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Spotlight on select Summer Advertisers
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Saj Issa, Plein Air Performance, 2024, HD video, color, sound, 4 minutes 35 seconds.
Saj Issa, Plein Air Performance, 2024, HD video, color, sound, 4 minutes 35 seconds.
Videos
Zsofi Valyi-Nagy discusses the art of Vera Molnar with Artforum’s West Coast editor Bryan Barcena in Los Angeles in May 2024.
On the legacy of Vera Molnar
SUMMER HOMEPAGE
Under the Cover
On the brand identity of SpaghettiOs and the importance of total artistic freedom
Columns
Art Basel.
Succession speculations at the 54th Art Basel
Liam Gillick.
On the artist’s novel
JOB.
On the stage’s therapeutic turn
Film
Megalopolis.
Odes to cinema abound at the Seventy-Seventh Cannes Film Festival
Working Girl (1988)
Re-viewing Mike Nichols at the Cinémathèque française
Jean-Pierre Melville, Le Samouraï, 1967, 35 mm transferred to 4K, color, sound, 105 minutes. Jef Costello (Alain Delon).
Jean-Pierre Melville’s Le Samouraï shines in new 4K cinematic release
From the archive
SUMMER HOMEPAGE
April 1994
“Inhuman, unsleeping, omnivorous, a machine triggered by the scent of blood. . . . It was with Jaws that the culture industry truly began to contemplate itself,” wrote J. Hoberman in Artforum’s April 1994 issue. Twenty years after Steven Spielberg’s film began production on Martha’s Vineyard, Hoberman reflected on the “particularly self-conscious way [in which] the movie’s box-office appeal fed into itself, transforming a hit movie into something larger, a new form of feedback and a new model for the movies.”

With summer upon us—and a heatwave traversing the US—Artforum revisits Hoberman’s meditation on the lives and afterlives of the quintessential American blockbuster.  —The editors
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