Digital Marketing Impact Report
The people behind the most effective content promotions
Formed in 2009, the Archive Team (not to be confused with the archive.org Archive-It Team) is a rogue archivist collective dedicated to saving copies of rapidly dying or deleted websites for the sake of history and digital heritage. The group is 100% composed of volunteers and interested parties, and has expanded into a large amount of related projects for saving online and digital history.
History is littered with hundreds of conflicts over the future of a community, group, location or business that were "resolved" when one of the parties stepped ahead and destroyed what was there. With the original point of contention destroyed, the debates would fall to the wayside. Archive Team believes that by duplicated condemned data, the conversation and debate can continue, as well as the richness and insight gained by keeping the materials. Our projects have ranged in size from a single volunteer downloading the data to a small-but-critical site, to over 100 volunteers stepping forward to acquire terabytes of user-created data to save for future generations.
The main site for Archive Team is at archiveteam.org and contains up to the date information on various projects, manifestos, plans and walkthroughs.
This collection contains the output of many Archive Team projects, both ongoing and completed. Thanks to the generous providing of disk space by the Internet Archive, multi-terabyte datasets can be made available, as well as in use by the Wayback Machine, providing a path back to lost websites and work.
Our collection has grown to the point of having sub-collections for the type of data we acquire. If you are seeking to browse the contents of these collections, the Wayback Machine is the best first stop. Otherwise, you are free to dig into the stacks to see what you may find.
The Archive Team Panic Downloads are full pulldowns of currently extant websites, meant to serve as emergency backups for needed sites that are in danger of closing, or which will be missed dearly if suddenly lost due to hard drive crashes or server failures.
To use ArchiveBot, drop by #archivebot on EFNet. To interact with ArchiveBot, you issue commands by typing it into the channel. Note you will need channel operator permissions in order to issue archiving jobs. The dashboard shows the sites being downloaded currently.
There is a dashboard running for the archivebot process at http://www.archivebot.com.
ArchiveBot's source code can be found at https://github.com/ArchiveTeam/ArchiveBot.

The people behind the most effective content promotions
How and when the TV and film industries are resuming work
"Awards Circuit," "The Big Ticket," "Strictly Business"
Variety Intelligence Platform offers in-depth analysis
Universal has unveiled a multi-year agreement with Canada's Cineplex chain to shorten the theatrical window and bring movies more quickly to the home.
“Black Lightning” will end its run on The CW after its upcoming Season 4. Based on the DC character of the same name, “Black Lightning” centers around Jefferson Pierce (Cress Williams), a high school…
“Stranger Things” has added eight new players for its upcoming fourth season. The wildly popular Netflix show has cast Jamie Campbell Bower (“Sweeney Todd”), Eduardo Franco (“Booksmart”) and Joseph…
Megan Thee Stallion's "Good News" is a strong and sexed-up debut album that crushes Tory Lanez in the first song, then moves on.
Hulu's "Animaniacs" reboot tries so hard to be timely that it keeps forgetting what made the original special in the first place.
"Marvel's 616," a new Disney Plus docuseries, highlights women creators, forgotten characters, Japanese Spider-Man and more.
"Big Sky" works hard to convince its audience that it's not like anything else on broadcast network TV, but it indulges in trope after trope.
FX on Hulu's drama, starring Nick Robinson and Kate Mara, details the beginning, middle and endless end of a teacher abusing her student.
Viola Davis and Chadwick Boseman astonish in August Wilson's timelier-than-ever study of Black culture's influence on popular music.
Holiday fluff comes gift-wrapped in a pleasant sequel to Netflix's 2018 hit, starring Vanessa Hudgens.
Kurt Russell's Santa Claus has to save Christmas — again —๏ฟฝ?in this week's it-is-what-it-is piece of Christmas-movie product.
Move over, Black Santa. David E. Talbert has imagined a Christmas toymaker to take his place —๏ฟฝ?and the holiday musical to go with it.
Megan Thee Stallion's "Good News" is a strong and sexed-up debut album that crushes Tory Lanez in the first song, then moves on.
AC/DC's "Power Up," the Aussie rock band's first new album in six years, proves that old dogs doing old tricks isn't a bad thing.
On "Starting Over," Chris Stapleton is sticking with the mixture of gentle country-folk and blues-rock that made him an insider and outlier.
Kylie Minogue's most consistent and cohesive album since her oughts-era heyday, "Disco" is a welcome blast of sugar-rush anthems.
Starring "Hamilton's" Michael Balogun and performed on the eve of England's second lockdown, the play is sure to be seen again.
This smart revival of Jason Robert Brown's musical plays in a London theater cleverly redesigned for COVID-era safety.
Kristin Scott Thomas and Rochenda Sandall headline two Alan Bennett monologues, which even under social distance pack a punch.
David Hare's monologue at the Bridge Theatre in London recounts the playwright's battle with COVID-19.
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