Bottom line? This somewhat haphazard collection of twenty-five or so articles about Joe Strummer is more or less exactly the homage one would expect, with few (if any) surprises. The focus here is to celebrate the passing of a highly influential musician and his legacy as a progressive and hopeful force, while putting him in the context of his times. Most diehard Clash and Strummer fans won't find anything new here, and those unfamiliar with him may find it a bit overwhelming, but taken in small pieces, it's an inspirational tribute to Strummer's spirit. While the book would certainly benefit from from greater thematic organization (not to mention attention to detail), its heart is in the right place, and it's hard to imagine any collection of clippings and essays being any better.
The book is organized into four loose sections proceeded by a very brief piece by Chuck D about The Clash's influence on Public Enemy, along with an introduction by editor D'Ambrosio. The first (and longest) section covers Strummer's career as leadman for The Clash. These are all pieces that originally appeared elsewhere, beginning with D'Ambrosio's lengthy overview which ran in the Monthly Review in 2003 and is available on their web site. There's the 1976 interview from Sniffin' Glue, gushing pieces from Trouser Press (1978), Rolling Stone (1979), Sounds (1979), a 50-page excerpt from Lester Bangs' seminal book Psychotic Reactions and Carburetor Dung, and a much-revised piece by Greil Marcus that has appeared in a number of places. These reprints are all fine, and as a collective, give a reasonable sense of the power and importance of The Clash for those not already in the know.
The second and third sections are divided rather arbitrarily, and are a hodgepodge of essays and interviews mostly about Strummer's post-Clash career. The first of these is a pretty decent overview of his work in film from D'Ambrosio, who interviewed Alex Cox, Jim Jarmusch, and Dick Rude for the piece. This is followed by a nice short 1988 piece from Sounds focusing on Strummer's soundtrack work, especially Walker. The next essay, titled "The Politics of Punk's Permanent Revolution," attempts to posit that the Clash "helped precipitate a permanent revolution." It reads like something from an academic journal, and invokes philosophers from Hegel to Kant to Kouvalakis with a little Marx thrown in. There are a few promising ideas, but it's hard to take the author seriously when he writes that the album London Calling is "a perfectly awful mish mash of musical styles." Freelance writer Amy Phillips contributes an interesting article about the influence of The Clash on women, and D'Ambrosio adds one about The Clash and antiracism.
Section three starts with a rather boring essay by D'Ambrosio which attempts to reframe Strummer as a political folk artist in the vein of Victor Jara or Silvio Rodriquez. It's probably more interesting if you know those artists, but is to be commended for highlighting some of Strummer's more obscure influences. Two good personal interviews from Punk Planet (2000) and Arthur (2003) follow, a brief profile from Metropolis (2001), and a brief piece from Arthur about Strummer's relationship with Jamaican music. None of these are anything breathtaking, but worth checking out if you missed them the first time around. The final piece about the importance and legacy of The Clash isn't particularly strong, and can be read at poppolitics.com.
The final section is dedicated to essays attempting to give hope for the future. In the first D'Ambrosio profiles musician/activist Michael Franti and actor/activist Tim Robbins as two socially-conscious artists in the tradition of Joe Strummer. Alas, if those are the best we have to offer, the future looks bleak. This is followed by tributes from fellow musicians like Not4Prophet, Billy Bragg, and the singer for Radio 4. This latter group I'd not heard of and will definitely be checking out. These last voices, along with D'Ambrosio coda detailing a late collaboration between Strummer and Johnny Cash, act as a welcome call to action, a reminder that as bad as things look, one should never lose hope and stop striving to change the world around you. That,
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