11/22/63: A Novel

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On November 22, 1963, three shots rang out in Dallas, President Kennedy died, and the world changed. What if you could change it back? Stephen King’s heart-stoppingly dramatic new novel is about a man who travels back in time to prevent the JFK assassination—a thousand page tour de force.

Following his massively successful novel Under the Dome, King sweeps readers back in time to another moment—a real life moment—when everything went wrong: the JFK assassination. And he introduces readers to a character who has the power to change the course of history.


Jake Epping is a thirty-five-year-old high school English teacher in Lisbon Falls, Maine, who makes extra money teaching adults in the GED program. He receives an essay from one of the students—a gruesome, harrowing first person story about the night 50 years ago when Harry Dunning’s father came home and killed his mother, his sister, and his brother with a hammer. Harry escaped with a smashed leg, as evidenced by his crooked walk.

Not much later, Jake’s friend Al, who runs the local diner, divulges a secret: his storeroom is a portal to 1958. He enlists Jake on an insane—and insanely possible—mission to try to prevent the Kennedy assassination. So begins Jake’s new life as George Amberson and his new world of Elvis and JFK, of big American cars and sock hops, of a troubled loner named Lee Harvey Oswald and a beautiful high school librarian named Sadie Dunhill, who becomes the love of Jake’s life—a life that transgresses all the normal rules of time.

A tribute to a simpler era and a devastating exercise in escalating suspense, 11/22/63 is Stephen King at his epic best.

Review

"Fascinating... Captivating. It is not typical Stephen King. It is extraordinary Stephen King." USA Today

"Among living American novelists, Stephen King is the heavyweight champion... This may be his most haunted, and haunting, work."
San Diego Union Tribune

About the Author

Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes Never Flinch, the short story collection You Like It Darker (a New York Times Book Review top ten horror book of 2024), Holly (a New York Times Notable Book of 2023), Fairy Tale, Billy Summers, If It Bleeds, The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and a television series streaming on Peacock). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, Doctor Sleep, and Firestarter are the basis for major motion pictures, with It now the highest-grossing horror film of all time. He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

Excerpt. © Reprinted by permission. All rights reserved.

8

On Monday, March 25, Lee came walking up Neely Street carrying a long package wrapped in brown paper. Peering through a tiny crack in the curtains, I could see the words REGISTERED and INSURED stamped on it in big red letters. For the first time I thought he seemed furtive and nervous, actually looking around at his exterior surroundings instead of at the spooky furniture deep in his head. I knew what was in the package: a 6.5mm Carcano rifle—also known as a Mannlicher-Carcano—complete with scope, purchased from Klein’s Sporting Goods in Chicago. Five minutes after he climbed the outside stairs to the second floor, the gun Lee would use to change history was in a closet above my head. Marina took the famous pictures of him holding it just outside my living room window six days later, but I didn’t see it. That was a Sunday, and I was in Jodie. As the tenth grew closer, those weekends with Sadie had become the most important, the
dearest, things in my life.

9

I came awake with a jerk, hearing someone mutter “Still not too late” under his breath. I realized it was me and shut up.

Sadie murmured some thick protest and turned over in bed. The familiar squeak of the springs locked me in place and time: the Candlewood Bungalows, April 5, 1963. I fumbled my watch from the nightstand and peered at the luminous numbers. It was quarter past two in the morning, which meant it was actually the sixth of April.

Still not too late.

Not too late for what? To back off, to let well enough alone? Or bad enough, come to that? The idea of backing off was attractive, God knew. If I went ahead and things went wrong, this could be my last night with Sadie. Ever.

Even if you do have to kill him, you don’t have to do it right away.

True enough. Oswald was going to relocate to New Orleans for awhile after the attempt on the general’s life—another shitty apartment, one I’d already visited—but not for two weeks. That would give me plenty of time to stop his clock. But I sensed it would be a mistake to wait very long. I might find reasons to keep on waiting. The best one was beside me in this bed: long, lovely, and smoothly naked. Maybe she was just another trap laid by the obdurate past, but that didn’t matter, because I loved her. And I could envision a scenario—all too clearly—where I’d have to run after killing Oswald. Run where? Back to Maine, of course. Hoping I could stay ahead of the cops just long enough to get to the rabbit-hole and escape into a future where Sadie Dunhill would be . . . well . . . about eighty years old. If she were alive at all. Given her cigarette habit, that would be like rolling six the hard way.

I got up and went to the window. Only a few of the bungalows were occupied on this early-spring weekend. There was a mud- or manure-splattered pickup truck with a trailer full of what looked like farm implements behind it. An Indian motorcycle with a sidecar. A couple of station wagons. And a two-tone Plymouth Fury. The moon was sliding in and out of thin clouds and it wasn’t possible to make out the color of the car’s lower half by that stuttery light, but I was pretty sure I knew what it was, anyway.

I pulled on my pants, undershirt, and shoes. Then I slipped out of the cabin and walked across the courtyard. The chilly air bit at my bed-warm skin, but I barely felt it. Yes, the car was a Fury, and yes, it was white over red, but this one wasn’t from Maine
or Arkansas; the plate was Oklahoma, and the decal in the rear window read GO, SOONERS. I peeked in and saw a scatter of textbooks. Some student, maybe headed south to visit his folks on spring break. Or a couple of horny teachers taking advantage of the Candlewood’s liberal guest policy.

Just another not-quite-on-key chime as the past harmonized with itself. I touched the trunk, as I had back in Lisbon Falls, then returned to the bungalow. Sadie had pushed the sheet down to her waist, and when I came in, the draft of cool air woke her up. She sat, holding the sheet over her breasts, then let it drop when she saw it was me.

“Can’t sleep, honey?”

“I had a bad dream and went out for some air.”

“What was it?”

I unbuttoned my jeans, kicked off my loafers. “Can’t remember.”

“Try. My mother always used to say if you tell your dreams, they won’t come true.”

I got into bed with her wearing nothing but my undershirt. “
My mother used to say if you kiss your honey, they won’t come true.”

“Did she actually say that?”

“No.”

“Well,” she said thoughtfully, “it sounds possible. Let’s try it.”

We tried it.

One thing led to another.

10

Afterward, she lit a cigarette. I lay watching the smoke drift up and turn blue in the occasional moonlight coming through the half-drawn curtains.
I’d never leave the curtains that way at Neely Street, I thought. At Neely Street, in my other life, I’m always alone but still careful to close them all the way. Except when I’m peeking, that is. Lurking.

Just then I didn’t like myself very much.

“George?”

I sighed. “That’s not my name.”

“I know.”

I looked at her. She inhaled deeply, enjoying her cigarette guiltlessly, as people do in the Land of Ago. “I don’t have any inside information, if that’s what you’re thinking. But it stands to reason. The rest of your past is made up, after all. And I’m glad. I don’t like George all that much. It’s kind of . . . what’s that word you use sometimes? . . . kind of dorky.”

“How does Jake suit you?”

“As in Jacob?”

“Yes.”

“I like it.” She turned to me. “In the Bible, Jacob wrestled an angel. And you’re wrestling, too. Aren’t you?”

“I suppose I am, but not with an angel.” Although Lee Oswald didn’t make much of a devil, either. I liked George de Mohren--schildt better for the devil role. In the Bible, Satan’s a tempter who makes the offer and then stands aside. I hoped de Mohrenschildt was like that.

Sadie snubbed her cigarette. Her voice was calm, but her eyes were dark. “Are you going to be hurt?”

“I don’t know.”

“Are you going away? Because if you have to go away, I’m not sure I can stand it. I would have died before I said it when I was there, but Reno was a nightmare. Losing you for good . . .” She shook her head slowly. “No, I’m not sure I could stand that.”

“I want to marry you,” I said.

“My God,” she said softly. “Just when I’m ready to say it’ll never happen, Jake-alias-George says right now.”

“Not right now, but if the next week goes the way I hope it does . . . will you?”

“Of course. But I
do have to ask one teensy question.”

“Am I single? Legally single? Is that what you want to know?”

She nodded.

“I am,” I said.

She let out a comic sigh and grinned like a kid. Then she sobered. “Can I help you? Let me help you.”

The thought turned me cold, and she must have seen it. Her lower lip crept into her mouth. She bit down on it with her teeth. “That bad, then,” she said musingly.

“Let’s put it this way: I’m currently close to a big machine full of sharp teeth, and it’s running full speed. I won’t allow you next to me while I’m monkeying with it.”

“When is it?” she asked. “Your . . . I don’t know . . . your date with destiny?”

“Still to be determined.” I had a feeling that I’d said too much already, but since I’d come this far, I decided to go a little farther. “Something’s going to happen this Wednesday night. Something I have to witness. Then I’ll decide.”

“Is there no way I can help you?”

“I don’t think so, honey.”

“If it turns out I can—”

“Thanks,” I said. “I appreciate that. And you really will marry me?”

“Now that I know your name is Jake? Of course.”

About the author

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Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes NEVER FLINCH, YOU LIKE IT DARKER (a New York Times Book Review top ten horror book of 2024), HOLLY (a New York Times Notable Book of 2023), FAIRY TALE, BILLY SUMMERS, IF IT BLEEDS, THE INSTITUTE, ELEVATION, THE OUTSIDER, SLEEPING BEAUTIES (cowritten with his son Owen King), and the Bill Hodges trilogy: END OF WATCH, FINDERS KEEPERS, and MR. MERCEDES (an Edgar Award winner for Best Novel). His novel 11/22/63 was named a top ten book of 2011 by the New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works THE DARK TOWER, IT, PET SEMATARY, DOCTOR SLEEP, and FIRESTARTER are the basis for major motion pictures, with IT now the highest-grossing horror film of all time. He is the recipient of the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

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Features

  • First Edition, 2011, first printing, 1 3 5 7 9 10 8 6 4 2, a like-new, unread, unworn, unopened, unmarked hardcover, with an equally fine unclipped ($35.00) dust jacket, from Scribner. By Stephen King. ISBN 978-1-4516-2728-2.

Product information

Publisher Scribner
Publication date November 8, 2011
Language ‎English
Print length 849 pages
ISBN-10 1451627289
ISBN-13 978-1451627282
Item Weight ‎2.9 pounds
Dimensions 9.3 x 6.3 x 2.7 inches
Best Sellers Rank
Customer Reviews 4.8 out of 5 stars 3,611Reviews
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Customers say

Customers find this novel captivating with amazing twists and turns, and appreciate its time travel elements that put readers back in time. The book features well-developed characters that are full and interesting, and customers consider King one of the best writers of our time. The plot receives mixed reactions, with some praising the well-done details while others find it not tightly plotted.

Customers find the book highly readable, describing it as a captivating novel that tells a whopping good story.

"...And this book is so cool that any details I could give you would absolutely, without a doubt lessen the impact and sheer entertainment value of it...." Read more

"...Well worth what I spent on it considering at another book store it was quite a bit more." Read more

"...Their love story is the centerpiece of the novel and is told with great depth, sensitivity and believability...." Read more

"Stephen King has always been at his best when writing about people. Most of the time, as in 11/22/63, the supernatural plays a major part...." Read more

Customers find the book suspenseful with a riveting storyline and amazing twists and turns, featuring a love story with unusual context.

"...This book is not horror. It is not creepy, it's not science fiction, and it's not scary...." Read more

"...here, at least none that aren't human, and little or no horror in the supernatural sense that King's constant readers have come to know, love and..." Read more

"...Best of all, the ending works - totally and completely...." Read more

"Not your typical Stephen King novel. It's Romance, suspense, edgy and a good page turner. Will read again!" Read more

Customers enjoy the time travel elements in the book, finding it a must-read for fans of the genre and appreciating how it puts readers back in time.

"...Yes, it is built around a well-used SF trope, time travel, but really, the portal to the past that Jake Epping is shown in the back of an aluminum..." Read more

"...Time travel aficionados will like the novel, too...." Read more

"...The storyline was fascinating, the idea of time-travel is an old one, but S K's version was freshly done...." Read more

"...genres all intertwined into one, a historical novel, a science-fiction tale of time travel, a work of fiction, with just a little King horror thrown..." Read more

Customers praise the writing quality of the book, describing it as wonderful and readable, with several noting it's the best King has written in years.

"...He absolutely IS a great writer and not only can I not wait to see what he writes next, I want to take another look at all his other books that I..." Read more

"...The world of 1958-1963 is described in wonderful detail, through the eyes of Jake as he gradually sheds his early 21st century armored shell and..." Read more

"...Stephen King is a good writer and story teller. I didn't know that about him...." Read more

"...All of these accurate historic scenes and more were described in detail and integrated into the context of the story...." Read more

Customers appreciate the character development in the book, noting that the characters are full and interesting, with one customer highlighting their three-dimensional nature and another mentioning how they discuss the time portal.

"...King also develops several other characters that you will really come to know and enjoy. This is one my favorite aspects of the book...." Read more

"...It's full of King's very special blend of memorable characters, small-town vignettes, and the idea that something dark and inscrutable lurks..." Read more

"...The dialogue, I though was really true to the character, I liked the gentle humor and the asides...." Read more

"...It is SO good! To each of the characters' voices he adds individual personality and believability...." Read more

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Top reviews from the United States

  • 5.0 out of 5 starsVerified Purchase
    A must read
    Reviewed in the United States on June 8, 2025
    Format: Hardcover
    I like my books and hardback where they're tangible. If you love Stephen King books, you're going to love this. I blew through the first half of the book in probably 3 days. The last hundred pages are a bit cumbersome to get to because of the detail and plus I...
    I like my books and hardback where they're tangible. If you love Stephen King books, you're going to love this. I blew through the first half of the book in probably 3 days. The last hundred pages are a bit cumbersome to get to because of the detail and plus I don't want it to end : can I I'm sorry can I can I can I come in? I'm starting to feel sick. I was waiting for your instruction
    One person found this helpful
  • 5.0 out of 5 starsVerified Purchase
    If you didn't think you liked Stephen King, you have another think coming! - (NO SPOILERS!) 5 stars!
    Reviewed in the United States on December 1, 2011
    Format: Hardcover
    If you didn't think you liked Stephen King, you have another think coming! This book is not horror. It is not creepy, it's not science fiction, and it's not scary. And I think it's the must read novel of the year, the first five star book I have read in a...
    If you didn't think you liked Stephen King, you have another think coming! This book is not horror. It is not creepy, it's not science fiction, and it's not scary. And I think it's the must read novel of the year, the first five star book I have read in a long time. I will go out on a limb here and say that if you read any books I have recommended, read this one. (If you don't trust me, trust the New York Times. They just named it one of ten best books of the year. First time King has ever been on that list!)

    First thing let me say that this review will have no spoilers. And this book is so cool that any details I could give you would absolutely, without a doubt lessen the impact and sheer entertainment value of it. Although it was 849 pages I read it in less than a week, and at the end I was walking around the house with my Kindle attached to my nose!

    The only summary I will give you is revealed in most every interview, the back cover and in the first chapter. Jake Epping is a high school English teacher in Lisbon Falls Maine. He gets summoned by his friend Al Templeton, who owns the local diner who is dying of cancer. Al tells Jake he has found a time portal in the diner and has been back in time trying tracking Lee Harvey Oswald so he can prevent the death of JFK. Al begs Jake to finish what he has started for him. After all, when you return from the past only two minutes have passed, so it won't take but a bit... Jake reluctantly agrees and steps into the time portal in 1958.

    The first half of the book Jake is getting used to the whole idea of living in the past and does some "personal business" in 1958 before going to Dallas to carry out Al's wishes. The book does NOT just jump into the JFK part and that's one of the things that I really enjoyed about it.

    Beyond that I don't want to tell you ANY details, or even spout some already quotable lines from the book that I have seen popping up on the internet that might give you even a clue of what will happen.

    Jake is a wonderful character and you really come to love him and the people he meets and loves. King also develops several other characters that you will really come to know and enjoy. This is one my favorite aspects of the book. In his horror books, the story is always the king (pardon the pun). In this book, character development is just as important. The other thing that most people will love is the whole idea of a man from 2011 living in 1958. It reminded me of the first part of `Back to the Future,' where Marty gets called `Calvin,' all the time. You can take a man out of 2011 but you can't take 2011 out of the man. Ok I am going to stop now before I spoil anything. Readers of my mom's generation will love the book for the rich descriptions of the sites sounds and attitudes of 1958 and the early sixties.

    That's all I will say about the story. I also want to say that although I have been a Stephen King fan for a long time, I have always considered him an "entertainer" and a "weaver of great yarn" more than I have considered him a "great" writer. I was very impressed with the writing in `The Green Mile', `The Shawshank Redemption,' `The Body' (the novella Stand by Me was based on), and a good number of his short stories, but for the rest (think his classics, `Carrie', `The Shining', `Firestarter', `Christine', et al) I thought they were great entertainment but not great novels. I haven't read 'The Stand' yet and I started the Dark Tower series but stopped after a chapter or two not thinking his fantasy epic was for me. (I think I am going to try them both again now). I didn't like 'Cell' very much either. But I love his early stuff and all of his short stories and novellas. My high school friend Kristen just said last week, "it's not sexy to like Stephen King." This book changes all that for me and probably a LOT of other people. He absolutely IS a great writer and not only can I not wait to see what he writes next, I want to take another look at all his other books that I have not read yet.

    If you already are an avid Stephen King reader you will absolutely love the references to Derry, Maine. A couple of the characters from `It' make a cameo, and the dark troubles that burden this small town are very much woven into the first half of story. This is definitely a special gift from the author to his loyal fans!

    Oh and one more thing. If you ARE a science fiction fan familiar with the time travel genre you might not like the "rules" of time travel that King sets up when Al explains that the whole thing works. I don't want to give ANYTHING about the book away, but Be Patient. I think you will be happy how he ties it all up.

    So in summary: If you already like Stephen King you will love this book. If you don't like Stephen King but like a GREAT story, I am willing to place a large bet that it's a sure thing you will also like this book!
    18 people found this helpful
  • 5.0 out of 5 starsVerified Purchase
    Excellent book, well worth it
    Reviewed in the United States on May 24, 2025
    Format: Hardcover
    The only reason I ordered this was because my copy was so well read that it was falling apart. I have read this book many times and it never gets old. I chose the hard cover this time thinking it may last a little longer. Well worth what I spent on it considering at another...
    The only reason I ordered this was because my copy was so well read that it was falling apart. I have read this book many times and it never gets old. I chose the hard cover this time thinking it may last a little longer. Well worth what I spent on it considering at another book store it was quite a bit more.
    One person found this helpful
  • 5.0 out of 5 starsVerified Purchase
    Through the past darkly - a no spoilers review
    Reviewed in the United States on November 15, 2011
    Format: Hardcover
    "11/22/63", Stephen King's latest, might just be his greatest. Seriously. At least as far as "mainstream" fiction or "literature" goes. Yes, it is built around a well-used SF trope, time travel, but really, the portal to the past that Jake...
    "11/22/63", Stephen King's latest, might just be his greatest. Seriously. At least as far as "mainstream" fiction or "literature" goes. Yes, it is built around a well-used SF trope, time travel, but really, the portal to the past that Jake Epping is shown in the back of an aluminum diner is only the launch mechanism for this fantastic journey. There are no monsters here, at least none that aren't human, and little or no horror in the supernatural sense that King's constant readers have come to know, love and expect. Even SK's other "straight" fiction, "Misery", "Dolores Claiborne" and "The Girl Who Loved Tom Gordon" come to mind, had elements of the supernatural and/or flat-out horror. Not this time.

    But that doesn't mean that 11/22/63 is boring. Quite the contrary. Although it might seem that it would be tough to build suspense around a conclusion that seems to be inevitable, this turns out not to be the case. Big time. I just finished playing hooky from work for a day when I read the last 400 pages non-stop (except for a couple of bathroom breaks), because I just couldn't stop. I just kept pressing the advance button on my Kindle.

    The adjective that first comes to mind in describing 11/22/63 among SK's oeuvre is, oddly enough, "mature". I have read every novel and anthology that King has published, plus a large number of single short stories, starting with "Carrie" in a borrowed paperback back in the late 1970s. I have never before thought of describing his work in any of them, many good, some great and a few clunkers (some of which I have reviewed as such), as mature. But that is the first, best word that comes to mind in describing 11/22/63. There were others too; exciting, romantic, bittersweet and, as with all SK's stuff, well-written.

    Lee Harvey Oswald and the Kennedy assassination were obviously very well-researched, clear from the details in the text even before one gets to the afterword that describes some of the sources and methods used. The lead-up to the day of the assassination is described in great detail, along with Oswald's relationship to his family and associates, all matters of historical record (at least according to the sources cited by SK, with which most of the readers who did not like the novel disagreed emphatically). But I should point out that the facts concerning the Kennedy assassination are actually not the main focus of the novel.

    The world of 1958-1963 is described in wonderful detail, through the eyes of Jake as he gradually sheds his early 21st century armored shell and falls in love with a small Texas town and Sadie, its new young librarian. Their love story is the centerpiece of the novel and is told with great depth, sensitivity and believability. I'm old enough to have experienced lots of the stuff that Jake encounters in 1958 (albeit as a child) and it jives with and jogs my recollections and induces a feeling of longing for older, simpler times. For King''s "Constant Readers", there are easter egg cameos from "It" and "The Langoliers" that I recognized. Knowing SK, there may well be others.

    The ending is not predictable (if you say you saw it all coming you are either lying or should be a best-selling novelist) and is surprisingly satisfying. To those who say King doesn't know how to end his novels, I say, read this one.

    Very Highly Recommended for all (even those who think they know but don't "like" Stephen King).

    J.M. Tepper
    1,292 people found this helpful
  • 5.0 out of 5 starsVerified Purchase
    King at His Best
    Reviewed in the United States on December 8, 2011
    Format: Hardcover
    Stephen King has always been at his best when writing about people. Most of the time, as in 11/22/63, the supernatural plays a major part. Sometimes, the supernatural has nothing to do with it, as in Rita Hayworth and Shawshank Redemption. Either way, it's the...
    Stephen King has always been at his best when writing about people. Most of the time, as in 11/22/63, the supernatural plays a major part. Sometimes, the supernatural has nothing to do with it, as in Rita Hayworth and Shawshank Redemption. Either way, it's the thoughts, reactions, relationships, yearnings, weaknesses, strengths of his characters that make the stories so compelling. In fact, it might be fair to say that King's work weakens whenever he allows the supernatural, science-fiction aspects to overwhelm his characters. An example is The Tommyknockers. More often, the supernatural elements serve to reveal and shape the characters, as in Christine. 11/22/63 flows from the question that underlies all good fiction: What if.....? What if a regular Joe could travel back in time and undo the assassination of President John F. Kennedy? The regular Joe is a high school English teacher named Jake Epping. The means is a "rabbit hole" in the storeroom of the diner run by Jake's acquaintance Al. It is Al who plants the idea of changing history, but he doesn't have to work very hard. Jake was born in the 1970's, and he has lived in a world created by the likes of Ronald Reagan, the Bushes, and even Bill Clinton. Kennedy seems a shining knight, who, if he had only lived, would have prevented the disaster of Vietnam and all that followed it. So Jake goes through the hole into the world of September, 1958. He has five years to live before he can save Kennedy, and he is armed with Al's notes from his own efforts (before he came down with lung cancer), and with a plan. The plan requires moving to Texas. There, Jake, now George Amberson, finds himself falling in love with Sadie Dunhill, a refugee from a miserable marriage now living in the small town of Jodie, Texas. There are more people, of course, and Jake/George comes to love most of them. He has made a life in Jodie, and it's that life that's put on the line in Dallas on November 22, 1963. As George, and Sadie, rush to save Kennedy, the suspense mounts. I'll not spoil it by telling you how it turns out, except to say that George then faces choices more difficult than stepping into a rabbit hole. The ending of the book soars, and that King gives credit to his son for the idea diminishes it not in the least.

    The presentation of the date in the title, of course, brings to mind 9/11, for it is usually written just that way. Jake/George accepts that Kennedy's death was as great a tragedy for the nation as 9/11 and is linked with it in ineluctable ways. In a post 9/11 world, who could be blamed for yearning for a way to change the course of events that led us to that fateful day and its aftermath--two interminable wars, a tanking national economy, an entire generation of veterans scarred by Iraq and Afghanistan? King hooks us at that point and draws us in. Though his research into Oswald's movements is accurate, he never allows that research to divert him from the essential story line. The "what if" never gets lost, and when it's answered, it literally turns Jake/George's world upside down. 9/11/63 is also a commentary on the persistence of love and its power to shape and reshape our lives.

    Are there weaknesses in the book? Of course, and most of them are typical of King's other work. For instance, he has Fred Dunning driving a Pontiac Bonneville in 1958. Certainly a possibility, though it should be remembered that in 1958 a Bonneville sold for more than a Cadillac--not a likely ride for a meatcutter. Perhaps King meant the more prosaic Star Chief. When Jake/George buys his own car in 1958, he chooses a 1953 Ford Sunliner with a Y-block V-8. The Y-block was introduced on the 1954 models. The '53 made do with the lowly flathead. King's right, though, that the Y-block had oiling problems--just not in the '53s. When Jake/George is in Derry, Maine, he runs into two of the kids featured in King's earlier work, IT, which was set in that unfortunate town. This strikes me as a kind of literary laziness, and I wish King hadn't done it. But I pressed ahead, and my persistence was rewarded.

    You might say I was obdurate, and this leads me to my closing comment. A key phrase is "the past is obdurate." That simply means that it resists being changed, as Jake/George discovers many times in his mission to rescue Kennedy. Those of us who are of an age might reflect on this when we start feeling the usual regrets over what was and what might have been. Who knows? Maybe everything that happens is indeed supposed to happen in just the way it does. If that's the case, then too much nostalgia for the old days won't help. Learning to live in the present will.
    2 people found this helpful
  • 4.0 out of 5 starsVerified Purchase
    Do you want to know who really killed Kennedy? NO SPOILERS, I promise!
    Reviewed in the United States on November 12, 2011
    Format: Hardcover
    There are three categories of readers who will gravitate to Stephen's King's 11/22/63: 1. Fans of King's extraordinarily popular novels 2. Time travel junkies 3. Those who can't get enough of anything and everything to do with the events...
    There are three categories of readers who will gravitate to Stephen's King's 11/22/63:

    1. Fans of King's extraordinarily popular novels
    2. Time travel junkies
    3. Those who can't get enough of anything and everything to do with the events surrounding the assassination of President John Kennedy

    I actually find myself falling into all three categories. I've been a Stephen King addict since I first read CARRIE back in the 1970's, I love time travel stories (from Bradbury's wonderful "A Sound of Thunder" to works by Heinlein, Dean Koontz, and H. G. Wells), and the Kennedy assassination was part of my childhood - I was in 6th grade when he was killed, and even at twelve I knew that something had been irrevocably changed that Friday afternoon in 1963.

    King fans will undoubtedly love this novel. It's full of King's very special blend of memorable characters, small-town vignettes, and the idea that something dark and inscrutable lurks beneath the surface of life as we know it. This isn't a horror novel, but there is something horrible about what happens when a 35-year-old English teacher from a small town in Maine tries to make things right that should never have gone wrong. In the beginning, these are small things he tries to make better. By the end, it's a very big thing. But King never lets us forget that every action prompts an unknown number of reactions. And it's the reactions that can scare the bejesus out of us! As King writes in 11/22/63, we live in "a universe of horror and loss surrounding a single lighted stage where morals dance in defiance of the dark." That's good stuff, Mr. King! And those who've read IT will delight in a particular sequence set in Derry, Maine.

    Time travel aficionados will like the novel, too. This is not a science fiction novel (at least not in the technical meaning of the term), and King does little to explain his version of a "time machine" (which is not a machine at all). As one of his characters says, "Why ask questions when there are no answers?" But King's exploration of what might actually happen to the fabric of our world should we find ourselves capable of traveling back in time is fascinating. It's all not as easy as it seems. As King explains it, "Time is obdurate." It will have its way.

    As for the JFK addicts, I have a slight warning (and if you're absolutely against any form of "spoiler" in your reviews, you might want to skip this paragraph): If you're looking for a revelation as to which conspiracy theory King adheres to when it comes to the assassination of President Kennedy, you're likely to be disappointed - and even a little bit surprised (especially in light of such politically charged novels as FIRESTARTER). 11/22/63 includes an interesting afterward in which King explains his take on the events that unfolded at Dealy Plaza. It won't sway the conspiracy theorists, but it fascinated me. This is a very different Stephen King. But if you're absolutely convinced that Oswald did not act alone, you might find yourself frustrated.

    Overall, 11/22/63 is a well-plotted, satisfying novel that blends a bit of the supernatural with history. It both celebrates the nostalgic beauty of a time long gone, and forces us to look at the reality of that nostalgia - it wasn't all root beer floats and swing dancing. Best of all, the ending works - totally and completely. And that's a big deal for a Stephen King novel (I was not at all happy with the endings of either DUMA KEY or UNDER THE DOME). But I finished 11/22/63 with a smile on my face and a tear in my eye.

    Why the four stars? I have to admit the novel is too long. There are about 200 pages there in the middle that could easily have been edited down to 20 (King spends an awful lot of time on the minutia of Oswald's life - his various moves, his relationship with Marina, his conversations, his arguments, etc.). I got a little lost there, but King did pull me back in. The best parts of 11/22/63 actually have nothing to do with either Kennedy or Oswald - it's the life his narrator lives, both in 2011 and in the 1960's. I wanted to know Jake Epping (or his alter-ego, George Amberson). This story is his, and not Kennedy's.

    I highly recommend 11/22/63. It's a truly wonderful and surprising read.
    66 people found this helpful
  • 5.0 out of 5 starsVerified Purchase
    Must Read!
    Reviewed in the United States on June 1, 2025
    Format: Hardcover
    Not your typical Stephen King novel. It's Romance, suspense, edgy and a good page turner. Will read again!
  • 5.0 out of 5 starsVerified Purchase
    OH WOW!
    Reviewed in the United States on November 22, 2011
    Format: Hardcover
    Is it one of those harmonics that I finished this book on 11/22/11, 48 years to the day of the Kennedy Assassination? It wasn't intentional, just the luck of opportunity to finish it today. I didn't even realize it until after I was done. WOW! Just WOW....
    Is it one of those harmonics that I finished this book on 11/22/11, 48 years to the day of the Kennedy Assassination? It wasn't intentional, just the luck of opportunity to finish it today. I didn't even realize it until after I was done.

    WOW! Just WOW. That's how I felt about this book from the first page to the last. I have a confession to make. I have never before read a Stephen King book. Now stop looking at me that way! It is a genra...horror, creepy, scary, etc. that just has never appealed to me. But I saw this book mentioned on some website...NPR I think, and when I read what it was about it really resonated with me. Why? Well I was 18 and a freshman in college when JFK was assassinated so that day is still clear and vivid. That day in 1963 was one of the major defining moments in my life, the day when I realized that really bad things could happen. The other reason was that I spent the better part of the late 80s and 90s in Dallas, Texas. I pre-ordered it and waited impatiently for it to arrive. In a funny kind of way, I knew before I read the first page that I was going to like this book.

    Like is faint praise for this book. I loved this book, probably more than I've loved any book for a long time. Towards then end I was reluctant to finish it because I was afraid the ending would disappoint (it didn't) and because I didn't want it to end. I had lived and breathed this book for almost two weeks, what was I going to do with myself when I was done? By the time I finished it this morning I was so stressed out I had a headache. This book was such a roller-coaster ride!

    Stephen King is a good writer and story teller. I didn't know that about him. I am pretty sure that anybody who has read a lot of King picked up on Easter eggs within the book that a non-King reader wouldn't. But there was a special treat for me too. Apparently John D. MacDonald was a writer that King liked because there were several references to his writing and his books. I liked that because I spent the better part of the 70s reading all of JDM's books and still have the very raggedy first edition Fawcett paperbacks (priced at about 65 cents, thankyouverymuch) of almost all of his books stored away in a box. They are part of my past that I just can't bare to part with. In a couple of places King mentions "the girl, the gold watch and everything", one of JDMs sillier books that had to do with the ability to stop time. I like that, it was like finding a treasure within the book.

    I'm not going to rehash the plot, I'll just say that the plot had just enough sinister ominous undertone that it pretty much creeped me out without scaring me half to death. I liked the characters, I really liked the way they were written. The dialogue, I though was really true to the character, I liked the gentle humor and the asides. The thing about this book was that it wasn't just about time-travel or history it was also one of the sweetest love stories I've read in a really long time. Jake and Sadie's love affair brought me to tears more than once.

    There were a few nitpicky things that bothered me slightly, for example I don't think people said "put a sock in it" in 1958. I was there and I don't remember that expression until the 90s. There were a couple of other instances of discontinuity (is that a word?) with phrases that I thought didn't belong in the 50s and 60s but that is piddly and doesn't take away from the book one bit.

    The ending. I liked the ending. I know there will be people who don't like the way it ended, but given everything that happened, I thought is was the most logical and realistic way to end the book even if it made me cry. I think in the Afterward SK mentions something about his son convincing him to change the ending. I'd love to know what the original ending was. Also it was interesting that King thought about writing this way back in 1972. I'm so glad he didn't. The Kennedy assassination was still much too raw back then and this book would probably have not been received very well.

    I will read this one again in a few months. There is so much complexity to it. Some things that I just couldn't quite wrap my head around, on the next go-round I'll get some the more complicated time-travel things figured out I hope. I'd give this book 10 stars if I could. It was wonderful!
    5 people found this helpful

Top reviews from other countries

  • Ian
    5.0 out of 5 starsVerified Purchase
    ¿Nuestra historia está escrita o puede cambiarse?
    Reviewed in Mexico on February 16, 2024
    11/22/63, por Stephen King es, a mi criterio, lo mejor que ha escrito en los últimos años, además de que logra tocar un tema que muchos creían imposible que él pudiera escribir, estoy hablando del romance. Esta historia no solo es un análisis del asesinato del ex presidente...
    11/22/63, por Stephen King es, a mi criterio, lo mejor que ha escrito en los últimos años, además de que logra tocar un tema que muchos creían imposible que él pudiera escribir, estoy hablando del romance. Esta historia no solo es un análisis del asesinato del ex presidente JFK, es una historia que habla sobre el amor, hasta cierto punto la ética y meras especulaciones (algunas muy interesantes respecto a la manera en la que fueron planteadas) acerca de las posibles consecuencias de evitar un evento que dio paso a sucesos de magnitud global. También se describe de manera magnífica la época de los 50s y 60s, su forma de narrar y describir las localizaciones, objetos y personajes te hace sentir no solo dentro de la novela, si no en esa época, viendo cada suceso. Por parte de la edición, la editorial Scribner logra darle una estética bastante minimalista esta edición de pasta dura, pues cuenta con una portada roja con lomo negro, la cual tiene marcada con letras doradas el título y el apellido de King; también incluye una sobrecubierta de textura plástica con superficie brillante en el apartado rojo y relieves de color negro en el título. Las hojas son de una calidad media, pues son bastante delgadas, pero aún así las consideraría lo suficientemente resistentes. No hallé ningún error de impresión. Por cierto, la impresión de este libro es de 2011 y me llegó sin plástico protector pero afortunadamente sin daños. Una obra fantástica, emocionante, atrapante y hasta melancólica, sin duda alguna completamente recomendada.
    11/22/63, por Stephen King es, a mi criterio, lo mejor que ha escrito en los últimos años, además de que logra tocar un tema que muchos creían imposible que él pudiera escribir, estoy hablando del romance.
    Esta historia no solo es un análisis del asesinato del ex presidente JFK, es una historia que habla sobre el amor, hasta cierto punto la ética y meras especulaciones (algunas muy interesantes respecto a la manera en la que fueron planteadas) acerca de las posibles consecuencias de evitar un evento que dio paso a sucesos de magnitud global. También se describe de manera magnífica la época de los 50s y 60s, su forma de narrar y describir las localizaciones, objetos y personajes te hace sentir no solo dentro de la novela, si no en esa época, viendo cada suceso.

    Por parte de la edición, la editorial Scribner logra darle una estética bastante minimalista esta edición de pasta dura, pues cuenta con una portada roja con lomo negro, la cual tiene marcada con letras doradas el título y el apellido de King; también incluye una sobrecubierta de textura plástica con superficie brillante en el apartado rojo y relieves de color negro en el título. Las hojas son de una calidad media, pues son bastante delgadas, pero aún así las consideraría lo suficientemente resistentes. No hallé ningún error de impresión. Por cierto, la impresión de este libro es de 2011 y me llegó sin plástico protector pero afortunadamente sin daños.

    Una obra fantástica, emocionante, atrapante y hasta melancólica, sin duda alguna completamente recomendada.
  • Linus Ansarfwe
    5.0 out of 5 starsVerified Purchase
    Helt enligt beskrivning!
    Reviewed in Sweden on March 10, 2025
    Hel enligt beskrivning!
    Hel enligt beskrivning!
  • Amazon Customer
    5.0 out of 5 starsVerified Purchase
    Amazing
    Reviewed in Canada on April 18, 2025
    Amazing book and came in perfect condition
    Amazing book and came in perfect condition
  • Caliban
    5.0 out of 5 starsVerified Purchase
    Eines der besten King-Bücher der neueren Zeit
    Reviewed in Germany on November 24, 2011
    Stephen King spricht mit seinen Werken ein sehr großes Publikum an. Dabei ist es praktisch unmöglich, sämtliche Geschmäcker zu treffen. Die Arena hat bei vielen Lesern auf diesen Seiten Begeisterungsstürme hervorgerufen. Eine Minderheit, zu der ich selbst zähle, ließ dieses...
    Stephen King spricht mit seinen Werken ein sehr großes Publikum an. Dabei ist es praktisch unmöglich, sämtliche Geschmäcker zu treffen. Die Arena hat bei vielen Lesern auf diesen Seiten Begeisterungsstürme hervorgerufen. Eine Minderheit, zu der ich selbst zähle, ließ dieses Buch wegen seiner klischeehaftigkeit vergleichsweise kalt. Hier könnte es möglicherweise gerade andersherum sein: Das Buch ist trotz zahlreicher spannender Momente überhaupt nicht actionlastig, sondern lebt von gekonnter Menschenzeichnung und der Vermittlung der ganz eigenen Stimmung der 50er Jahre. Dies könnten viele Leser als schlicht langweilig empfinden. Auf dieser Seite setzte allerdings bereits nach wenigen Tagen großes, wenngleich verdächtig pauschales Lob für das Tausendseitenwerk ein. Dieses ist jedoch verdient. Denn das Buch zeigt seit langem ungetrübt die ganze Stärke des Erzählers King. Dies will ich kurz begründen: 1. Das Buch lebt zunächst von der präzisen und zugleich liebevollen Menschenbeobachtung Kings, die von Anfang an eine ganz besondere, nur von ihm gestaltbare Stimmungsdichte hervorbringt. Bereits der Beginn zeigt einen leicht desillusionierten Englischlehrer, dessen Freunde er wohl sehr bewusst nicht im Kollegenkreis, sondern beim Hausmeister und in einem Fastfoodrestaurant sucht: ein idealer Kandidat für eine Flucht aus der Wirklichkeit in die Traumlandschaft der Vergangenheit. Die Protagonisten der weiteren Handlung aber sind Personen, die dem Leser wie in den großen Kingwerken wirklich unvergesslich bleiben. Ich erwähne hier nur die scharfsinnige Mimi oder erinnere an die burlesk-liebevolle aber so aussagekräftige erste Begegnungsszene des Helden mit Sadie auf einer Gartenparty. Mich hat dieser Roman - jetzt wird es gleich Prügel geben - an Jonathan Franzens "Freiheit" erinnert; ich finde, er steht hier gar nicht zurück. Es handelt sich - trotz der spektakulären Grundidee - vor allem um eine vergleichsweise handlungsarme Geschichte die von sehr prägnanten Protagonisten handelt. 2. Die Stimmung der 50er Jahre, die ich selbst nicht erlebt habe, wird dennoch für den Leser so dicht eingefangen, wie in einem der besten King-Bücher "It". ****Achtung Spoilergefahr'**** Ein Teilabschnitt der Handlung - der Probelauf in die Vergangenheit spielt daher nicht ohne Grund im Derry des Jahres 1958(!), wo Bev und Richie einen kurzen Auftritt haben. Was für ein liebevolles Wiedersehen! *** Spoilergefahr beendet *** Dabei übertreibt es King nicht und zeigt auch durch kurzen Hinweis auf die Toilette für Farbige an einer Tankstelle (es handelt sich um den nahegelegenen Bach), wie problematisch diese Zeit war. Es ist trotz allem ein idyllisches Amerika ohne paranoide Terroristenangst und voll von liebenswerter Naivität und Vertrauensseligkeit, in das man sich als Leser mit dem Helden verliebt. Man versteht, wie es ihn packt und wie er sich immer schwerer vorstellen kann, in die Gegenwart zurückzukehren. 3. Die mit Zeitreisethematik verbundenen logischen Fragen, unter denen viele Bücher und Filme ersticken (wer kennt außer dem Werk von Wells und der Humoreske "Zurück in die Zukunft I" noch eine wirklich gut funktionierende Zeitreisegeschichte) ist wunderbar stimmungsvoll gelöst. Die Regeln, die King sich ausdenkt, befriedigen das Bedürfnis des Lesers nach Plausibilität, sorgen zugleich für stimmungsvolle Spannung, drängen sich aber nicht in den Vordergrund. Bspw. dachte ich mir gleich nach der Ankündigung des Titels, dass kein Zeitreisender so einfältig sein würde, Oswald gerade am Tag des Attentats abzufangen, sondern dieses Risiko gerade nicht eingehen und ihn früher ausschalten würde. Diese und ähnliche Fragen beschäftigt auch King. Überaus stimmungsvoll baut er Oswald, von dem man ganz am Anfang des Werkes etwas durch einen anderen Zeitreisenden erfährt und dessen Parallelleben in der Sowjetunion sich der Held lange Zeit nur abstrakt vergegenwärtigt, den Charakter einer geheimnisvollen Nemesis. Allein wie King diese Person schließlich einführt, ist eine einsame Spitzenleistung. Die Auseinandersetzung mit diesem komplexen, keineswegs nur verrückten oder bösen Charakter und die Dilemmata des Helden, der hin- und hergerissen ist von Liebe, Verantwortung und Skrupeln, machen das Buch absolut lesenswert. Ich würde das Buch also nicht demjenigen Leser empfehlen, der einen guten Krimi, einen unheimlichen Roman oder ein Actionfeuerwerk sucht, wohl aber allen, die Dolores Clairborne mochten oder etwa die Kurzgeschichte "The Reach". Für diesen Leserkreis kann ich hier eine absolute Empfehlung aussprechen!
    Stephen King spricht mit seinen Werken ein sehr großes Publikum an. Dabei ist es praktisch unmöglich, sämtliche Geschmäcker zu treffen. Die Arena hat bei vielen Lesern auf diesen Seiten Begeisterungsstürme hervorgerufen. Eine Minderheit, zu der ich selbst zähle, ließ dieses Buch wegen seiner klischeehaftigkeit vergleichsweise kalt. Hier könnte es möglicherweise gerade andersherum sein: Das Buch ist trotz zahlreicher spannender Momente überhaupt nicht actionlastig, sondern lebt von gekonnter Menschenzeichnung und der Vermittlung der ganz eigenen Stimmung der 50er Jahre. Dies könnten viele Leser als schlicht langweilig empfinden. Auf dieser Seite setzte allerdings bereits nach wenigen Tagen großes, wenngleich verdächtig pauschales Lob für das Tausendseitenwerk ein. Dieses ist jedoch verdient. Denn das Buch zeigt seit langem ungetrübt die ganze Stärke des Erzählers King. Dies will ich kurz begründen:

    1. Das Buch lebt zunächst von der präzisen und zugleich liebevollen Menschenbeobachtung Kings, die von Anfang an eine ganz besondere, nur von ihm gestaltbare Stimmungsdichte hervorbringt. Bereits der Beginn zeigt einen leicht desillusionierten Englischlehrer, dessen Freunde er wohl sehr bewusst nicht im Kollegenkreis, sondern beim Hausmeister und in einem Fastfoodrestaurant sucht: ein idealer Kandidat für eine Flucht aus der Wirklichkeit in die Traumlandschaft der Vergangenheit. Die Protagonisten der weiteren Handlung aber sind Personen, die dem Leser wie in den großen Kingwerken wirklich unvergesslich bleiben. Ich erwähne hier nur die scharfsinnige Mimi oder erinnere an die burlesk-liebevolle aber so aussagekräftige erste Begegnungsszene des Helden mit Sadie auf einer Gartenparty. Mich hat dieser Roman - jetzt wird es gleich Prügel geben - an Jonathan Franzens "Freiheit" erinnert; ich finde, er steht hier gar nicht zurück. Es handelt sich - trotz der spektakulären Grundidee - vor allem um eine vergleichsweise handlungsarme Geschichte die von sehr prägnanten Protagonisten handelt.

    2. Die Stimmung der 50er Jahre, die ich selbst nicht erlebt habe, wird dennoch für den Leser so dicht eingefangen, wie in einem der besten King-Bücher "It".

    ****Achtung Spoilergefahr'****
    Ein Teilabschnitt der Handlung - der Probelauf in die Vergangenheit spielt daher nicht ohne Grund im Derry des Jahres 1958(!), wo Bev und Richie einen kurzen Auftritt haben. Was für ein liebevolles Wiedersehen!

    *** Spoilergefahr beendet ***

    Dabei übertreibt es King nicht und zeigt auch durch kurzen Hinweis auf die Toilette für Farbige an einer Tankstelle (es handelt sich um den nahegelegenen Bach), wie problematisch diese Zeit war. Es ist trotz allem ein idyllisches Amerika ohne paranoide Terroristenangst und voll von liebenswerter Naivität und Vertrauensseligkeit, in das man sich als Leser mit dem Helden verliebt. Man versteht, wie es ihn packt und wie er sich immer schwerer vorstellen kann, in die Gegenwart zurückzukehren.

    3. Die mit Zeitreisethematik verbundenen logischen Fragen, unter denen viele Bücher und Filme ersticken (wer kennt außer dem Werk von Wells und der Humoreske "Zurück in die Zukunft I" noch eine wirklich gut funktionierende Zeitreisegeschichte) ist wunderbar stimmungsvoll gelöst. Die Regeln, die King sich ausdenkt, befriedigen das Bedürfnis des Lesers nach Plausibilität, sorgen zugleich für stimmungsvolle Spannung, drängen sich aber nicht in den Vordergrund. Bspw. dachte ich mir gleich nach der Ankündigung des Titels, dass kein Zeitreisender so einfältig sein würde, Oswald gerade am Tag des Attentats abzufangen, sondern dieses Risiko gerade nicht eingehen und ihn früher ausschalten würde. Diese und ähnliche Fragen beschäftigt auch King. Überaus stimmungsvoll baut er Oswald, von dem man ganz am Anfang des Werkes etwas durch einen anderen Zeitreisenden erfährt und dessen Parallelleben in der Sowjetunion sich der Held lange Zeit nur abstrakt vergegenwärtigt, den Charakter einer geheimnisvollen Nemesis. Allein wie King diese Person schließlich einführt, ist eine einsame Spitzenleistung. Die Auseinandersetzung mit diesem komplexen, keineswegs nur verrückten oder bösen Charakter und die Dilemmata des Helden, der hin- und hergerissen ist von Liebe, Verantwortung und Skrupeln, machen das Buch absolut lesenswert.

    Ich würde das Buch also nicht demjenigen Leser empfehlen, der einen guten Krimi, einen unheimlichen Roman oder ein Actionfeuerwerk sucht, wohl aber allen, die Dolores Clairborne mochten oder etwa die Kurzgeschichte "The Reach". Für diesen Leserkreis kann ich hier eine absolute Empfehlung aussprechen!
  • Arturo Gámez Hervert
    5.0 out of 5 starsVerified Purchase
    Una edición para disfrutarse
    Reviewed in Mexico on May 27, 2022
    Sin lugar a dudas esta edición es muy bonita, la encuadernación excelente. Hace que disfrutes sostenerla en tus manos. Y del texto un gran libro del maestro Stephen King. El único inconveniente es que creo que no llego lo suficientemente protegido. Ningún daño pero solo fue...
    Sin lugar a dudas esta edición es muy bonita, la encuadernación excelente. Hace que disfrutes sostenerla en tus manos. Y del texto un gran libro del maestro Stephen King. El único inconveniente es que creo que no llego lo suficientemente protegido. Ningún daño pero solo fue enviado en la bolsa de Amazon, creo debería de haber tenido al menos una envoltura de plástico, fuera de eso excelente compra a un precio muy bueno.
    Sin lugar a dudas esta edición es muy bonita, la encuadernación excelente. Hace que disfrutes sostenerla en tus manos. Y del texto un gran libro del maestro Stephen King. El único inconveniente es que creo que no llego lo suficientemente protegido. Ningún daño pero solo fue enviado en la bolsa de Amazon, creo debería de haber tenido al menos una envoltura de plástico, fuera de eso excelente compra a un precio muy bueno.

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