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Current Issue
On Evgeny Sholpo’s Variophone
How science fiction shapes the world
A conversation with an anonymous adherent of Earthseed
Matthew Barney, SECONDARY, 2023, five-channel 4K video, color, sound, 60 minutes.
Matthew Barney, SECONDARY, 2023, five-channel 4K video, color, sound, 60 minutes.
Videos
Wael Shawky
On restaging the history of the Urabi Revolution Urabi Revolution (1882–97) at the Venice Biennale
Pieter Schoolwerth's CGI installation Supporting Actor
The artist and CG-software maestro share an excerpt of their collaboration Supporting Actor at Petzel gallery
Sarah K. Rich interprets Frank Stella's artwork.
Following artist Frank Stella’s passing this past May, Sarah K. Rich offers a reading of Stella’s 1966 painting Union III
From the archive
OCTOBER HOMEPAGE
January 2019
Just over a week ago, cultural critic and Marxist literary theorist Fredric Jameson died at the age of ninety. 

To pay tribute to the intellectual giant—whose omnivorous mind assimilated subjects as varied as Russian formalism, the art of Nam June Paik, and punk rock—Artforum revisits a text he penned in 2019 eulogizing postmodern architect Robert Venturi, whose influential book Learning from Las Vegas (1972) is integral to Jameson’s own epochal study Postmodernism, or the Cultural Logic of Late Capitalism (1991). 

As Jameson wrote for Artforum: “In Venturi’s work of the ’60s and ’70s, we find a reconciliation between the two embattled sides of high and low, of aestheticism and populism, of the canon and television and pop-music studies, of elitism and the Simpsons’ couch: both ideologies and commitments flowing from the same source.” —The editors