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Conversational AI

Synthetic voices are novel for Hollywood, but do talent or consumers want them?

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Harnessing IP

How to build the next great social-centric entertainment brands

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Overseas Angst

Growing globalization of film and TV production spells trouble for Hollywood

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Daily Commentary

Conversational AI

Synthetic voices are novel for Hollywood, but do talent or consumers want them?

Illustration of hot air balloons with social media reaction icons on them
Guest Commentary

Harnessing IP

How to build the next great social-centric entertainment brands

Globe with a streaming play button on it
Daily Commentary

Overseas Angst

Growing globalization of film and TV production spells trouble for Hollywood

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Variety Intelligence Platform for Entertainment Business Insights
How Marketers Can best Engage Entertainment Franchise Fans

April 2024

How Marketers Can best Engage Entertainment Franchise Fans

Variety Intelligence Platform for Entertainment Business Insights
What the mixed reality headset will mean for what and how you watch

April 2024

What the mixed reality headset will mean for what and how you watch

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Inside Hollywood’s production downturn, from Content spend to catalogs

March 2024

Inside Hollywood’s production downturn, from Content spend to catalogs

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Social video vs. paid streaming: Data on the trends revving up U.S. screens

July 2024

Social video vs. paid streaming: Data on the trends revving up U.S. screens

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How the tech is finding its way into film and TV in a time of industry uncertainty

June 2024

How the tech is finding its way into film and TV in a time of industry uncertainty

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A data dive on the challenges facing all aspects of the global box office

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A data dive on the challenges facing all aspects of the global box office

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The Death of Peak TV

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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

BEVERLY HILLS, CALIFORNIA - APRIL 24: (L-R) Brent Lang, Executive Editor, Variety, Josh Goldstine, President, Worldwide Marketing, Warner Bros. Pictures Group, Rebecca Kearey, Head of International & Business Operations, Searchlight Pictures, Marian Lee Dicus, CMO, Netflix, Dwight Caines, President, Domestic Marketing, Universal Pictures and Marc Weinstock, President, Worldwide Marketing & Distribution, Paramount Pictures speak onstage at the "President Keynote Roundtable" panel during the Variety Entertainment Marketing Summit Presented by Deloitte at The Beverly Hilton on April 24, 2024 in Beverly Hills, California. (Photo by Randy Shropshire/Variety via Getty Images)
Marketing Summits

Film Studio Marketing Execs Talk Reviving IP, Social Media, Strike Downturn & More

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

Paris Hilton and Bruce Gersh posing for a photo against a Variety backdrop at the Entertainment Marketing Summit
Marketing Summits

Paris Hilton Takes Time Out From 11:11 Media to Talk Business

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

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Conversations in AI: Inside the Mission to Transform Digital Advertising 

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

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