This book explores what it means to exist in virtual worlds. Chiefly drawing on the philosophical traditions of existentialism, it articulates the idea that — by means of our technical equipment and coordinated practices — human beings disclose contexts or worlds in which they can perceive, feel, act, and think. More specifically, this book discusses how virtual worlds allow human beings to take new perspectives on their values and beliefs, and explore previously unexperienced ways of being. Virtual Existentialism will be (...) useful for scholars working in the fields of philosophy, anthropology, media studies, and digital game studies. (shrink)

RÉSUMÉ Les systèmes de transport et de télécommunication procurent des potentiels de vitesse considérables. Largement utilisés, ces potentiels ont consacré un rétrécissement de l’espace et du temps dont les conséquences sociales et spatiales interrogent : les mobilités, de plus en plus réversibles, ont-elles pour effet de rendre les sociétés socialement et spatialement plus fluides? Partant des débats sur la fluidification sociale, l’article propose d’explorer le système d’intentionnalité qui caractérise les mobilités au moyen du concept de motilité. Cette discussion, suivie (...) d’un examen empirique, laisse apparaître que les mobilités réversibles, loin d’être l’expression unilatérale d’une « liberté » renouvelée, sont des réponses à un nouvel univers de contraintes situationnelles et sont porteuses d’inégalités. (shrink)

Réduction du temps de travail, 35 heures, flexibilité accrue, vieillissement de la population, développement des loisirs, usage croissant des nouvelles technologies de l'information, autant de facteurs souvent évoqués comme responsables de ce qui serait une fluidification progressive de nos rythmes de vie. Certains vont même jusqu'à anticiper une ville 24 h sur 24, perpétuellement en mouvement... Pourtant l'analyse par Jean-Pascal Lavielle d'une série d'Enquêtes Ménages Déplacements étalées - Urbanisme – Nouvel article.

In Philosophy of Money (1900), money is a permanent splitting liberation and fluidification, until it takes any form through equalizing in quantity all qualities it bounds to. This process also happens: in objects, more and more ephemeral and independent from man, leading to an objective culture that gets farther away; and in subjects, exposed to a continuing splitting process, thereby gaining a negative freedom with no properties and purpose. This menaces man’s individuality which is neither an isolated subjectivity nor (...) an agglutinated objectivity. In 1911, Simmel describes human life as a tragedy of culture, an attempt to contain the living matter creating successive forms that, once created, begin to drain its contents. This view was already acknowledged in the Philosophy of Money as the tragedy of freedom. By only using money as a means, acting on positive freedom, we overcome successive resistances (non-freedom forms) and advance to our individual purpose. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Becoming Human: Matter and Meaning in an Antiblack World by Zakiyyah Iman JacksonBernabé S. Mendoza (bio)Zakiyyah Iman Jackson, Becoming Human: Matter and Meaning in an Antiblack World New York: By New York University Press, 2020, 320 pp. ISBN 978-1-4798-9004-0the radical work of black feminism is to upend Western dualistic ways of thinking that structure our understanding of what it means to be human. In Becoming Human: Matter and (...) Meaning in an Antiblack World, Zakiyyah Iman Jackson troubles the dominant dualistic distinction of the human and the animal. Jackson argues that antiblackness undergirds Enlightenment discourses on the human-animal divide such that blackness cannot be extricated from the very concept of the animal because both “are not only interdependent representations but also entangled concepts” (28). Central to Jackson’s argument on the animalization of blackness is the notion of “ontologized plasticity,” which posits the being of black(ened) people as infinitely malleable and mutable matter and further points to the fluidification of form and “fleshly existence.” Far from seeing the human as a category that has “ontological integrity,” as scholars in the fields of animal studies, new materialisms, and posthumanism presuppose, Jackson instead seeks to redefine the concept of the human through the theorization of blackness (16). She points out that such theorization has been, for such scholars, a lacuna and the “space of the unthought,” which thus marks her intervention in these fields. [End Page 211]The author offers a sustained engagement with the knowledge claims of science and philosophy, reading them through and against the intellectual contributions of black feminist writers and artists. She draws from such luminaries as Toni Morrison, Nalo Hopkinson, Octavia Butler, Audre Lorde, and the artist Wangechi Mutu to show the ways in which they reject an enclosed notion of the human that is defined only by keeping the racialized other at bay and in a degraded animalized and liquified state. As such, she showcases how black feminist visual and literary culture “theorizes and philosophizes” and reveals the faulty, antiblack premises upon which science and philosophy establish their claims of knowledge on the human.Offering a materialist theory of black ontology and temporality, Jackson poses three main arguments on the racialization of the human-animal distinction. The first is the aforementioned notion of ontologized and black(ened) plasticity that speaks to the constant modulation and manipulation of black matter as it relates to gender, sexuality, and sexual reproduction. Reading US slavery as an experimental playground for testing the limits of the human, Jackson argues that “black female f lesh... functions as the limit case of ‘the human’ and is its matrix-figure” (4). She defines plasticity as a “praxis that seeks to define the essence of a black(ened) thing as infinitely mutable in antiblack, often paradoxical sexuating terms as a means of hierarchically delineating sex/gender, reproduction, and states of being more generally” (11). There is, in other words, an inversion that takes place in that it is only through opposition and the imposed instability and illegibility of blackness—of black matter and the black mater(nal) situated as “chaos by design”—that such categories as “woman,” “mother,” and “female body” can themselves take hold and become intelligible forms (11). Jackson engages with the work of Hortense Spillers and Sylvia Wynter in order to argue that “Man,” as the object of analysis within liberal humanism, “produces an untenable dichotomy—‘the human’ versus ‘the animal,’ whereby the black(ened) female is posited as the abyss dividing organic life into ‘human’ or ‘animal’ based on wholly unsound metaphysical premises” (12). This claim on the centrality of the black female in the plasticization of blackness is given support in chapter 2, which focuses on Nalo Hopkinson’s speculative novel Brown Girl in the Ring, where plasticity gives way to opacity.In this chapter, Jackson explores the ways in which the black female body, as that which is opaque and nonrepresentable within the “dominant grammar of representation,” shatters what she argues is Heidegger’s metaphysical and hierarchical ordering of human, animal, and world. In exploring “how our received conceptions of being hinges on our im/perception of black mater... (shrink)