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Jonathan Lethem.
On Jonathan Lethem’s art writing
King Britt.
King Britt’s “Blacktronika,” Waajeed’s Underground Music Academy, and the future of Black electronic music pedagogy
Sarah K. Rich interprets Frank Stella's artwork.
On Frank Stella’s 1966 painting Union III
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Current Issue
Christoph Büchel at Fondazione Prada, Venice
Presentations of textile art in Washington, DC;  New York; and Chicago
Wael Shawky, Drama 1882, 2024, 4K video, color, sound, 45 minutes.
Columns
Max Hooper Schneider.
The Los Angeles artist’s mythic, bio-poetic sculptures take over UCCA Dune, China, with “Carnival of Gestation”
Vista Theater, Los Angeles.
On Quentin Tarantino’s Video Archives Cinema Club
Look from Dries Van Noten’s Spring/Summer 2025 menswear collection, Rue des usines Babcock, Paris, June 22, 2024.
On Dries Van Noten
Film
Tsai Ming-liang, The Hole, 1998.
On the hyperreal cinema of Tsai Ming-liang
Megalopolis.
Odes to cinema abound at the Seventy-Seventh Cannes Film Festival
Working Girl (1988)
Re-viewing Mike Nichols at the Cinémathèque française
From the archive
SEPTEMBER HOMEPAGE
May 2003
In 2003, on the occasion of the Modern Art Museum of Fort Worth’s traveling retrospective “PHILIP GUSTON,” Artforum asked art historian and curator David Anfam to examine the career of a painter whose “untimely” return to storytelling pointed the way “back to the future.” This week, we revisit the essay in remembrance of Anfam, who died on August 21 in London. —The editors