@angxlictexrs

basic info: cis, she/her, 23, 🇲🇽

eo, i'm angxlictexrs and i welcome you to my blog! i'm just your average tumblr user trying not to succumb to the horrors soooo

NO BIGOTS OR ZIONISTS OR TERFS OR ICE SUPPORTERS OR ANY KIND OF HATEFUL PEOPLE ARE WELCOME HERE / ISRAHELL IS NOT A REAL COUNTRY ETC 💞

before you decide to stalk/follow/interact:

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130 favorite horror movies: (88/130)

"the human face is a powerful messenger. our brains are attuned to its every nuance. the smallest shift in a musculature can translate itself into complex non-verbal information so subtle, and communicated so quickly, that we often don't even register it consciously. one could say that for human beings, face is a structure with a high information resolution."

-antiviral (2012) dir. brandon cronenberg

it’s simple: when I like an adaptation, everyone complaining about changes to the text is a whiny baby who needs to get over themselves and accept that sometimes you have to change the story to enrich the experience/work within the medium. when I don’t like an adaptation, it’s because nobody else understands the core themes of the original work and would be better off just creating a story independent of what they’re trying to adapt.

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trying to communicate ideas through language and it doesnt suffice so you turn to the abstract image and then people want to be talking to you about the images NO!!!!!! ! ! ! ! ! !

precisely

my belly.... is so full of sushi is unreal........ #mysushi #mybelly #yummy #myplentifullife

DIRECTOR'S NOTE

You can't go home. This play has a particular care for and interest in its victims. The resident
inciting event is endless. tragedy is much more concerned with footnotes than it is with gods.
well acquainted with what happens afterward, storytellers claim they can't diverge from what's
written: resist. rage against what must be. tell a story about war without talking
about love. survive its aftermath. fail to find resolution. make this suffering
a home. There's no breaking this chain— fate, as always, gets its way.

Poetry assembled from the program of an Oresteia production. Nov. 2023.