John Cratchley
Over 30 years old now....these duets in concert are still a masterclass: technique, breathing, listening, responding...so many ideas being shared.
I read that Ken Vandermark cites these pieces as being very important in his musical development...it was certainly important in teaching me how to listen with intent.
- collection 41
- wishlist 153
- followers 10
- following 77
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Folklore II by Michael Finnissy performed by Eve Egoyan, live concert recordingby Eve Egoyansupported by
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Frame Drum Kirtan Vol 1 - Chants for Wellbeing and Balanceby Sadhvi Kadambari Maasupported by
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thethingsinbetween : works by Alvin Curran, Michael Finnissy, Michael Longton, Stephen Parkinson and Linda Catlin Smithby Eve Egoyan, solo pianosupported by
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Thollem / Valsamis / Greenhill / Kimby Thollem's Astral Traveling Sessionssupported by
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Kwrannoby Ayla Schafer & AlunawachumaTrack 00:00/00:00supported by
emeraldfairy Trees are singing and sharing their ancient wisdom connected deeply with Mother Earth through their roots anchoring & connecting us deeply with crystalline realms. Let's sing for them & give them hug of gratitude for being ancient wisdom keepers of natural harmony:)more...
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Out Of This World's Distortionsby Farmers By Nature : Gerald Cleaver / William Parker / Craig Tabornsupported by
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ELDERSby Ensemble Nist-Nahsupported by
Daniel Welsch Die sechs Kompositionen von Will Guthrie und seinem Ensemble Nist-Nah sind nicht verkopft, sondern Ganzkörpermusik – nicht nur dann, wenn die Frequenzen des großen Gongs den Hörer*innen die Eingeweide massieren.
tortue.substack.com/i/94630997/ensemble-nist-nah-elders
Lovdahl, Ian sublimely mesmerizing percussion music with occasional Autechre-vibes, what's not to love? Favorite track: PLANEKER.more...
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Thisnessby Miles Okazakisupported by
snowbrain Love the free flowingness… hits a nice sweet spot between toe tapping and zone shifting… nice mixing of instruments… can’t wait to see Miles and Anthony with Steve Coleman in Seattle/Olympia with Emerald City Music.
cherub.wya Like eavesdropping on a growing stream of consciousness, some of these riffs and harmonies feel written in the spur of the moment; never to be played the same way twice. This is what I love most about jazz.more...
Philip Graham Love the inventive flow of this--that cover art says it all.more...
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Superstructure - Holding up a Bridgeby ELISABETH HARNIKsupported by
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Keith PoundsMemphis, Tennessee -
cellostuffSaint Paul, Minnesota -
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calvinledwaba2Polokwane, South Africa -
RichardGreat Malvern, UK
- artists & labels 40
- fans 28
- genres 9
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RichardGreat Malvern, UK
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kate_novoBristol, UK -
PIERRE YVESFrance -
knightd68London, UK -
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Gogol BordelloNew York, New York -
Cosmo SheldrakeLondon, UK -
The MahatmasNorwich, UK -
Voice of YogaAustralia -
Elisabeth HarnikAustria
now playing
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