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The New Paramount

Everything you need to know about Paramount-Skydance
Summer Box Office

All the hits and misses for summer 2024
'Rust' Trial

How 'incredible lawyering' allowed Alec Baldwin to walk

Top Story

Emmy Noms Are Here

FX's 'Shogun' and 'The Bear' are the two most-nominated series at the 2024 Emmy nominations.

By Variety Staff

Film

Russo Bros. in Talks to Direct Next Two ‘Avengers’ Movies

The Russos are back after helming 'Avengers: Infinity War' and 'Avengers: Endgame.'

By Rebecca Rubin

Politics

President Biden Tests Positive for COVID and Has ‘Mild Symptoms,’ Cancels Las Vegas Campaign Event

President Joe Biden has tested positive for COVID-19 and is experiencing “mild symptoms,” White House Press Secretary Karine Jean-Pierre announced on Wednesday. Biden…

By Jordan Moreau

Emmys Snubs and Surprises: Emma Stone and Kate Winslet Shut Out as Idris Elba and 'Reservation Dogs' Land Big Nods

With fewer eligible series — a consequence of both last year’s strikes and of a general post-Peak TV contraction — it seemed unlikely that the Emmys (the second such ceremony this…

By Kate Aurthur, Daniel D'Addario

Bela Bajaria Variety Cover Story Netflix

Netflix’s Bela Bajaria on Her Emmy Dominance Across 35 Programs, What’s Next for ‘3 Body Problem’ and ‘Bridgerton’

Netflix is back on top. The streamer slightly increased its Emmy nomination tally in 2024, leading all outlets with 107 — up four from last year’s 103, and taking over the top…

By Michael Schneider

FX Boss John Landgraf Talks Emmy Records

The chairman also weighed in on 'Shōgun' Season 2, and whether 'The Bear' is a comedy.

By Michael Schneider

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Robert Downey Jr. and Jodie Foster Reunite

The Duo Reunite to Discuss TV Triumphs and Being 'Surprisingly' Open to Iron Man Return
Jennifer Aniston and Quinta Brunson

On Saying 'F— It,' No Social Media Policies at Work and Why 'Friends' Is Still 'One of the Best Shows on TV'

‘Fly Me to the Moon’

Scarlett Johansson and Channing Tatum star in the rare 21st-century rom-com to boast brains and heart.
‘Longlegs’

Nicolas Cage worms his way into your nightmares in Osgood Perkins' dread-filled serial killer thriller.
‘Despicable Me 4’

Illumination's latest entry feels like someone shoehorned a handful of shorts into a slightly messy 90-minute movie.
Critics Pick
‘Sing Sing’

Colman Domingo and a cast of ex-criminals show how art can heal in prison in Greg Kwedar's boundary-pushing film.

‘A Man in Full’

A one-note Jeff Daniels stars in this empty Netflix series.
‘The Tattooist of Auschwitz’

Peacock's gruesome and grueling love story is set during the Holocaust.
‘The Veil’

Elisabeth Moss stuns in FX's fascinating spy thriller.
'Dead Boy Detectives’

This 'Sandman' spinoff adapts Neil Gaiman's comic as a zany teen procedural.

‘Hit Me Hard and Soft’

Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
‘Atavista’

Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
‘Dark Times’

Vince Staples searches for light on his new album, his most vulnerable project to date.
‘Radical Optimism’

Dua Lipa's new album is a joyous blast of pop savvy.

‘An Enemy of the People’

Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
‘Long Day’s Journey Into Night’

Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
‘Tommy’

Strictly for the boomers.
‘Water for Elephants’

The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.

More Reviews

Video

Jodie Foster and Robert Downey Jr. Variety Actors on Actors

Popular on Variety

Jodie Foster & Robert Downey Jr. — Actors on Actors (Full Conversation)

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!