| China | 2018 | Exp | 15min | Color | No Dialogue
| director: Miao Yuan LONG
| composer: Zen Lu
| 2019 Art in Country of Tokyo (AICOT) Experimental Art Festival, Japan (15-minute edited version)
| 2017 WRO Media Art Biennale, Poland (48-minute live performance version)
Shenzhen River (the border btw Hong Kong and Shenzhen), and the Second Line of Shenzhen Special Economic Zone (the border btw Socialism China and Capitalism China) were compared to the Berlin Wall. The Second Line was constructed in June 1982, demolished June 2015. The First Line (Shenzhen River) still flows, running deeper and deeper after 1997. Artist Miaoyuan LONG and Zen Lu documented major checkpoints along these two boundaries. It’s a piece to illustrate the Big Escape (Touch Base Policy) from mainland China to Hong Kong during 1950-70s and the geopolitical history of Shenzhen.
The 48min audio-visual live performance version was Official selection of Draft Systems 2017 WRO Media Art Biennale, Poland.



