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Jonathan Lethem.
On Jonathan Lethem’s art writing
King Britt.
King Britt’s “Blacktronika,” Waajeed’s Underground Music Academy, and the future of Black electronic music pedagogy
Sarah K. Rich interprets Frank Stella's artwork.
On Frank Stella’s 1966 painting Union III
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Current Issue
Christoph Büchel at Fondazione Prada, Venice
Presentations of textile art in Washington, DC;  New York; and Chicago
Wael Shawky, Drama 1882, 2024, 4K video, color, sound, 45 minutes.
Columns
Max Hooper Schneider.
The Los Angeles artist’s mythic, bio-poetic sculptures take over UCCA Dune, China, with “Carnival of Gestation”
Vista Theater, Los Angeles.
On Quentin Tarantino’s Video Archives Cinema Club
Look from Dries Van Noten’s Spring/Summer 2025 menswear collection, Rue des usines Babcock, Paris, June 22, 2024.
On Dries Van Noten
Film
Tsai Ming-liang, The Hole, 1998.
On the hyperreal cinema of Tsai Ming-liang
Megalopolis.
Odes to cinema abound at the Seventy-Seventh Cannes Film Festival
Working Girl (1988)
Re-viewing Mike Nichols at the Cinémathèque française
From the archive
SEPTEMBER HOMEPAGE
February 1974
In February 1974, Jackie Winsor’s 1972 bound square, a six-and-a-half-foot sculpture made of wood and hemp, appeared on the cover of Artforum. Winsor, who died September 3 at the age of eighty-two, was a Canadian American sculptor who shed Minimalism’s industrial polish in favor of natural and organic materials. This week, Artforum revisits Lucy Lippard’s cover essay on Winsor’s “immense and intimate” art. “The basic order, or geometry, in Winsor’s work is always thwarted by action or by nature, by the materials’ or the process’ inclinations toward their own identities,” writes Lippard.  In bound square, she says, we see “nature in traction, nature only temporarily tamed.” —The editors