ace of swords (Posts tagged books)

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
fiefgoldenlake
tanoraqui

Neal Protectorofthesmall is great because it's like he accidentally wandered into Kel's Low Fantasy Tortall from the High Fantasy Tortall of the SotL & Immortals books. Nealan of Queenscove, eldest (remaining) son and heir of Duke Baird of Queenscove, a house which for generations has offered the crown more knights than almost any other. One of the oldest pages/squires/knights in Tortallan history because he was attending university before his two knighted elder brothers were both slain in the Immortals War, and now he's determined to carry on their memory and his family's legacy in their place. He has piercing green eyes, the same emerald color as his powerful magical healing Gift. He falls in love gets engaged to a close friend of the queen-to-be. He's literally Alanna's squire! How did he get here??

(A stubborn ten-year-old gave him the best lecture on chivalry he'd ever heard, so he decided to be her best friend/sarcasm translator/good right hand for the rest of their lives, that's how.)

nealan of queenscove protector of the small tortall books
annabelle--cane
gender-kenvy

wdym Andy Weir hid the name of every Beatles album in the text

hey come back what do you mean

aroace-ryland-grace

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oh my god

aroace-ryland-grace

I might kill him for the magical mystery tour one 'cause "magical" and "mystery" never show up together at all, "tour" only appears once in the book and nowhere near "mystery" or anything similar, I was trying to figure out possible word play but "to her" also doesn't show up near any similar words, and "tore" isn't in the book at all. I hate him so much I need to blow him up

project hail mary books
annabelle--cane
annabelle--cane

the hot water in my house continues to be broken which means it's more laborious and unpleasant to wash myself which means I'm doing it less often which means I feel a little bit physically gross most of the time which means my overall annoyance levels have gone up about 15%. and THAT means that I'm perilously close to posting abrasive hot takes to piss people off on purpose just to feel something. so this blog may be a danger zone until this hot water tank situation gets rectified let me tell you.

annabelle--cane

okay here's a murderbot related grievance I've been holding in for months: it is frankly impressive how wrong people manage to be about amena. I wouldn't have as much of a problem with this if it weren't for the fact that they sometimes try to pick fights with me while I'm being right about amena, which is honestly embarrassing for them.

the whole thing with amena and murderbot is that amena is just below the age of majority on preservation so she's functionally just as much of an adult as she will be by the time her next birthday rolls around but is still in the midst of navigating being treated like "a child," which for her means she needs parental permission to do certain things, people see her as immature / impulsive / hormonal / otherwise irrational, and authority figures are allowed to keep important information from her and share her secrets without her permission if they think she doesn't know what's best for herself. yknow, much a like a certain construct we know. mb fumbles the whole situation with her fuckass adult boyfriend because it (correctly) clocks that the guy is sexually predatory but, instead of talking to amena about it, shows up unannounced, does something threatening in front of both of them to scare him off, and calls amena reckless when she (correctly) says that it's not like the guy was a corporate spy or anything. then, when she expresses concern that it's going to tell her parents, it gives her a noncommittal answer, and when she doesn't like the idea of it being assigned as her chaperone it brushes it off like "she was only mad because she was hormonal." it's wildly dismissive and condescending to/about her through the whole thing because this is murder "projection" bot we're talking about and its #1 favorite coping mechanism for being treated like a stroppy untrustworthy juvenile is treating other people like stroppy untrustworthy juveniles, and the only thing it really does well in the situation is respect her wishes to keep the incident private and not tell her parents she was seeing someone.

and for some reason the take I keep seeing about this is "well yeah she was a moody hormonal teen and it shouldn't have listened to a word she said. actually it should have gone straight to her parents first thing, or at the very least have ignored her request for privacy. honestly kinda problematic that it didn't do that to tbh be honest." like at this point what do you think the message of these books actually is. this is the "not being allowed a right to privacy or autonomy is a bad thing" diaries. the thesis of this subplot is not subtle. so incapable of seeing children (particularly teenaged girls) as people that it's actively killing your ability to understand basic character arcs.

amena mensah murderbot murderbot diaries books meta
falliblefabrial
quasi-normalcy

I think that the dominant theme in Terry Pratchett's writing is systems of organization, whether they be political, scientific, religious, or magical, and how they interact with the messy granularity of individual life. Even in his earliest Discworld novels, before they become social satires rather than genre parody, he comes across like a kid showing off the neat, clever model that he built.

quasi-normalcy

This is why I think his novels are so popular amongst socialists, even though he kind of pooh-poohs the idea of revolution and seems to think that a civic-minded aristocratic tyrant would be the best at running a government; because his focus tends to be sociological, at least as much as psychological.

galileosballs

Though it's true that 'benevolant tyrant' is the best form of government depicted in Discworld, I don't think Pratchett is really arguing for that as the best mode of governance. I think Vetinari's role in the series is better understood as a bit of narrative convenience - a way for the fun systems Pratchett wants to depict to be implemented and interacted with, without bogging down the story with all the complexities of democracy. He's definitely committed to the idea that the system of patriarchs in Ankh-Morpork is bad 95% of the time, after all.

I've seen some people suggest that you can read Vetinari as a self-conscious transitional figure, someone who is building up the institutions of the city so that they'll be strong enough to weather a shift to more democratic governance once he leaves power. I think that's too strong a read - the evidence for it is mostly absence of any discussion of succession - but it is true that one of Vetinari's main goals through the series is the implementation of the kind of systems a democracy would need.

Pratchett is still clearly no socialist. He's definitely very dismissive of the efficacy of revolutions and the people who participate in them, except in narrow contexts like that of Night Watch. Hell, even that revolution wasn't particularly successful. But I don't think it's quite fair to say that he's endorsing the benevolant dictatorship, so much as he is endorsing a broader picture of gradual political progress. And being a bit of a friendly grump about the human condition while he does it.

fickdichistwarum

He's hardly a reactionary. Multiple novels explicitly critique the idea of trying to recreate some misremembered past. While there are decent monarchs that turn up, there's also incompetant and outright awful ones. He's particularly critical of nationalism, with at least three novels explicitly about it being bad (Jingo, Monstrous Regiment and Thud).

I think Pratchett's general position is that improving the world isn't as quick and easy as overthrowing the tyrant in a glorious revolution. Genuine improvement is a long, hard slog, where you'll have to compromise with systems already in place, because they're often too interwoven into the fabric of society to tear out all at once. But also that systems are made up of people, who are messy and complicated and selfish and kind and brave and stupid and insightful and rarely entirely evil or entirely good, and the worst thing you can do is forget that people are people.

I think Pratchett's critique of revolutionary movements is precisely that: that they focus too much on systems and ideology and not enough on the people who live in them. Night Watch is pretty explicit that revolutions often just recreate the same systems of oppression with different people in charge, and that if you dismantle a system without having anything to replace it, that void will end up being filled by a new system of more or less the same shape.


I think I had more to say but my neighbour's fucking leafblower is making my brains dribble out my ears. One day I will shove it so far up his arse...

allthebestrevived63

@fickdichistwarum not sure if you did it on purpose, but your addition sounds like Terry Pratchet's own writing a bit:

[Extremely logical explanation of corrupt systems being inhabited by peoples] [further explanation that people are both incredible and flawed in equal measure which impacts the system overall] [subject shift + specific beef/sarcastic comment].

Idk, I just thought it was cool.

discworld books meta long post
outofangband
outofangband

“the most ancient songs of the elves of which echoes are remembered still in the West, tell of the shadow shapes of walked on the hills above Cuiviénen would pass suddenly over the stars, and of the dark Rider, upon his wild horse, that pursued those that wander to take them and devour them”

I’ve been thinking about this quote a lot in general but right now I’m thinking about it in the context of the elves who never left Middle Earth

First, I absolutely love the love they have for these lands, that despite Morgoth’s encroachment upon it, despite the vile structures he raises, and the terror that creeps around them, there are the forests and hills and stars and they are beloved by these elves. There are their communities that have roots in this land and while their songs may speak of the shadows, they speak of love and hope too. I believe that love for these lands played as much of a role in the decision not to go to Valinor as any potential mistrust of the Valar.

While most tales focus on the struggle of the Noldor and their allies against Morgoth, the elves of Middle Earth have suffered under the shadow of Utumno then Angband for centuries longer.

Most of the elves taken by Morgoth at the time Angband was created were presumably Sindar elves (basing this primarily on geography; I also have so many thoughts on how this effects the culture of Angband, I went into it some on my language post but I’ll definitely write more)

The entire war is imbued with this trauma. If one goes with the version of the orcs in The Silmarillion, then the orcs who attack them are the descendants of stolen kin.

The king of the green elves was killed by Morgoth’s soldiers, forcing many of them to flee from their homes in Ossiriand to the eastern parts of Doriath. Though many flourish there, so much of their lives and customs are destroyed when Denethor is killed on Amon Ereb

Even during the period of Morgoth’s confinement by the Valar, these forces were alive in their lands. Utumno has collapsed but there is no liberation like there is at the end of the war of wrath. Any elves imprisoned under its reign either die, are brought to Angband, or escape into a hostile wild

And when black smoke rises from the Thangorodrim, the Avari, Sindar, and Silvan who see it know exactly what it means. They remember the black smoke of Utumno, they remember their kin vanishing in the night.

And they are afraid. Some scatter, some leave over the Ered Luin, some prepare to fight. But the cultural fear exists among them and in that memory there is no knowledge of a true escape or victory.

the silmarillion tolkien books meta
fiefgoldenlake
cosmicrhetoric

rereading pierce's early tortall books as an adult is like. they're not perfect. especially as someone brown and asian lol. but you can feel like that specific era of feminism coming off the page almost as a response to the state of the genre when it was written. the amount of times an older women would take a child or teen protagonist aside and be like just so you know you don't have to marry someone you slept with. no one can force you to be pregnant. contraceptive methods are easily available. sex workers deserve respect and care. you don't have to stay silent about abuse and despite our sexist society resources do exist to protect you. a womans body is her own. just a relentless focus on reproductive health specifically in her medieval fantasy books about dealing with gender roles

tortall books