This playlist comprises 43 characterful and mostly meditative pieces from the long 20th century.
I recorded these during the UK’s various Covid-related restrictions of 2020–22 for use as part of live-streamed church services, as exordia ad missam (tr. preludes to the mass).
Recordings©Andrew Pink.
Material on this page is published under the Creative Commons licence (CC BY-NC-ND 4.0) : Attribution-NonCommercial-NoDerivatives 4.0 International. All rights reserved.
Playlist: click on any item to start listening. Scroll right down for biographical links
Biographies A > Z and sources
- Emma Louise Ashford (1850–1930)
‘Melody in B-flat: allegretto ma non troppo’ (The Organist Vol. 2/iv 1898) - Nadia Boulanger (1887–1979)
‘Inprovisation‘ (Trois Improvisations. 1911–12) - Kate Boundy (1863–1913)
‘Even Song‘ (The Village Organist. Vol. 11. 1898) - Luigi Bottazzo (1845–1924)
‘Invocazione alla Regina della Pace‘. Raccolta di Sette Pezzi. Op.289. 1917) - Maude Campbell-Jansen (1888-1954)
Meditation (1928). - Hedwige Chrétien (1859–1944)
‘Musette‘ from Harmonies Religieuses: à l’usage du service divin. (Series ‘Echos des organistes contemporains’ Vol 3 . 1922) - Samuel Coleridge-Taylor (1875-1912)
‘Melody’ (Three Short Pieces. 1898). - Elisa Delaye-Fuchs (1872–?)
‘Pièce en La bémol majeur‘ Op. 25 (Maîtres contemporains de l’orgue. Vol. 5. 1914. 93–94) - Jeanne Demessieux (1921–68)
‘Rorate caeli‘ (Twelve Choral-Preludes on Gregorian Themes. Op. 8. 1947) . - Théodore Dubois (1837–1924)
‘Adoration‘ (42 Pièces pour Orgue ou Harmonium. c.1915. Op. Posth. 1925) - Marcel Dupré (1886–1971)
‘Alma redemptoris mater‘ (Eight Short Preludes on Gregorian Themes. Op 45. 1958). - Robert Evans (c.1949–.)Divertimento for a Keyoboard: Allegro Energico (2014)
- William Faulkes (1863–1933)
‘Idylle in D-flat major’ (William Faulkes: Compositions for the Organ. 1902) - Eugénie-Emilie Juliette Folville (1870–1946)
‘Verset sur le thème du “Tantum”, 6e ton’ (Maîtres contemporains del’orgue, Vol.3. 1912) - César Franck (1822–90)
‘Prélude pour l’Ave Maris Stella: andantino quasi allegretto’, 1858–63. (No. 28 in Pièces posthumes, ed. Georges Franck, 1905. ) - Harvey Grace (1874–1944)
‘Cradle Song’ (Ten Compositions for the Organ. 1922) - Walter Battison Haynes (1859–1900)
‘Meditation in G: Introductory Voluntary‘ in The Village Organist (Vol. 1, Book 4, 1897) - Paul HIndemith (1895–1963)
‘Ruhig bewegt’ (Sonate 2, 1937) - Peter Hurford (1930–2019)
‘Wem in Leidenstagen‘ (Five Short Chorale Preludes, 1958) - Joseph Jongen (1873–1953)
Petit Prélude (1937) - Jean Langlais (1907–91)
‘Interlude’ (Three Characteristic Pieces, 1957). - John Lee (1908–90)
‘Ecce panis angelorum‘ Ten Organ Preludes for Liturgical Services. No 9. (1939) - Louis J. A. Lefébure-Wely (1817–69)
‘Andante: choeur de voix humaines‘ (Meditaciones religiosas op. 122/vii. 1858). - Kate Loder (1825–1904)
‘Voluntary in B-flat‘ (Six Easy Voluntaries. Second set. 1891). ” … for the most part fresh and genial in character […] somewhat suggestive of Spohr in the numerous chromatic progressions.” (Musical Times. Vol. 32, No. 579 (May 1, 1891), p. 297). - Robert–Charles Martin (1877–1949)
‘Élévation‘ (Parnasse des Organistes … First series, vol.1. 1911) - Olivier Messiaen (1908–92)
Le Banquet Céleste (1928) - Andrew Moore (b.1954)
Hymn-prelude ‘Bunessan’ (1996) - Ann Mounsey-Bartholomew (1811–1891)
‘Andante’ (The Village Organist. First Series, vol 2. 1872) - Henri Mulet (1878–1967)
‘Noel’ (Esquisses Byzantines, 1920). - Max Oesten (1843–1917).
‘Christmas‘ (Festival Times. Op 205/i, 1899). - Flor Peeters (1903–86)
‘Fantasie Inviolata‘ (Four Improvisations on Gregorian Melodies. Op.6/iv, 1946). - Jean-Marie Plum OSM (1898–1944)
‘Bénédiction nuptiale‘ (Messe de mariage. Op.56/ii. Pub. posth, Paris. 1955) - Marie Prestat (1862–1933)
‘Offrande à la Vierge: Alma redemptoris mater‘ (Maîtres contemporains de l’orgue. Vol.4.. Paris: 1914) - Florence Price (1887–1953)
Adoration (1951) - Noel Rawsthorne (1929–2019)
‘Interlude in C‘ (Adagio Collection, 1999) - Alec Rowley (1892–1958).
‘Picardy‘ (A Book of Hymn Tune Voluntaries [by various]. 1950) - Blanche Rozan (fl.1900–12)
‘Petite Prière: assez lentement’ (Maîtres contemporains de l’orgue. Vol. 2.. Paris: 1912) - Léonce de Saint-Martin (1886–1954)
‘Interlude de Grand Orgue pour l’Élévation: infiniment calme‘ (Mass in E-minor, Op.13. 1932)
Hermann Schroeder (1904–84).
‘Allegretto‘ (Kleine Präludien und Intermezzi. Op. 9. 1932) - Franz Schubert (1797–1828)
‘Ave Maria’ (Ellens Gesang III, D. 839/vi. 1825), arr. Andrew Pink (2022) - Quentin Thomas (b. 1972)
‘Prelude on St Columba’ (1996) - Ralph Vaughan Williams (1872–1958)
‘Eventide‘ (from Two Hymn Tune Preludes for small orchestra (1936), arranged for organ (1938) by Herbert Sumsion (1899–1995) - René Vierne (1878–1918)
‘Élévation’ (Archives de l’Organiste, vol 4. 1910)
Techincal notes
– Temperament: Equal; pitch A=440
– Organ: Viscount Sonus 60
– Microphone: Zoom Q2N-4K
– Recordings: ©Andrew Pink. All rights reserved.
Creative Commons licence: [Attribution-NonCommercial-NoDerivatives 4.0 International]
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