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The Emmys award holding an eyeball
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Downward line graph with an Apple Vision Pro on fire
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Special Reports

Variety Intelligence Platform for Entertainment Business Insights
How the tech is finding its way into film and TV in a time of industry uncertainty

June 2024

How the tech is finding its way into film and TV in a time of industry uncertainty

Variety Intelligence Platform for Entertainment Business Insights
A data dive on the challenges facing all aspects of the global box office

May 2024

A data dive on the challenges facing all aspects of the global box office

Variety Intelligence Platform for Entertainment Business Insights
How Marketers Can best Engage Entertainment Franchise Fans

April 2024

How Marketers Can best Engage Entertainment Franchise Fans

Variety Intelligence Platform for Entertainment Business Insights
A data dive into the questions and complexities of the SVOD business’ next wave

September 2024

A data dive into the questions and complexities of the SVOD business’ next wave

Variety Intelligence Platform for Entertainment Business Insights
A data-driven guide to emerging trends in the free streaming TV market

August 2024

A data-driven guide to emerging trends in the free streaming TV market

Variety Intelligence Platform for Entertainment Business Insights
Social video vs. paid streaming: Data on the trends revving up U.S. screens

July 2024

Social video vs. paid streaming: Data on the trends revving up U.S. screens

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The Postwar Streaming Market

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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

BEVERLY HILLS, CALIFORNIA - APRIL 24: (L-R) Brent Lang, Executive Editor, Variety, Josh Goldstine, President, Worldwide Marketing, Warner Bros. Pictures Group, Rebecca Kearey, Head of International & Business Operations, Searchlight Pictures, Marian Lee Dicus, CMO, Netflix, Dwight Caines, President, Domestic Marketing, Universal Pictures and Marc Weinstock, President, Worldwide Marketing & Distribution, Paramount Pictures speak onstage at the "President Keynote Roundtable" panel during the Variety Entertainment Marketing Summit Presented by Deloitte at The Beverly Hilton on April 24, 2024 in Beverly Hills, California. (Photo by Randy Shropshire/Variety via Getty Images)
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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

Paris Hilton and Bruce Gersh posing for a photo against a Variety backdrop at the Entertainment Marketing Summit
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Paris Hilton Takes Time Out From 11:11 Media to Talk Business

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

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Conversations in AI: Inside the Mission to Transform Digital Advertising 

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

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