Every IndieWire TV Review from 2020, Ranked by Grade from Best to Worst
Yes, yes, Peak TV. It’s troubling, we know. There, there, sssshh. Let us offer some assistance in determining what to watch so far in 2020.
Yes, yes, Peak TV. It’s troubling, we know. There, there, sssshh. Let us offer some assistance in determining what to watch so far in 2020.
Luca Guadagnino’s “Right Here, Right Now VII — And Last” builds to a touching close that both indulges and defies expectations.
Jon Favreau crafts an hourlong western for “The Mandalorian’s” return, but lavish effects and plenty of easter eggs don’t justify the length of this Krayt.
The final season of the German-language series doesn’t always spend its time wisely, but there’s power in seeing how characters grapple with a brand new reality.
Strong turns from Kate Mara and Nick Robinson can’t propel this middling series into any now-virtual water cooler conversation.
Balancing seismic 2020 events with its ongoing story, the two-hour premiere succeeds by dialing down the drama and spotlighting its best character.
Eric Andre is more unpredictable, deranged, and genuinely hilarious than ever in the latest season of his parody of late night talk shows.
Scott Frank’s second Netflix limited series tells a refined coming-of-age story about a prodigious chess player struggling with addiction and despair.
Produced by Nathan Fielder, HBO’s documentary-adjacent look at everyday life in New York has a hint of darkness and a wealth of empathy.
A soporific second episode makes us hope there’s more to the 32nd century than Western saloon-style standoffs and shootouts.
David E. Kelley’s latest courtroom drama acknowledges its privileged perspective, but a slow, reductive murder-mystery stresses its deficient focus on rich people problems.
Dennis Kelly’s six-episode, seven-part limited series — the live event cannot be ignored — comes to a rousing close, as both a thriller and an allegory for grief.