Lear: this Korean opera-style reimagining of Shakespeare’s tragedy packs a punch
It’s a marvellous spectacle, but the National Changgeuk Company of Korea’s emotionally extreme production flattens the Bard’s subtleties
It’s a marvellous spectacle, but the National Changgeuk Company of Korea’s emotionally extreme production flattens the Bard’s subtleties
The beleaguered company called off a planned strike, and gave it their all in this shocking, committed production
As she returns to Covent Garden in Eugene Onegin, the soprano talks about discovering opera aged seven and why nothing beats a tragic climax
Away from celebrity, Thapa became well-known as an opera and choral singer who became a mainstay of choirs in major Catholic churches
This immersive staging of Stravinsky’s tragedy at the National Museum of Scotland is simultaneously accessible, humanistic and even humorous
There have been more passionate stagings of this opera, but it would be hard to find one which makes its essential message so seductive
Composer Anthony Bolton has an admirable go at adapting Shakespeare’s play but fails to add enough to the text
The Gallagher brothers, Prince, Wagner, Kubrick, Mad Men… Are they really above criticism? Our writers think not
The iconoclastic composer Michael Tippett would have absolutely loved Keith Warner’s reworking of his eccentric production
This inventive take on the 1707 dramatic allegory is an astonishing reflection on the human condition and the dynamics of family life
No-one would call Verdi’s fifth opera perfect, but Buxton’s singers, led by Nadine Benjamin as heroine Elvira, spin straw into gold
This joyous revival of Verdi’s opera sends up weddings, karaoke and Donald Trump – but the singing remains the main draw
From a Mozart makeover to hip-hop meets Purcell, classics are imagined anew this season
Grange Festival’s revival is clean and classical – but the music doesn’t quite capture the incisiveness Stravinsky’s score requires
Britten’s A Midsummer Night’s Dream is notoriously tricky to get right, which makes this Garsington production an unexpected delight
The music rampages under Anthony Negus’s conducting in this fine production that strips back everything to its essentials
This new staging of the 1921 opera beautifully captures one of the most concentrated and eloquent of Janáček’s works
The major roles in Britten’s retelling of Shakespeare’s tale brought out the music’s uncanny lyricism, but lacked chemistry
Opera grandee Stephen Barlow on his unusual pre-concert routine, why conducting has nothing to do with emotion – and his distinctive hair
The Merry Widow in this most rarified of country-house settings? She may not entirely belong here, but this staging sweeps you along even so