For in addition to the Rapunzel effect of the exhibition, Jackson's spooky visage emblematizes the "feminine" idiosyncracy of Cameron's photography: the house-and-family confines of her work, its commitment to the marriage-and-motherhood experience of Victorian women, its family-tree connection to the heritage of feminism, its dialectical position between "the angel in the house" and "a room of one's own." Including Cameron's patriarchs would only have brought the law of the father back into this photographic gynarchy.
Published by Gynarchy, the book is currently available on Amazon in paperback and Kindle formats and should be an enjoyable read even for those who are not fans of poetry.