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Current Issue
On a Copernican Revolution in the Art World
On the art of Mohammed Al-Hawajri
Museu de Arte de São Paulo
Sofía Córdova, Green is A Solace, 
A Promise of Peace (where small birds hide and dodge and lift their plaintive rallying cries) (detail), 2022, taxidermied doves, parakeets, and canaries, hair dye, brass, birch wood, 
dimensions variable.
Sofía Córdova, Green is A Solace, A Promise of Peace (where small birds hide and dodge and lift their plaintive rallying cries) (detail), 2022, taxidermied doves, parakeets, and canaries, hair dye, brass, birch wood. Installation view, JOAN, Los Angeles, 2024. Photo: Evan Walsh.
Videos
DECEMBER HOMEPAGE
The artist talks about reading James Baldwin, learning from David Hammons, becoming an artist, and more
Tracey Emin on Zoom.
On her art and life with Tina Rivers Ryan
Columns
"BENTEN 2024 Art Night Kabukicho"
On Art Week Tokyo 2024
Artists Wu Tsang, Tosh Basco, Ash Kwak Lukashevsky, Angel Dimayuga, Taloi Havini, curator X Zhu-Nowell, artists Rindon Johnson, Ming Wong, and Bhenji Ra.
An art week in Shanghai and surrounds
Ancien Palais de Justice, Dakar.
The 15th Biennale of Contemporary African Art in Senegal evokes postcolonial wounds while fostering ebullience
From the archive
DECEMBER HOMEPAGE
November2004
Mark Dion’s contribution to the Getty’s PST ART initiative is “Mark Dion: Excavations,” an installation centering on a ten-foot-long sculpture of the fossilized skeleton of a pack rat. Created during a residency at Los Angeles’s La Brea Tar Pits, the presentation is as much a chimera of art and science as it is a subterranean portrait of place: Anatomical drawings of fossils unearthed from the tar pits nod to the city’s cultural history, while an arrangement of worktables, tools, and dioramas conjures a behind-the-scenes peek at the material labor of museal truth-making. 

Prompted by the show, Artforum this week revisits the magazine’s November 2004 issue. In a 1000 Words feature, Dion discusses his undertaking Rescue Archaeology,2000–2004, a project spurred by the excavation of the sculpture garden at New York’s Museum of Modern Art. 

“Mark Dion: Excavations” is on view through September 15, 2025. 
—The editors
Dossier
Rosa Barba, Boundaries of Consumption, 2012, 16-mm film, modified projector, film canisters, metal spheres. Installation view, Kunsthaus Zürich. Photo: Jenny Ekholm.
“In this Artforum Dossier, we have gathered texts that focus on artistic practices that reflexively engage with the specific materiality of celluloid—the transparent plastic that served as the most common substrate for moving images before the advent of analog and digital video. These practices typically focus less on storytelling than on the aesthetic possibilities of directly manipulating celluloid film stock, creating sequences of celluloid film frames, or running celluloid film strips through projectors. The results usually emphasize our perceptual experience of light, color, sound, pattern, movement, and space—that is, those elements that provide the language of all moving-image experiences.”
Tina Rivers Ryan