this album as well, and I really love "Laughlin Boy" and "Preston Miller," but we didn't hit the majority-bangers rule that makes an album a favorite. That said, damn, T. Grammer can sing. Voice like if a campfire was a drink of water, if you know what I mean.

Mitski has a new album out! Have I listened to it? No, I have not. Instead, I relistened to Puberty 2, the album she released prior to Be the Cowboy, which IS (according to me), majority bangers. In this case, I'd sincerely forgotten how many songs I loved were on this one. "Happy," obviously, and "Your Best American Girl," but this is where "Thursday Girl," "A Burning Hill," and "I Bet on Losing Dogs" live! I'd moved them earlier in my mind! Someday I'll listen to Bury Me at Makeout Creek! I don't love this album as much as I do Cowboy, but it was reallly interesting to listen to it all the way through post-Cowboy, as the last time I'd done it, Puberty had just come out. Cowboy's production values and poppier songs came as a surprise to a lot of Mitski's listeners, and to the critical apparatus at the time, as I remember it, but it's fascinating to see how much they have in common. "A Burning Hill," the less-than-two-minutes album closer, for example, reminds me of nothing so much as "Pink in the Night," a nearly less-than-two-minutes track from Cowboy, and both are two of my favorite Mitski songs ever. There might be something in the shortness that particularly fits how she likes to play with structure--to build it up, and then leave it unfulfilled. Finally, of course I spent a lot of Puberty thinking about "Geyser," another favorite track from Cowboy, and one of the few on that album that used the fuzzy sounds from her previous ones. I should really listen to the newest. They are telling me it has guitars in. 

Anyway. I am requesting music recs, both of instrumental-only, and/or music from the past (checks watch) five years? or ever? that you love? (I particularly love when people are getting at least a little weird with it, although that isn't a hard and fast rule.)

Date: 2026-04-17 04:36 pm (UTC)
littlerhymes: (Default)
From: [personal profile] littlerhymes
Once again shaking your hand vigorously re Disco Elysium... So many interesting music references in this post, so many things to check out!

Idk how much you have been keeping up with kpop if at all - I sincerely love the last couple of years of NMIXX releases so much. They are a bit weird. They are also wildly catchy. SO good.

Fever Ray still great. Ninajirachi might hit the spot.

Date: 2026-04-20 01:58 pm (UTC)
littlerhymes: (Default)
From: [personal profile] littlerhymes
From Dash era onwards is soooo good.

For Fever Ray, self-titled is my favourite album!

Date: 2026-04-18 02:28 pm (UTC)
skygiants: Moril from the Dalemark Quartet playing the cwidder (composing hallelujah)
From: [personal profile] skygiants
T. Grammer can SING. About 40-50% of the T. Grammer/D. Carter songs I know are huge hits for me and the other 50-60% bore me a bit but when they hit they hit; "Preston Miller" and "Hey Ho" are both in the upper echelons for sure.

For instrumental only have I previously recced you the Trouble Notes album "Super Bloom"?

Date: 2026-05-16 07:50 am (UTC)
imbir: HBO-type puppet man from the Musée Mécanique in San Francisco (Default)
From: [personal profile] imbir
As a fan of both ambientesque and video game music, I feel like Sea Power has cursed me to walk the earth forever chasing the high of the Disco Elysium OST. But thank you for the Monument Valley rec, that's good stuff.

Assuming you're still looking for music recs and you're willing to accept them from a stranger, here's a list of instrumental music that might fit the bill.

More confident recs:
- Journey OST
- Hollow Knight OST
- Ori and the Will of the Wisps OST
- Duet OST
- Oxenfree OST
- Samorost 2 OST
- Citizen Sleeper OST
- Dustforce OST
- Baba is You OST
- Crypt Custodian OST
- A Series of Unfortunate Events OST
- The Tudors OSTs: Season 1
- Parallel by Four Tet
- Music Workbench, Chromatic T-Rex and Cipher by Ben Prunty (guy also does a lot of good OST work, e.g. Gravity Ghost OST)

Less confident recs:
- QbQbQb OST by Rezoner (I like his non-OST work more, but this makes for better background music)
- Mirror's Edge OST
- 新しい日の誕生/Birth Of A New Day by 2814
- L.Y.F by Hong Kong Express
- Divenire by Ludovico Einaudi
- One Cello x 16: Natoma by Zoe Keating

Qualified recs:
- Wandering by Yosi Horikawa (I really like a lot of his work and you might too, but I'd struggle to call the majority of it background music)
- Music for Commercials by Yasuaki Shimizu (same as above)
- Music for 18 Musicians by Steve Reich (same as above)
- Indie Game: The Movie OST (might have the same problem as the Night in the Woods OST)

Regarding musicians that are willing to get a little weird with it: have you heard of The Conet Project? It's a five-CD set of recordings of various number & noise stations. You can listen to it on the archive, if that sounds like a good time. Or try the Signalis OST, which adapted a bunch of them into a more traditionally musical form.

And since you introduced me to Puer Kim a hundred years ago, here are some bonus vocal tracks/albums you might like:
- Odo by Ado
- Stop by Vienna Ditto
- What You Want by Beatrice Antolini
- Ta douleur by Camille
- Vending Machine Blues by Olmo (check out the lyrics for this one)
- Odoreru Utaeru Linda Yamamoto

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