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24 movies to watch in November
Trump's Win

Analyzing the media and the election's effect on culture
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International buyers and sellers flock to Las Vegas

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‘Heretic’ Scares Up $11 Million Debut

Meanwhile, 'Venom: The Last Dance' is looming over the domestic box office in its third weekend of release.

By Rebecca Rubin

Elon Musk Slams Dana Carvey’s ‘SNL’ Impression

Musk said the show has been 'dying slowly for years.'

By Ethan Shanfeld

leah sava jeffries andra day percy jackson

‘Percy Jackson’ Season 2 Casts Andra Day as Athena

Andra Day is joining the Season 2 cast of “Percy Jackson and the Olympians” as Athena. Athena, the Greek goddess of wisdom, is one of the most important Olympian characters…

By Selome Hailu

Film

Mattel’s ‘Wicked’ Movie Dolls Mistakenly List Porn Site on Packaging

Something wicked this way comes on the packaging of Mattel’s “Wicked” dolls. There’s a website listed on the toy box, but instead of linking to the webpage for the movie…

By Michaela Zee

Film

‘Christmas Eve in Miller’s Point’ Reinvents Cinema’s Most Old-Fashioned Genre and Makes an Instant Holiday Classic

Filmmaker Tyler Taormina quickly fell in love with IFC Films’ idea for how to market his merry-and-bright feature. The indie distributor’s trailer for “Christmas Eve in Miller’s…

By J. Kim Murphy

Bill Burr’s ‘SNL’ Monologue

The comedian addressed the elephant in the room in the series' post-election episode.

By Anne McCarthy

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Women’s Impact List

From Emma Stone to June Squibb and Rachel Kondo
Amy Adams Goes Wild

The 'Nightbitch' Star on Barking, Growing Chin Hair and 'Polarizing' Viewers With Her Raw Look at Motherhood

‘Heretic’

In Scott Beck and Bryan Woods' sleek theological mind game, Hugh Grant is genteelly terrifying as a creep hell-bent on converting others to his "one true religion."
Critics Pick
'A Real Pain'

Jesse Eisenberg becomes a major filmmaker — and Kieran Culkin a movie star — in this funny, knife-sharp odyssey about two Jewish cousins trekking through Poland.
‘Emilia Pérez’

Leading lady Karla Sofía Gascón electrifies in Jacques Audiard's Mexican redemption musical about a former cartel boss's life-changing transformation.
‘Blitz’

Steve McQueen's World War II film is skillful and touching yet shockingly conventional. It could almost be a middlebrow Oscar-bait movie from 1992.

‘A Man in Full’

A one-note Jeff Daniels stars in this empty Netflix series.
‘The Tattooist of Auschwitz’

Peacock's gruesome and grueling love story is set during the Holocaust.
‘The Veil’

Elisabeth Moss stuns in FX's fascinating spy thriller.
'Dead Boy Detectives’

This 'Sandman' spinoff adapts Neil Gaiman's comic as a zany teen procedural.

‘Hit Me Hard and Soft’

Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
‘Atavista’

Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
‘Dark Times’

Vince Staples searches for light on his new album, his most vulnerable project to date.
‘Radical Optimism’

Dua Lipa's new album is a joyous blast of pop savvy.

‘An Enemy of the People’

Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
‘Long Day’s Journey Into Night’

Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
‘Tommy’

Strictly for the boomers.
‘Water for Elephants’

The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.

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Video

Jodie Foster and Robert Downey Jr. Variety Actors on Actors

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Jodie Foster & Robert Downey Jr. — Actors on Actors (Full Conversation)

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!