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Tsai Ming-liang, The Hole, 1998.
On the hyperreal cinema of Tsai Ming-liang
Charli XCX.
On Charli XCX’s soundtrack to the season
Mark Salvatus.
On the sounds of Phillipine culture at the 60th Venice Biennale
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Saj Issa, Plein Air Performance, 2024, HD video, color, sound, 4 minutes 35 seconds.
Saj Issa, Plein Air Performance, 2024, HD video, color, sound, 4 minutes 35 seconds.
Film
Megalopolis.
Odes to cinema abound at the Seventy-Seventh Cannes Film Festival
Working Girl (1988)
Re-viewing Mike Nichols at the Cinémathèque française
Jean-Pierre Melville, Le Samouraï, 1967, 35 mm transferred to 4K, color, sound, 105 minutes. Jef Costello (Alain Delon).
Jean-Pierre Melville’s Le Samouraï shines in new 4K cinematic release
From the archive
SUMMER HOMEPAGE
September 2012
To mark Artforum’s fiftieth anniversary in September 2012, the magazine’s editors invited critic Max Kozloff to revisit his “The Multimillion Dollar Art Boondoggle” essay, a sweeping jeremiad (published in Artforum’s October 1971 issue) against the Los Angeles County Museum of Art’s “Art and Technology” exhibition. That show, organized by Maurice Tuchman, emerged from an experimental effort to embed artists in industrial corporations like General Electric, Lockheed Martin, and Hewlett-Packard. Kozloff, writing in 1971, excoriated the enterprise, lambasting the curator and participating artists for their complicity with the military-industrial complex at the height of the Vietnam War.
 
Further reflections from Kozloff, who turned ninety-one last month, are featured in the magazine’s current issue, compiled by Christopher Lyon from extensive interviews with the veteran art critic. —The editors