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"Infrastructure is not only a tool for moving people, water, or information around. It’s the foundation for our economy, for our social and cultural life. It matters what kind of infrastructure we build." (from the archives)
Beijing’s air tastes and smells like the aftermath of a house fire, at least if an installation outside London’s Somerset House is to be believed. Built for Earth Day by artist Michael Pinsky and Danish air filtering company Airlabs, the exhibit simulates the smell, heat, and haze of four notoriously polluted cities—London, New Delhi, Beijing, and Sao Paulo—inside plastic-clad geodesic domes.
More on how the exhibit highlights the dangers of ozone pollution: trib.al/CW7c0tw (
📷: Peter MacDiarmid for Somerset House)



Our overly simplified mental models of America’s economic geography—especially of its rural areas—mask a more complex reality, Richard Florida writes.
"It’s a movie-lovers’ paradise. Pretty much anything you can think of, they have. And that’s not true online." When streaming upended the industry, Seattle’s Scarecrow Video reimagined itself as a community hub and keeper of an archive that can’t be matched online. Its work as a nonprofit has helped to highlight just what could be lost if movie stores were swept away in favor of more convenient technology. More: trib.al/qc3JH4u (
📷: Hallie Golden/CityLab)
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"As an African arriving in America, I took it for granted that I would gain access to that fortress of black belonging by virtue of shared ancestry. How mistaken I was."
In 1983, neighbors on an unusual block agreed to create a more open, shared space behind their homes. What they built remains a special slice of nature in a bustling city.
How do we shift our mindsets? How do we think about our urban historical past? Mayors, thought leaders, and practitioners weigh in:
"Riding one feels like a superpower."
#Cityreads via The Atlantic































