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The New Paramount

Everything you need to know about Paramount-Skydance
Summer Box Office

All the hits and misses for summer 2024
Biden Drops Out

How the media, politicians and Hollywood are reacting

Glen Powell as Tyler in Twisters, directed by Lee Isaac Chung.

Top Story

4DX and Midwesterners Power ‘Twisters’

Moviegoers embraced the storm this weekend, propelling "Twisters" to a better-than-expected $81.25 million opening weekend.

By Rebecca Rubin

Emily in Paris. Lily Collins as Emily in episode 404 of Emily in Paris. Cr. Courtesy of Netflix © 2024

‘Emily in Paris’ Season 4 Trailer

Emily is ready for new French flings in a teaser for the Netflix show's next season.

By Lexi Carson

Film

‘I Know What You Did Last Summer’ Reboot: Camila Mendes, Madelyn Cline, Jonah Hauer-King to Star

Sony’s reboot of “I Know What You Did Last Summer” has found its principal cast. Camila Mendes, Madelyn Cline, Sarah Pidgeon, Tyriq Withers and Jonah Haur-King are in talks…

By Katcy Stephan

Film

TIFF Lineup: Pam Anderson’s ‘Last Showgirl,’ Ben and J. Lo Project ‘Unstoppable,’ Papal Thriller ‘Conclave’ and More

The Toronto International Film Festival is bringing back the star power after last year’s Hollywood labor strikes led to a drought of household names at the annual…

By Matt Donnelly

LOS ANGELES, CALIFORNIA - DECEMBER 07: RaMell Ross attends the 2019 IDA Documentary Awards at Paramount Pictures on December 07, 2019 in Los Angeles, California. (Photo by Jesse Grant/Getty Images for International Documentary Association)

Film

New York Film Festival Sets RaMell Ross’ ‘Nickel Boys’ as Opening Night Movie

New York Film Festival has set the RaMell Ross-directed historical drama “Nickel Boys” as its opening night movie. The screening will take place Sept. 27 at Alice Tully Hall…

By Rebecca Rubin

Joe Scarborough Says Donald Trump and Republicans Are 'Freaking Out' Over Joe Biden's Withdrawal

"Suddenly, he's the oldest guy in the race by a long shot," said the "Morning Joe" host.

By Ellise Shafer

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‘Twisters’

Glen Powell and Daisy Edgar-Jones lead a sequel full of state-of-the-art storms, but it's less awesome than the original.
‘Longlegs’

Nicolas Cage worms his way into your nightmares in Osgood Perkins' dread-filled serial killer thriller.
Critics Pick
‘Sing Sing’

Colman Domingo and a cast of ex-criminals demonstrate how art can heal in prison in this boundary-pushing project.
Critics Pick
‘Skywalkers: A Love Story’

Jeff Zimbalist's film about two rooftoppers who fall in love is a thrilling, vertigo-inducing romance without a net.

‘A Man in Full’

A one-note Jeff Daniels stars in this empty Netflix series.
‘The Tattooist of Auschwitz’

Peacock's gruesome and grueling love story is set during the Holocaust.
‘The Veil’

Elisabeth Moss stuns in FX's fascinating spy thriller.
'Dead Boy Detectives’

This 'Sandman' spinoff adapts Neil Gaiman's comic as a zany teen procedural.

‘Hit Me Hard and Soft’

Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
‘Atavista’

Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
‘Dark Times’

Vince Staples searches for light on his new album, his most vulnerable project to date.
‘Radical Optimism’

Dua Lipa's new album is a joyous blast of pop savvy.

‘An Enemy of the People’

Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
‘Long Day’s Journey Into Night’

Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
‘Tommy’

Strictly for the boomers.
‘Water for Elephants’

The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.

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Jodie Foster and Robert Downey Jr. Variety Actors on Actors

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Jodie Foster & Robert Downey Jr. — Actors on Actors (Full Conversation)

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!