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Spotlight on select Summer Advertisers
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Saj Issa, Plein Air Performance, 2024, HD video, color, sound, 4 minutes 35 seconds.
Saj Issa, Plein Air Performance, 2024, HD video, color, sound, 4 minutes 35 seconds.
Columns
Charli XCX.
On Charli XCX’s soundtrack to the season
Mark Salvatus.
On the sounds of Phillipine culture at the 60th Venice Biennale
Film
Megalopolis.
Odes to cinema abound at the Seventy-Seventh Cannes Film Festival
Working Girl (1988)
Re-viewing Mike Nichols at the Cinémathèque française
Jean-Pierre Melville, Le Samouraï, 1967, 35 mm transferred to 4K, color, sound, 105 minutes. Jef Costello (Alain Delon).
Jean-Pierre Melville’s Le Samouraï shines in new 4K cinematic release
From the archive
SUMMER HOMEPAGE
November 2012
Invoking the verism of Neue Sachlichkeit, Jana Euler “foregrounds the vexations of the networked life in her exaggerated figurative deformations and repulsive flesh tones,” writes critic and Texte zur Kunst publisher Isabelle Graw, surveying the Brussels-based artist’s work in the November 2012 issue of Artforum. “Twisted with pain, carved by physical exhaustion and emotional isolation, their faces remind us of the way in which networks are everywhere inscribed on the body,” she continues. “There is no way out of this social hell, or so it seems in Euler’s art.”

This week, Artforum revisits Graw’s 2012 essay on Euler, whose exhibition “Oilopa” is on view at Wiels in Brussels through September 29.
—The editors