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The Grand Comics Database (GCD) is a nonprofit, internet-based organization of international volunteers dedicated to building an open database covering all printed comics throughout the world.
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Richard Corben was an American illustrator and comic book artist best known for his comics featured in Heavy Metal magazine, especially the Den series which was featured in the magazine's first film adaptation in 1981.
After working as a professional animator at Kansas City's Calvin Productions, Corben started writing and illustrating for the underground comics, including Grim Wit, Slow Death, Skull, Rowlf, Fever Dreams and his own anthology Fantagor. In 1970 he began illustrating horror and science-fiction stories for Warren Publishing. His stories appeared in Creepy, Eerie, Vampirella, 1984 and Comix International.
Corben submitted 1975 some of his stories to the magazine Métal Hurlant in France, them, he continued his work for the franchise in America, where the magazine was called Heavy Metal. In 1976 he adapted a short Robert E. Howard story in an early graphic novel. Among the stories drawn for Heavy Metal he continued the saga of his most famous creation, Den, which had begun in the short film Neverwhere and a short story in the underground publication Grim Wit No. 2. From 1986 to 1994 Corben operated his own publishing imprint, Fantagor Press. Among the titles Fantagor published were Den, Den Saga, Horror in the Dark, Rip in Time, and Son of Mutant World. Fantagor went out of business after the 1994 contraction of the comics industry. Since 2000 Corben has done work for Marvel, DC, IDW, and most notably Dark Horse, drawing the Eisner Award-winning Hellboy.
Corben's collaborations are varied, ranging from Rip in Time with Bruce Jones, to Harlan Ellison for Vic and Blood, to the Mutant World titles, Jeremy Brood, and The Arabian Nights with Jan Strnad.
Don Daley worked for Marvel Comics, from 1985 to 1995. He did support as an assistant editor, from 1985 to 1987 and editor from 1987 to 1995. He also did photographic artwork for the cover of The Punisher War Journal (Marvel, 1988 Series) #36 (November 1991).
Dave Dorman is a science fiction, horror and fantasy illustrator best known for his Star Wars artwork.
Dorman began his professional career in 1979, and has done illustration for comic book companies Marvel, DC, and Dark Horse, but his break came in 1983, when his artwork first appeared on the cover of Heavy Metal magazine. Although he has produced cover art based on such characters as Indiana Jones, Batman, and Superman, he became most well known for his Star Wars artwork. Dorman won an Eisner Award in 1993 for his paintings in the book Aliens: Tribes.
Hasbro commissioned Dorman to paint over 100 pieces realistic artwork for its 3-inch series of G.I. Joe action figures in the mid-1980s. In 1994, Dorman was commissioned to do the artwork for a series of 90 trading cards for the Ultraverse comic book setting. In 1996, Hasbro asked Dorman to create more artwork for its 12-inch G.I. Joe collector series.
Adolf Oberländer was a German caricaturist, illustrator, cartoonist and early comics artist working in caricature with publications in the later 1800's.
Oberländer joined the staff of the Fliegende Blätter, to which he became a constant contributor and leading artist. His works were collected in the Oberländer-Album, published by Braun and Schneider in Munich and reprinted a number of times. He was also a painter of some note, and pictures of his are in the galleries of Munich, Berlin, Dresden and other cities of Germany..
Dorothy Woolfolk was one of the first women in the American comic-book industry. As an editor at DC during the 1940s Golden Age of Comic Books, she is credited with helping to create the fictional metal Kryptonite in the Superman mythos.
Woolfolk served from 1942 to 1944 as an editor at All-American Publications, one of the three companies that would merge to form the present-day DC, before Julius Schwartz took over, then spent the next two years at Timely Comics, the 1940s predecessor to Marvel Comics, and in 1948 was an editor at EC Comics. She also occasionally scripted comics, reportedly including an unknown number of Wonder Woman stories in the 1940s — making Woolfolk the first female writer of that series, and, with Ruth Atkinson and Ruth Roche, among comic books' first female writers. Woolfolk said in 1993 that she had found Superman's invulnerability dull, and that DC's flagship hero might be more interesting with an Achilles' heel such as adverse reactions to a fragment of his home planet. This gave rise to the famous fictional metal kryptonite. After raising two children, Woolfolk briefly returned to comics in the 1970s, editing DC superhero and romance titles from 1971 to 1974.
Woolfolk also wrote for the science fiction magazine Orbit during the 1950s, and in the 1970s and early 1980s was the author of the 10-book Scholastic Press young-adult novel series about teen detective Donna Rockford.
Ta-Nehisi Coates is an American author, journalist, and activist. He gained a wide readership during his time as national correspondent at The Atlantic, where he wrote about cultural, social, and political issues, particularly regarding African Americans and white supremacy.
He has written two Black Panther series and a Captain America series for Marvel. He has published four nonfiction books and his first novel, The Water Dancer, was published in 2019.
Vittorio Coliva attended l'Accademia di Brera and the design school of the Castello Sforzesco in Milan. In 1956 he started work for Roy D'Amy's studios. Between 1959 and 1962, he did back-up stories and illustrations for Tex. He also illustrated Maschera Nera, Zorak, Satanik and Kriminal for Editoriale Corno. From 1965 to 1971, he illustrated stories for OS 117, Goldrake, Messalina, Helga and Jolanka. For publishing house Universo, he illustrated Albo dell'Intrepido and Il Monello. In the 1980s, he illustrated Brave Starr comics.
An American cartoonist and letterer of comic books.
Eliopoulos is known as a prolific letterer, in particular for hand-lettering the first 100 issues of the ongoing Savage Dragon (1993 series) series, even after much of the comic book industry (including Eliopoulos himself, on other titles) had come to rely on computer-generated fonts for dialogue; this was done at Savage Dragon creator Erik Larsen (b. 1962)'s request.
He designed the fonts for Marvel's in-house computer lettering unit. He has also contributed lettering work to DC, Image, Valiant Entertainment, and other publishers.
Eliopoulos is also known for his comic strip Desperate Times (English), which features the misadventures of bachelor losers Marty and Toad, which ran as a back-up feature in Savage Dragon, and later Desperate Times comics from Savage Dragon (1993 series) publisher Image and AAArgh! Comics.
Kieron Gillen is a British comic book writer and former video game and music journalist.
Gillen is known for his creator-owned series such as Phonogram (English), The Wicked + The Divine (2014 series), Die (2018 series), Once & Future (2019 series), and The Power Fantasy (2024 series), the first two co-created with artist Jamie McKelvie (b. 1980).
He is also known for numerous Marvel comics, such as Journey into Mystery, Uncanny X-Men, and Young Avengers in the early 2010s and Star Wars comics in the mid-to-late 2010s including Darth Vader, Star Wars, and co-creation of the character Doctor Aphra who starred in her own ongoing spin-off comic series Star Wars: Doctor Aphra of which Gillen wrote the first 19 issues. He returned to the X-Men in the 2020s with multiple series during the Krakoan Age for the Destiny of X, Sins of Sinister and Fall of X storylines.
Alex Maleev is a Bulgarian comic book illustrator, best known for the Marvel's series Daredevil (1998 series) with frequent collaborator Brian Michael Bendis.
Maleev made his first foray into comics in Bulgaria for Godan (Годън in Bulgarian) and Carthel of Dead published in Riko magazine since 1991 and 1992, respectively. Upon arriving in the United States in 1995, he enrolled at The Kubert School. Maleev left the school in early 1996, already securing professional comics work on James O'Barr's The Crow (Dead Time and Flesh and Blood) and subsequently storyboarding the "Lost in Space" film at Continuity Associates before entering a successful run at DC Comics on Batman: No Man's Land.
He first teamed with Bendis on Todd McFarlane's Sam and Twitch series in 2000-2001 before they were recruited for Daredevil (1998 series) in 2001. In 2006, Maleev finished his run with Bendis in Daredevil and had a collaboration with the writer on a new ongoing Spider-Woman series. Bendis and Maleev relaunched Moon Knight in 2011 with volume 4, and were working on the creator owned comic Scarlet. From 2016 they collaborated on the three series International,Infamous and Invincible Iron Man. Starting 2019, they worked for DC on Event Leviathan and Checkmate, where Maleev before worked on Batman comics in 2013.
Stanton is best known for his fetish comic artwork and sharing a studio with Steve Ditko. The two helped each other on each other's work when needed.
Self-Publisher under Stanton Archives from 1964 which continued until after his death in 1999 with his daughter Amber.
Assisted Boody Rogers as letterer for Babe feature in Feature Comics in 1948. Also assisted Rogers on Sparky Watts feature for Columbia from circa 1946 to 1948. Unknown if he also assisted on the Sparky Watts comic strip through McNaught Syndicate during this time.
Did syndication ghost work under his birth name of Ernest Stanzoni for the comic strip:
Tom and Jerry (AP Newsfeatures [Associated Press], 1950 series), writer, 1950-02-06 - 1952-02-02.
Bill Walsh was a film producer, screenwriter and comics writer who primarily worked on live-action films for Walt Disney Productions. For his work on Mary Poppins, he shared Academy Award nominations for Best Picture with Walt Disney, and for Best Writing, Screenplay Based on Material from Another Medium with Don DaGradi. He also wrote the Mickey Mouse comic strip for more than two decades.
Syndicated comic strip work included:
Mickey Mouse daily (King Features / Walt Disney Productions) writer from 1943-06-28 - 1962-03-17;
Mickey Mouse Sunday (King Features / Walt Disney Productions) writer from 1944-10-08 - 1963-05-12;
Silly Symphonies (Panchito) Sunday (King Features / Walt Disney Productions) writer from 1944-10-08 - 1945-10-07;
Uncle Remus and His Tales of Br'er Rabbit Sunday (King Features / Walt Disney Productions) writer from 1945-10-14 - 1946-10-06.
The milestone cover was the variant cover by Jim Mahfood for the issue Spider-Punk: Arms Race #2 .
The milestone issue was Tex Willer Gigantbok #13 - Den siste opprøreren from Norwegian publisher Egmont.
Besides updating and renovating our page designs, in particular making it useable on small screens, we made a couple of changes on the behaviour of the site.
The result tables and lists are now more consistent throughout the site. On many pages you now fill find these two symbols . By clicking on them one can switch with a list view and an image view, e.g. using covers or creator faces.
Filtering of search results or lists is now usually available.
To avoid visual information overload in case of many variants or reprints, we show the full list only if their number is below a threshold. Logged-in users can set the thresholds in their profile to allow user-defined display.
The functionality for adding issues to a collection, or editing their collection status, is now accessible on the main site.
Most data objects now support markdown in the notes for visual structure. Notes now also support internal links, these are generated automatically and shown with the object name, e.g. [gcd_link_issue](442), or generally [gcd_link_'object_type'](id)
We changed the colors on the series status tables for a more consistent appearance. For issues, we added another layer to indicate that some sequence data is present.
Keywords are now generally clickable troughout the site.
This is good news for all our users, but we are now fully dependent on donations to cover our costs in the future.
If you wish to donate you can simply click , where for US donors this is tax deductable. Thank you for your use and support.Turning off these measures is not an option for us. Our site would be regularly unresponsive due to the bots (which are often AI-related bots).
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Each week, a small number of GCD volunteers add listings to our database for the new comics released that week in North America. These are just the basic listings, not full indexes. This makes it easier for other volunteers who upload covers and for indexers, as well as for people using my.comics.org.
Each volunteer covers one publisher or a small group of publishers ("D publishers except DC", for example). From public sources such as ComicsList and Diamond Previews online, they add the issues and make note of the prices and a few other details. We are looking for additional volunteers for this weekly task.
Follow this link for a description of the process and a list of which publishers are currently covered.