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‘Joker: Folie À Deux’ Review: Joaquin Phoenix And Lady Gaga In Todd Phillips’ Brilliant Musical Return To A World Of Madness – Venice Film Festival
“Folie à deux” means a kind of shared madness — possibly two extreme hearts on similar wavelength or maybe a clash inside one disturbed person’s head. When Arthur Fleck aka Joker meets Harleen “Lee” Quinel aka Harley Quinn in director/co-writer Todd Phillips’ audacious and head-spinning follow-up to his…
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By Pete Hammond
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6 Comments Comment on ‘Joker: Folie À Deux’ Review: Joaquin Phoenix And Lady Gaga In Todd Phillips’ Brilliant Musical Return To A World Of Madness – Venice Film Festival
‘Harvest’ Review: Caleb Landry Jones Plunges Headfirst Into Athina Rachel Tsangari’s Challenging Scotland-Set Period Piece – Venice Film Festival
There is a sense-memory of Terrence Malick's Days of Heaven when Harvest begins; we are in the midst of a wheatfield, the ripe ears above us, the blue sky glimpsed between the stalks. Caleb Landry Jones appears, caressing a butterfly. Then he bites off a piece of mossy wood, chews experimentally and spits…
‘2073’ Review: Director Asif Kapadia’s Dystopian Portrait Of The Future Feels All Too Real – Venice Film Festival
There's a disturbing plausibility to director Asif Kapadia's docudrama 2073, which just premiered out of competition at the Venice Film Festival. It's set 49 years in the future, a time when surveillance drones swarm the skies and shock troops keep the order, truncheons in hand. We're not in America…
‘Vermiglio’ Review: Maura Delpero’s Personal Tale Of Wartime Infidelity In The Italian Alps – Venice Film Festival
The setting for Maura Delpero's second feature is a sleepy wartime village in the Italian Alps, but the languid nature of the film is so soporific it borders on anesthetizing; indeed when the credits finally roll, it might be worth checking yourself for scars and other signs of organ harvesting…
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By Damon Wise
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Telluride Film Festival 2024: All Of Deadline’s Movie Reviews
The 2024 Telluride Film Festival kicked off August 30 and runs through September 2 in the Colorado mountains. Deadline is on the ground to watch all the key films.
Among the films appearing in the mountains for the first time anywhere are director Saturday Night, Jason Reitman's tale of the 1975…
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By Pete Hammond
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‘Better Man’ Review: Robbie Williams Musical Wins Points For Most Unusual Star Casting In Movie Biopic History – Telluride Film Festival
Michael Gracey’s wildly inventive musical biopic of superstar British entertainer Robbie Williams rolls the dice on a unique star casting decision to play Williams that separates it from every showbiz biopic that has come before. A CGI monkey (actor Jonno Davies) plays the singer in what is otherwise a…
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By Pete Hammond
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‘The Room Next Door’ Review: Pedro Almodóvar Delivers A Thoughtful, Vital Film About A Sobering Subject – Venice Film Festival
Along with his fondness for red cars, absurd sexual encounters and earthy Spanish matriarchs, Pedro Almodóvar has a much more melancholy special subject that keeps cropping up in his otherwise dynamic films: the fact of death. Long before making The Room Next Door, his first English-language feature, he…
‘Wolfs’ Review: Brad Pitt And George Clooney Face Off As Aging Fixers In Jon Watts’ Verbose Action Comedy – Venice Film Festival
Wolfs is an interesting reminder of the route writer-director Jon Watts might have taken if he hadn’t fallen into the Spiderverse, being an amplified version of his 2015 Sundance debut Cop Car. That film starred two unknown kids in a kind-hearted crime caper…
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By Damon Wise
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‘Saturday Night’ Review: Jason Reitman’s Zany, Brilliant And Outrageously Funny Ode To ‘SNL’s Opening Night Hits The Comic Bull’s Eye – Telluride Film Festival
A top director once told me 90% of the success of his movies is casting. If you get that right, you are on your way.
If that is the case then Saturday Night director and co-writer Jason Reitman nailed it — and then some. With a killer ensemble of more…
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By Pete Hammond
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‘I’m Still Here’ Review: Walter Salles’ Love Letter To Brazil Is A Powerful Warning From History – Venice Film Festival
As the title might suggest, Walter Salles' first dramatic feature in 12 years is ultimately a celebration of Brazil — not only of the resilience of its liberalism under tyrannical rulers, but of its sunlight, its carnival spirit and the delicious blue of the sea that rolls onto Rio de Janeiro's broad…
‘The Brutalist’ Review: Brady Corbet’s 70mm Epic Is A Flawed But Fascinating Edifice To The Practical Possibilities Of Cinema – Venice Film Festival
Brady Corbet's odyssey into the artistic realms of the 20th century promises, on paper, to be a time-spanning epic. But though the running time is a whopping 3 hours and 35 minutes — with a 15-minute interval whether you want it or not — The Brutalist is…
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By Damon Wise
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‘The End’ Review: Tilda Swinton And Michael Shannon Sing Away The Apocalypse And The Songs Are Pretty Good – Telluride Film Festival
Musicals are really in vogue at the fall film festivals this year. At Venice the upcoming Joker: Folie à Deux will have stars Joaquin Phoenix and Lady Gaga singing and dancing to the standards. At Telluride, Emilia Pérez has the bug, as does the…
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By Pete Hammond
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