A review of 'First Cut 2: More Conversations with Film Editors,' by Gabriella Oldham.
Editing
Samsara is the third non-verbal film Ron Fricke and I have made, the others being Chronos (1985) and Baraka (1992). These films have taken us in total
As filmmakers increasingly rely on AI tools to optimize the editing process, we must ask: What is it teaching us to see, and what might we overlook as
Post house Sugar Studios offers filmmakers with mid-tier budgets a lifeline in an era of contraction, enabling projects that might otherwise collapse
Geeta Gandbhir’s The Perfect Neighbor is a blockbuster feature documentary constructed from police video evidence obtained through a Freedom of
Working with over 1,000 hours of archival footage, Ian Bell and Alex Megaro connect their record of Seattle’s 1999 mass protests, WTO/99, with present
In this interview, Mary Stephen reflects on decades spent shaping other filmmakers’ narratives before turning to her own family in Palimpsest: The
Let’s face it: documentaries are no longer "niche." Since 2020, documentaries have been the fastest-growing genre on streaming platforms. Data
I always imagine Jean Tsien in constant motion, even though her work as an editor and producer usually means hours of sitting at a computer. Her films
It was the first day on my new editing gig: a feature documentary about abuse, directed by Amy J. Berg. The AE had delivered the hard drive, the