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‘Flow’ Review: Latvia’s International Film Oscar Entry Is Animation Perfection
Somehow I missed Flow when it premiered in Un Certain Regard in May at the Cannes Film Festival. Now having seen it just as it is about to open nationwide, it exceeds the various pockets of praise I had heard. It is a magical mystery tour into a sinking…
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By Pete Hammond
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2 Comments Comment on ‘Flow’ Review: Latvia’s International Film Oscar Entry Is Animation Perfection
‘The Six Triple Eight’ Review: Kerry Washington And Exceptional Ensemble Bring Honor To Tyler Perry’s Stirring True WWII Story Of Black Female Army Unit
Writer-director Tyler Perry takes a step up as a versatile filmmaker in bringing Netflix’s inspiring World War II-set true story The Six Triple Eight to the screen to tell the largely untold story of the Women’s Army Corps Unit of Color and their heroic and…
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By Pete Hammond
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‘Kneecap’ Review: Belfast’s Hip-Hop Upstarts Give The Establishment The Finger In Ireland’s Raucous Oscar Submission
Sex, drugs and some kid blasting into a microphone: It's still the most shocking, most fun combination of anything in the world, still the stuff that blasts each generation out of childhood into the thrill of youth. Kneecap, both the Irish-language rap band and the film in which the three "low-life scum"…
‘Nosferatu’ Review: Robert Eggers’ Gothic Romance Is A Perverse, Technically Brilliant Tango With Death
When George A. Romero first started work on 1968's Night of the Living Dead he very nearly ended up making an apocalyptic vampire movie. Something wasn't quite right, however: vampire movies were a little bit … obvious? Indeed, Hammer's Dracula cycle was…
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By Damon Wise
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‘Waves’ Review: Jiřà Mádl Brings Compelling Life To Czech Oscar EntryÂ
As the third anniversary of the Russian invasion of Ukraine approaches, there could be no better time to revisit the tumultuous events of 1968 in what was then Czechoslovakia. In August of that year, Russian tanks rolled into Prague – along with the armies of five countries within the Soviet bloc – to…
‘The Performance’ Review: Jeremy Piven Taps Into A Career-Best Role In Chilling Drama Set In Nazi Germany
The premise of The Performance, which is based on a 2002 Arthur Miller short story, is intriguing and more than a little pertinent for these times even though it is set in 1937.
Harold May (who changed his last name from Markovitz) is a struggling…
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By Pete Hammond
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‘Beatles ’64’ Review: Martin Scorsese Produces New Take On Band’s First U.S. Visit & It’s A Nostalgic, Enlightening Must-See
On the occasion of the 60th anniversary of The Beatles’ the’ first visit to the USA in February 1964, Martin Scorsese has put the band back together, so to speak. Scorsese produces along with others including Paul McCartney, Ringo Starr, Olivia Harrison, and Sean Ono Lennon this wildly entertaining and…
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By Pete Hammond
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‘Spellbound’ Review: Rachel Zegler Tames A Beastly Nicole Kidman & Javier Bardem In Instant Classic Menken Animated Musical
With all the behind-the-scenes makings of an animated classic, Spellbound features a talented voice cast and a can’t-miss creative team for a family movie with a whole lot of heart.
Directed by DreamWorks alum Vicky Jenson (Shrek, Shark Tale), Spellbound…
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By Glenn Garner
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‘Death Becomes Her’ Broadway Review: Megan Hilty & Jennifer Simard Shine In Life Force Of A Musical
A perfect rejoinder to the ubiquitous Broadway Sucks These Days gripe about the too-many movie-to-stage adaptations has arrived at long last, and it’s a simple three-word response: Death Becomes Her. A virtually perfect big-budget, broad-appeal musical comedy that improves in every way over the 1992 film…
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By Greg Evans
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‘A Complete Unknown’ First Reactions Praise Timothée Chalamet For “Performance Of The Year” As Bob Dylan
Unlike Bob Dylan‘s decision to go electric, Timothée Chalamet‘s portrayal of the folk music legend appears to be a hit.
Following an early screening of the James Mangold-helmed biopic A Complete Unknown, which premieres Dec. 25 in US theaters and Jan. 17 in the UK, Chalamet is earning Oscar buzz as…
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By Glenn Garner
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‘Swept Away’ Review: John Gallagher Jr. Steers A Stirring Avett Brothers Seafaring Musical
As enthralling as it is disquieting, Swept Away, opening tonight on Broadway, is a taut and captivating new folk musical featuring the gorgeous songs of the roots-rock group The Avett Brothers and an impeccable cast headed by John Gallagher Jr. and Stark Sands.
Based on the Avetts’ gorgeous 2004…
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By Greg Evans
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‘Wicked’ Review: Cynthia Erivo And Ariana Grande In A Movie Musical Adaptation That Actually Eclipses The Broadway Stage Play
The movie version of Broadway’s beloved musical Wicked has been a long time coming since the show’s opening in 2003, but it is finally here — and quite frankly, not only does it soar cinematically, it exceeds all expectations. What director Jon M. Chu (Crazy Rich Asians, In the Heights) does here ranks…
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By Pete Hammond
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