Post Draft
Sep. 17th, 2016 02:34 pmHe doesn’t remember going down. Short-term memory loss; it’s not uncommon with a concussion, which is what he’s pretty sure he got. Serves him right. He knew Bernhard’s blackcollars weren’t trustworthy. He shouldn’t have let any of them get close.
What completely nails him to the floor, though, is that he wakes up in his room – at the Plinry lodge. An hour out from Capstone. Not in an infirmary, not with any visible injuries, not even with a headache from getting (he assumes) smashed in the head by a fellow blackcollar. There’s no weakness in his limbs, the sort of thing that would show up after weeks of inactivity, and it would take weeks to get him back here.
Even weirder is when he goes to the door, eases it open… and finds a completely different hallway attached. A longer glance out the window shows blank stars, not the mountains. This is something else. This has been prepared, and it’s been prepared meticulously, down to the last detail. Including the specific way Jensen has left a few strands of hair stuck in one of the drawers. It’s unreal. It’s inhuman, in the perfection of the duplication, so much so that Jensen would swear it’s the original, just transported somewhere else.
Then, he finds the device.
He closes the door securely, and reads. He pages back. He pages forward. He looks for references to blackcollars, Earth, Plinry, Ryqril… only finds one out of four. But this is clearly a prison of some kind, in space, and there’s a lot of chatter that he can’t parse. Code names, maybe, in-group slang. This could all be misinformation, but it’s too broad, too chaotic to make that the simplest explanation. Weird way to run a prison, thinks Jensen, but it almost doesn’t matter: he’s not planning on staying.
He doesn’t have time for drawn-out plans. He’s not going to wait for them to realize how dangerous he is and put more security on him. He goes into action, a few hours after reading back, memorizing as much as he can about the people he’s seen.
1-2. Jim and Orpheus --
The first two that he encounters are on patrol, which is what he expected. Since they’re the ones looking out for troublemaking, they should be the ones taken down first. He has no weapons, no flexarmor, so he eases the dragonhead ring off of his finger, pinching it in a shuriken-style grip.
He slips out from around the corner, throws the ring sharp and fast, and it finds its mark in the throat of the taller one. Not the ideal ambush position; Jensen has to take several long steps to get to the second, and it’s just enough for the man to pull out a very bizarrely-designed laser.
Jensen doesn’t wait around to see what the gun does. He comes in with a kick to the solar plexus, a hand batting the gun to the side; a quick spin, and he squarely nails the man, knocking him hard into the wall. Not quite with bone-breaking force, but that comes soon after, with the follow-up. Then a hit to the throat, all of this so quick that the gun is only now hitting the ground. The man is choking, but he rallies valiantly, with a determination Jensen might have admired in other, less pissed-off circumstances. A quick hit breaks the man’s nose, blinds him enough that Jensen can knock him against the wall, at an angle to break his neck.
He goes for the first man, then, dead from the ring hit, and digs the bloodied ring from his throat.
Pats the two down, avoiding the laser, because he doesn’t know what kind of countermeasures or tracking might be involved. Blackcollars aren’t much for guns, anyway. Neither yields anything terribly useful, and Jensen grimaces as he slides the ring into his palm. He tosses the laser into an unoccupied room – might as well cause as much trouble as possible – and then looks up to see –
3. Letty --
-- a woman rounding the corner. He recognizes her, thinks warden, and she goes for an old slugthrower, by the looks of it, at her hip. If he had flexarmor, he’d go for her directly, but he’s in cloth that abruptly feels very, very thin. He pushes off and rolls to the side, fast enough that she doesn’t get his center of mass, but he’s clipped in the arm.
He feels sluggish, and it’s now apparent to him that he’s not moving as fast as usual. Drugs? He should be feeling more effects, if that were the case.
He comes to his feet in the unoccupied cabin, and goes for the laser. He sends a couple precise shots around the corner – a little surprised that it wasn’t keyed to its owner – and when she ducks back, he goes for her. She has ordinary reflexes, clearly, but it’s still just enough time for her to bring the gun up again. He tosses the ring straight at her eyes. This time, it’s not nearly as good of a throw, not prepared, and when she flinches back, it gets her on the brow. Then he’s on her, and a flurry of moves later, she’s down too. Again: determined, tougher than he expects, and his heartrate’s up from more than just adrenaline by the time she’s dead.
A quick search this time yields pay dirt: a pocket knife. Small, but better than nothing. He checks his arm. Bleeding freely, but not bleeding that fast. He’ll be fine.
Now he has to act fast. It won’t be too long before alarm spreads through this whole place.
4. Cold --
By this time, he’s crept from the bottom of the ship to the top, hiding when people pass, slipping by using the stairwell. It’s not easy; there are more people here than he thought. It’s like a miniature town, in its own right. But he hasn’t found a single door unaccounted for, hasn’t located any bridge or control center beyond the engine room. Not even an airlock. And, from the top, it really seems like the damn thing is actually shaped like a boat.
The knife isn’t as good as shuriken, and not really balanced for throwing, but it’s good enough.
“Hey!”
Jensen is moving split seconds after the word, taking a few steps, pushing off of a bench.
“What are you—”
It’s almost as if the man actually expects Jensen to wait and listen to what he’s about to say. The attack takes him completely by surprise, and there’s a knife in his throat before he gets any other words out.
This one is subjected to another search. Jensen comes up only with one gun, an over-wrought piece of equipment that looks, honestly, kind of ridiculous. He Frisbees it over the rail, tossing it, effectively, off the Barge. (And looks after, to see if it impacts an energy shield or canopy. It doesn’t; not within visual range. And that, maybe, is the thing that brings it home to Jensen how far afield he is right now.)
5. Ricki --
The next one he hits on the stairs. He’s heading back to the first floor, to hide, to clean up, lick his wounds, figure out what to do next. The way out isn’t immediately apparent, and he needs time to digest the information he’s acquired. He should be able to conceal himself in one of the abandoned cabins.
He hears the other man before he sees him, flattens against the wall, waits until he can hear footsteps on the turn below, on the stairs. He takes one step, snags the rail with the curve of his hand, and swings over the rail completely, letting go at the bottom edge of the curve with enough momentum to impact with the man feet-first.
They both sprawl, but it's Jensen who recovers first. The man goes for another slugthrower; Jensen's prepared, this time, and is on him before he has a chance to fire.
He's honestly surprised by the turn the fight takes next. Instead of holding on to the gun, and signing his own death warrant, the man lets go and counters Jensen's move instead, letting the gun clatter down the steps to the landing. They exchange rapid blows. Ordinarily, it wouldn't be a fight that presents much of a challenge for Jensen. But here, slowed, distracted and in pain, he's just slow enough that Ricki catches him hard enough to bruise, to twist an ankle against the stairs, before Jensen can plant the knife in his chest and break his neck.
His hands are shaking as he retrieves the knife.
X. Takedown --
So the word has gone out. Once he bursts out of the stairwell, a floor below where he planned, they come for him. One lights up a – a laser sword? and the other two bring to bear more conventional weapons. Though the third has… horns? Could he be an alien, while looking so human? Or is it a sort of genetic modification or mutation?
Not much he can do: he meets them head-on. The second gets off two shots before Jensen is in the thick of it -- one grazes the side of his skull.
This one would be a fight for the training logs, Jensen thinks, somewhere in the back of his mind. He’s not at his best, already wounded twice, but the other three are very good. Whoever trained the one on the left was exquisite, thinks Jensen, as he absorbs one bruising hit, twists so the laser sword swings just by him, goes down to trip the bull-headed one through his considerable weight and momentum. And they’re angry, too. Probably he took out a friend. That’s war.
His first impression of the three of them wasn’t of three people perfectly in synch, colleagues and allies. It was of a scattered group that he’d interrupted in the middle of getting organized. But the fact is that they fight together fantastically, and Jensen is not succeeding at getting them to trip over one another. It must be a function of each being warriors, in their own way.
And the one with the laser sword moves far too fast. Jensen moves to dodge one blow and he’s already on the next, like he’d anticipated the movement. And Jensen can dodge this one, but it leaves him off-balance, a little flat-footed; the next gets him a slice right near the collarbone, a blinding-hot pain that has a corner of his brain thinking at least it’s cauterized.
They have him cornered, between them. He deserves to die for this; he acted too fast. His job, now, is just to try and take more with him.
It’s too late for that kind of resolution, unfortunately, and it’s only a split-second after this that everything goes black.
Y. Zero Spam
He wakes up in blinding pain, gasping for breath. His skull feels cracked down the center, hairline fractures radiating out, and it actually surprises him when he reaches up and touches only the gray-blond hair, only unbroken skin. He blinks his eyes open, focuses on his surroundings.
Now, this is a cell. Cold concrete, stone and steel. He’s on a bunk bed. And… uninjured, though weak, full-body weak and in an absolutely incredible amount of pain. He closes his eyes, activates blackcollar psychor pain-blocking techniques, and he finds that he can push it to the side, box it away in a corner of his mind, but he can’t turn off the shivering weakness in the same way.
His eyes open slower, and he deliberately doesn’t move from where he’s lying down, curled onto his side. He does look to the door, and anyone standing there.
Over the course of the next few days, he pushes himself. He tries to stand, do a handful of exercises, keep himself moving. It doesn’t work out, at first, but he grows stronger quickly. There’s still something slow about him, though. He can feel it. There’s an edge taken away, almost like…
Almost like he was never given Backlash.
What completely nails him to the floor, though, is that he wakes up in his room – at the Plinry lodge. An hour out from Capstone. Not in an infirmary, not with any visible injuries, not even with a headache from getting (he assumes) smashed in the head by a fellow blackcollar. There’s no weakness in his limbs, the sort of thing that would show up after weeks of inactivity, and it would take weeks to get him back here.
Even weirder is when he goes to the door, eases it open… and finds a completely different hallway attached. A longer glance out the window shows blank stars, not the mountains. This is something else. This has been prepared, and it’s been prepared meticulously, down to the last detail. Including the specific way Jensen has left a few strands of hair stuck in one of the drawers. It’s unreal. It’s inhuman, in the perfection of the duplication, so much so that Jensen would swear it’s the original, just transported somewhere else.
Then, he finds the device.
He closes the door securely, and reads. He pages back. He pages forward. He looks for references to blackcollars, Earth, Plinry, Ryqril… only finds one out of four. But this is clearly a prison of some kind, in space, and there’s a lot of chatter that he can’t parse. Code names, maybe, in-group slang. This could all be misinformation, but it’s too broad, too chaotic to make that the simplest explanation. Weird way to run a prison, thinks Jensen, but it almost doesn’t matter: he’s not planning on staying.
He doesn’t have time for drawn-out plans. He’s not going to wait for them to realize how dangerous he is and put more security on him. He goes into action, a few hours after reading back, memorizing as much as he can about the people he’s seen.
1-2. Jim and Orpheus --
The first two that he encounters are on patrol, which is what he expected. Since they’re the ones looking out for troublemaking, they should be the ones taken down first. He has no weapons, no flexarmor, so he eases the dragonhead ring off of his finger, pinching it in a shuriken-style grip.
He slips out from around the corner, throws the ring sharp and fast, and it finds its mark in the throat of the taller one. Not the ideal ambush position; Jensen has to take several long steps to get to the second, and it’s just enough for the man to pull out a very bizarrely-designed laser.
Jensen doesn’t wait around to see what the gun does. He comes in with a kick to the solar plexus, a hand batting the gun to the side; a quick spin, and he squarely nails the man, knocking him hard into the wall. Not quite with bone-breaking force, but that comes soon after, with the follow-up. Then a hit to the throat, all of this so quick that the gun is only now hitting the ground. The man is choking, but he rallies valiantly, with a determination Jensen might have admired in other, less pissed-off circumstances. A quick hit breaks the man’s nose, blinds him enough that Jensen can knock him against the wall, at an angle to break his neck.
He goes for the first man, then, dead from the ring hit, and digs the bloodied ring from his throat.
Pats the two down, avoiding the laser, because he doesn’t know what kind of countermeasures or tracking might be involved. Blackcollars aren’t much for guns, anyway. Neither yields anything terribly useful, and Jensen grimaces as he slides the ring into his palm. He tosses the laser into an unoccupied room – might as well cause as much trouble as possible – and then looks up to see –
3. Letty --
-- a woman rounding the corner. He recognizes her, thinks warden, and she goes for an old slugthrower, by the looks of it, at her hip. If he had flexarmor, he’d go for her directly, but he’s in cloth that abruptly feels very, very thin. He pushes off and rolls to the side, fast enough that she doesn’t get his center of mass, but he’s clipped in the arm.
He feels sluggish, and it’s now apparent to him that he’s not moving as fast as usual. Drugs? He should be feeling more effects, if that were the case.
He comes to his feet in the unoccupied cabin, and goes for the laser. He sends a couple precise shots around the corner – a little surprised that it wasn’t keyed to its owner – and when she ducks back, he goes for her. She has ordinary reflexes, clearly, but it’s still just enough time for her to bring the gun up again. He tosses the ring straight at her eyes. This time, it’s not nearly as good of a throw, not prepared, and when she flinches back, it gets her on the brow. Then he’s on her, and a flurry of moves later, she’s down too. Again: determined, tougher than he expects, and his heartrate’s up from more than just adrenaline by the time she’s dead.
A quick search this time yields pay dirt: a pocket knife. Small, but better than nothing. He checks his arm. Bleeding freely, but not bleeding that fast. He’ll be fine.
Now he has to act fast. It won’t be too long before alarm spreads through this whole place.
4. Cold --
By this time, he’s crept from the bottom of the ship to the top, hiding when people pass, slipping by using the stairwell. It’s not easy; there are more people here than he thought. It’s like a miniature town, in its own right. But he hasn’t found a single door unaccounted for, hasn’t located any bridge or control center beyond the engine room. Not even an airlock. And, from the top, it really seems like the damn thing is actually shaped like a boat.
The knife isn’t as good as shuriken, and not really balanced for throwing, but it’s good enough.
“Hey!”
Jensen is moving split seconds after the word, taking a few steps, pushing off of a bench.
“What are you—”
It’s almost as if the man actually expects Jensen to wait and listen to what he’s about to say. The attack takes him completely by surprise, and there’s a knife in his throat before he gets any other words out.
This one is subjected to another search. Jensen comes up only with one gun, an over-wrought piece of equipment that looks, honestly, kind of ridiculous. He Frisbees it over the rail, tossing it, effectively, off the Barge. (And looks after, to see if it impacts an energy shield or canopy. It doesn’t; not within visual range. And that, maybe, is the thing that brings it home to Jensen how far afield he is right now.)
5. Ricki --
The next one he hits on the stairs. He’s heading back to the first floor, to hide, to clean up, lick his wounds, figure out what to do next. The way out isn’t immediately apparent, and he needs time to digest the information he’s acquired. He should be able to conceal himself in one of the abandoned cabins.
He hears the other man before he sees him, flattens against the wall, waits until he can hear footsteps on the turn below, on the stairs. He takes one step, snags the rail with the curve of his hand, and swings over the rail completely, letting go at the bottom edge of the curve with enough momentum to impact with the man feet-first.
They both sprawl, but it's Jensen who recovers first. The man goes for another slugthrower; Jensen's prepared, this time, and is on him before he has a chance to fire.
He's honestly surprised by the turn the fight takes next. Instead of holding on to the gun, and signing his own death warrant, the man lets go and counters Jensen's move instead, letting the gun clatter down the steps to the landing. They exchange rapid blows. Ordinarily, it wouldn't be a fight that presents much of a challenge for Jensen. But here, slowed, distracted and in pain, he's just slow enough that Ricki catches him hard enough to bruise, to twist an ankle against the stairs, before Jensen can plant the knife in his chest and break his neck.
His hands are shaking as he retrieves the knife.
X. Takedown --
So the word has gone out. Once he bursts out of the stairwell, a floor below where he planned, they come for him. One lights up a – a laser sword? and the other two bring to bear more conventional weapons. Though the third has… horns? Could he be an alien, while looking so human? Or is it a sort of genetic modification or mutation?
Not much he can do: he meets them head-on. The second gets off two shots before Jensen is in the thick of it -- one grazes the side of his skull.
This one would be a fight for the training logs, Jensen thinks, somewhere in the back of his mind. He’s not at his best, already wounded twice, but the other three are very good. Whoever trained the one on the left was exquisite, thinks Jensen, as he absorbs one bruising hit, twists so the laser sword swings just by him, goes down to trip the bull-headed one through his considerable weight and momentum. And they’re angry, too. Probably he took out a friend. That’s war.
His first impression of the three of them wasn’t of three people perfectly in synch, colleagues and allies. It was of a scattered group that he’d interrupted in the middle of getting organized. But the fact is that they fight together fantastically, and Jensen is not succeeding at getting them to trip over one another. It must be a function of each being warriors, in their own way.
And the one with the laser sword moves far too fast. Jensen moves to dodge one blow and he’s already on the next, like he’d anticipated the movement. And Jensen can dodge this one, but it leaves him off-balance, a little flat-footed; the next gets him a slice right near the collarbone, a blinding-hot pain that has a corner of his brain thinking at least it’s cauterized.
They have him cornered, between them. He deserves to die for this; he acted too fast. His job, now, is just to try and take more with him.
It’s too late for that kind of resolution, unfortunately, and it’s only a split-second after this that everything goes black.
Y. Zero Spam
He wakes up in blinding pain, gasping for breath. His skull feels cracked down the center, hairline fractures radiating out, and it actually surprises him when he reaches up and touches only the gray-blond hair, only unbroken skin. He blinks his eyes open, focuses on his surroundings.
Now, this is a cell. Cold concrete, stone and steel. He’s on a bunk bed. And… uninjured, though weak, full-body weak and in an absolutely incredible amount of pain. He closes his eyes, activates blackcollar psychor pain-blocking techniques, and he finds that he can push it to the side, box it away in a corner of his mind, but he can’t turn off the shivering weakness in the same way.
His eyes open slower, and he deliberately doesn’t move from where he’s lying down, curled onto his side. He does look to the door, and anyone standing there.
Over the course of the next few days, he pushes himself. He tries to stand, do a handful of exercises, keep himself moving. It doesn’t work out, at first, but he grows stronger quickly. There’s still something slow about him, though. He can feel it. There’s an edge taken away, almost like…
Almost like he was never given Backlash.