While Foucault referred to Benjamin just once in his entire corpus, scholars have long noticed affinities between the two thinkers, mainly between their conceptions of history: their emphasis on discontinuity, their historiographical practices, and the role of archives in their work. This essay focuses, rather, on their practice of critique and, more specifically, on their conception of the relation of this practice to exercise or askesis. I examine the role of askesis as a self-transformative exercise in Foucault’s late (...) work and how this concept reverberates throughout his idea of critique as the exercise of an ethos demanding arduous work. Against this background, the role of exercise (Übung) in Benjamin’s Origin of the German Traeurspiel, his interest in ascetic kinds of exercise or schooling, and its ties to critique are discerned. This comparison reveals significant similarities in Foucault’s and Benjamin’s conception of philosophy, as well as different emphases in their inheritance of the Kantian critical project: critique as an exercise of an attitude attentive to possibilities for transformation in the present vs. critique as involving an attitude-transforming exercise; critique as a modern ethos that needs to be reactivated vs. critique as propaedeutic, as a preparation for a modern tradition. (shrink)

The present paper attempts to explain Socrates’ remark in Symposium 212b, where the expression “diapherontos askein” is used to describe Socrates’ attitude towards erotic matters [ta erotika]. The analysis of the dialogue shows that a human being with a reliable power of Eros and knowledge about the proper way of life should strengthen their character virtues through self-restraint and justice. This power is a natural component of every person, and the knowledge about life can be obtained both from the Symposium (...) itself and from the speech of Diotima. Furthermore, in the apology delivered by Alcibiades as well as in the Apology and Phaedo, Socrates is presented to the reader as the perfect moral ideal that serves as a criterion for leading a proper life. While the two aforementioned elements provide a suf ficient condition for being a philosopher, they do not guarantee access to transcendent reality. If this access is to be attained at all, it is only through hard work on the moral and intellectual aspect of being human. (shrink)

Michel Foucault turned to Classical and Hellenistic philosophy late in his career, a change of focus that surprised and was misunderstood by many at the time. Often, it is supposed that his aim was to find the “freedom” that he had allegedly denied in his earlier works on power relations; he is thought to have proposed an autonomous self which would oppose and resist dominating political institutions. I instead contend that Foucault’s work on the Ancients is better understood as a (...) challenge to or interrogation of current understandings of freedom. Rather than locating a subject whose freedom would consist in a lack of determination (whether from power or any other source), “freedom” in Foucault’s work on the Ancients is the result of a deterministic production. Rather than describing a freedom which is already naturally ours, Foucault shows how Classical and Hellenistic subjects used techniques to constitute themselves as free. Hence his later works’ emphasis on askesis, or “practices of the self”— that is, the work one performs on oneself in order to transform what one is. Practices of askesis, and those of Epictetus in particular, show that knowledge alone is not sufficient for morally improving oneself. Practices of askesis also indicate that treating one’s volition (or “will”) as a quasi-object to be adjusted through practical techniques does not alienate freedom, but rather is freedom’s foundation. Indeed, Foucault shows that through the exercises of askesis, a subject can be produced and constituted as free for the first time. Examples of askesis in Epictetus are given to show how a Stoic could force himself to have a morally correct volition: taking ideas which he knew but could not follow, and transforming them into principles of actual conduct which he could not help but follow. The sense of “freedom” and “subject” developed in Foucault’s reading of the Stoics thus remains wholly foreign to free will as an original possession of a purely autonomous self. In fact, it challenges free will on a number of issues, including the relation of choice to knowledge, how to effectively reform and reshape desire and judgment, and the benefits of treating oneself as a quasi-object. It is through askesis that Foucault most clearly raises these challenges, and in so doing, makes us question our reliance on the free will as an explanation for human ethical behavior. He replaces it with askesis, a set of effective techniques which can actually transform us into the ethical selves we want to become. (shrink)

In his renowned courses at the Collège de France from 1982 to 1984, Michel Foucault devoted his lectures to meticulous readings and interpretations of the works of Plato, Epictetus, Seneca, and Marcus Aurelius, among others. In this his aim was not, Edward F. McGushin contends, to develop a new knowledge of the history of philosophy; rather, it was to let himself be transformed by the very activity of thinking. Thus, this work shows us Foucault in the last phase of his (...) life in the act of becoming a philosopher. Here we see how his encounter with ancient philosophy allowed him to experience the practice of philosophy as, to paraphrase Nietzsche, a way of becoming who one is: the work of self-formation that the Greeks called _askésis_. Through a detailed study of Foucault's last courses, McGushin demonstrates that this new way of practicing philosophical _askésis_ evokes Foucault's ethical resistance to modern relations of power and knowledge. In order to understand Foucault's later project, then, it is necessary to see it within the context of his earlier work. If his earlier projects represented an attempt to bring to light the relations of power and knowledge that narrowed and limited freedom, then this last project represents his effort to take back that freedom by redefining it in terms of care of the self. Foucault always stressed that modern power functions by producing individual subjects. This book shows how his excavation of ancient philosophical practices gave him the tools to counter this function-with a practice of self-formation, an _askésis. _. (shrink)

We find ourselves thrown into the world, enveloped in a certain context. Our behavior is to a large extent conditioned by this context and the inherited ways of thinking. Playing off the double meaning of traditio, we present a betrayal of the tradition of philosophy and customary ways of thinking, by shining a light on the tuning of modern rationality and proposing a way to challenge the modern technological understanding of being. As Heidegger remarks on several occasions, the attunement of (...) wonder gave birth to philosophy, but has since been lost. We propose a possible way of confronting this issue, after the mood of anxiety has made us aware of the insignificance that lurks behind our habitual practices. This paper aims to show how askesis can enable us to revitalize the wonder about being, which we have lost. (shrink)

This article explores the ethical imperative to dramatise in the work of Georges Bataille and Gilles Deleuze, two of the most radical thinkers in twentieth-century philosophy, as a peculiar kind of askesis. Whereas askesis is often associated with asceticism or self-denial, in the sense of self-regulation and abstention, Bataille and Deleuze advocate training the self towards intensification of the liminal and extreme (disruption rather than composure), which can rather be understood as a denial of self – its dissolution (...) or laceration. Few attempts have been made to compare their work, even though both share a commitment to resisting the closures that bind our desires and inhibit our full participation in and confrontation with the ebbs and flows of an impersonal, immanent life. Through careful consideration and comparison of their work, I argue that both offer important methods for engendering modalities of ecstatic being characterised by sensitivity to immanence, which have important ramifications for our ability to address phenomena of ethical indifference and resist the constrictions of social control mechanisms that decimate our political imaginations and inhibit our resolve to invent a different future. In the final sections, I interrogate the differences in their invocation of affect and art. (shrink)

This article seeks to extend and refine Alastair MacIntyre’s moral theory of virtue ethics, by probing behind the Benedictine Rule—so fulsomely invoked at the end of After Virtue—to the ascetical theology of the noted, Eastern, ‘Cappadocian’ theologian of the fourth century: Gregory of Nyssa. I shall argue that Gregory’s vision of ascetical bodily practice complicates MacIntyre’s contemporary appropriation of virtue ethics. It does so by underscoring the diachronic, developmental character of personal ethical maturation—a theme which finds no expression in MacIntyre’s (...) otherwise sophisticated account of ‘narrative’. (shrink)

Sade’s oeuvre is fundamentally didactic. This includes his infamous One Hundred and Twenty Days of Sodom and his Philosophy in the Bedroom. Where these works exemplify his pedagogy Sade’s express theory of affective pedagogy, his libertine askesis, is given in detail in Histoire de Juliette. This chapter reconstructs Sade’s theory of libertine askesis. It first discusses the methods of training, then the five stages of Sade’s libertine self-cultivation. The chapter includes a discussion of the problem of insensibility and (...) of Sadean apathy, the meaning of which has caused quite a bit of confusion among commentators. (shrink)

Contemporary ethicists largely ignore the recent, revolutionary findings of psychodynamic psychology. The author argues that ethicists have been dissuaded from taking psychodynamic psychology seriously by hostile attacks on the credibility of the psychodynamic paradigm, and confusion about the contribution that clinical findings can make to ethics. With respect to these obstacles, the credibility of the psychodynamic paradigm is vouchsafed by a growing body of empirical studies that support the main psychodynamic hypotheses, particularly those of interest to ethicists. This new research (...) points toward the need to expand the range of issues covered by contemporary ethics by retrieving and updating the ancient tradition of askesis, involving thought-exercises oriented towards cultivation of habits of mind conducive to acting morally in one's daily activities. The paper concludes by sketching several ways in which self-reflection may improve moral decision-making. (shrink)

In both ancient tradition and modern research Pythagoreanism has been understood as a religious sect or as a philosophical and scientific community. Numerous attempts have been made to reconcile these pictures as well as to analyze them separately. The most recent scholarship compartmentalizes different facets of Pythagorean knowledge, but this offers no context for exploring their origins, development, and interdependence. This collection aims to reverse this trend, addressing connections between the different fields of Pythagorean knowledge, such as eschatology, metempsychosis, metaphysics, (...) epistemology, arithmology and numerology, music, dietetics and medicine as well as politics. In particular, the contributions discuss how the Pythagorean way of life related to more doctrinal aspects of knowledge, such as Pythagorean religion and science. The volume explores the effects of this interdependence between different kinds of knowledge both within the Pythagorean corpus and in its later reception. Chapters cover historical periods from the Archaic Period (6th century BC) to Neoplatonism, Early Christianity, the European and Arabic Middle Ages, and the Renaissance through to the Early Modern Period (17th century AD). (shrink)

Philosophy as a way of life has been undergoing a revival in recent years. This essay explores how the central idea of the spiritual exercises can be used to develop an account of philosophy of religion as a way of life. It details some of the contemporary uses and trajectories of philosophy as a way of life. Through engaging the religiously inflected philosophies of Karl Jaspers and Simone Weil, this paper argues that their thought can present an account of philosophy (...) of religion as a way of life that is both ethically and transcendentally oriented. (shrink)

This essay argues that the engagement with Greece and Rome after The Will to Knowledge allowed Foucault to bring clarity to his conception of limited freedom in complex societies. The Classical fulfilled this function paradoxically by being jarringly different from and integral to the discourses of modern sexuality. Foucault’s engagement with the Classical in The Use of Pleasure and The Care of the Selfcontinued his established method of uncovering the development of a discourse, or set of discourses, over time. He (...) thereby demonstrated the historical specificity of understandings of sexuality and the self. It follows that if the ancient self was a historical construct, then the modern self must also be such. But Foucault’s Classical engagement leads him to an innovative position in which the disciplinary dynamics of ancient self-knowledge offer a practical philosophy. Foucault’s Greek philosophy could have effects through two related mechanisms: the care of the self through askesis and the speaking of truth to power through parresia. Through the rigors of askesis, the self can be rendered an object of analysis and hence a critical position external to the self can be achieved. Externality allows the philosopher to exercise parresia since the constraints of society have been surpassed and consequently offers a prospect of agency and a measure of freedom. The second part of the essay questions the extent of that freedom by reading Foucault against Tacitus, particularly the Agricola and the mutinies episode in the Annales. These episodes show the limitations of parresia and how parresia is bound into the workings of imperial power. In the Tacitean model, externality is a viable political stance, but is problematic ethically. The essay concludes by contrasting Foucauldian and Tacitean models of historical change. (shrink)

“I went to the woods because I wished to live deliberately.” In order “to look again at the actual words of _Walden_, the main literary monument to the era’s eccentric etymological speculation” (Michael West), “deliberately” is the best place to start. This article aims to subject Walden’s most notable (instance of the) adverb to Thoreau’s hermeneutic methodology, “laboriously seeking [its] meaning” and minding the “perpetual suggestions and provocations” of etymology. In other words, it is an attempt to read the word (...) as deliberately as he, a Harvard-trained translator of the Classics and connoisseur of Enlightenment and Romantic philological theories, wrote it. This article focuses on wordplay stemming from the pseudo-etymological root “_liber_”—from freedom, through bark and leaves, to books. Throughout, the multi-layered ad-verb is shown to illustrate Thoreau’s idiosyncratic conception of ancient _askesis_. (shrink)

The review identifies the components of H. M. Lloyd’s contextual intellectual reconstruction of Marquis de Sade’s philosophical system in the context of the Enlightenment. The fundamental importance of the Enlightenment discourse of sensibility, its influence on the theory of natural law and moral philosophy of the eighteenth century is established. The main stages of reconstruction of Sade’s “system” are demonstrated, namely: 1) philosophical context (ontology and epistemology) as a discourse of sensibility; 2) particularities of the “roman philosophique” as a genre; (...) 3) the moral philosophy of the era and the Sade's response to it; 4) Sade’s theories of corporeal sensibility and affective self-cultivation, that isits philosophical askesis; 5) understanding of Sade in the context of the development of contemporary philosophy. It is noted that such reconstruction problematizes of the formal and substantive components of philosophical discourse in the academic environment. (shrink)

This chapter sets the stage for the inquiry pursued in this book. It begins by reviewing the changing fortunes of Murdoch’s reputation in the period following her death in 1999 and considers the effects of the biographies and memoirs on the recent critical reception of her work. The chapter then goes on to explain the purposes of the present volume, noting both the continuities and the discontinuities with my earlier monograph, _Picturing the Human: The Moral Thought of Iris Murdoch_. The (...) central claim of this chapter (and the book as a whole) is that Murdoch’s philosophy makes a distinctive contribution to contemporary thought by developing a form of thinking that is neither exclusively secular nor traditionally religious. This mode of thinking is best captured by describing Murdoch’s philosophy as a reappropriation of ancient forms of _askesis_ or spiritual exercises for contemporary life. (shrink)

Moral concern with food intake is as old asmorality itself. In the course of history, however,several ways of critically examining practices of foodproduction and food intake have been developed.Whereas ancient Greek food ethics concentrated on theproblem of temperance, and ancient Jewish ethics onthe distinction between legitimate and illicit foodproducts, early Christian morality simply refused toattach any moral significance to food intake. Yet,during the middle ages food became one of theprinciple objects of monastic programs for moralexercise (askesis). During the seventeenth (...) andeighteenth century, food ethics was transformed interms of the increasing scientific interest in foodintake, while in the nineteenth century the socialdimension of food ethics was discovered, with theresult that more and more attention was given to theproduction and distribution of food products. Becauseof the increasing distance between the production andconsumption of food products ever since, theoutstanding feature of contemporary food ethics is itreliance and dependence on labeling practices. (shrink)

The Stoic Epictetus famously criticizeshis students for studying Stoicism as ‘mere theory’ and encouraged them to add training to their educational program. This is made all the more interesting by the fact that Epictetus, as a Stoic, was committed to notion that wisdom is sufficient to be virtuous, so theory should be all that’s required to achieve virtue. How are we then to make sense of Epictetus criticism of an overreliance on theory, and his insistence on adding training? This paper (...) argues that this tension can be resolved through an appeal to the metaphor of ‘digesting theory’. Epictetus discusses the digestion of theory in three parts of his existent work. While the use of digestion as a metaphor for moral progress in Epictetus has been noted, an explanation as to exactly what this process consists of has yet to be provided. This paper attempts to provide such an account. I argue that digestion consists of assimilating what we have learnt conceptually, at the level of general principles, into specific beliefs concerning existent objects. I argue further that this process of digestion can only be achieved through what Epictetus calls training (askesis). (shrink)

Drawing a clear line between phenomenology and theology remains a challenging endeavor. This article has two parts: The first one argues that, from a methodological point of view, there is a need for a theo-phenomenology, a phenomenology which acknowledges religious faith as a given. The second part of the article tries to present the essence of religious call in Eastern Orthodox spirituality. Using ideas such as appeal and communion, divine grace, love, prayer, fidelity, apophatic intentionality, and a hyper-intelligible gaze before (...) the Revelation, I will describe the phenomenon of religious call—God calling man and man calling God. The conclusion shows that religious call and answer are existential and theandric experiences, where one can work on askesis, the fidelity of thought, and mystical experience. Life in the Holy Spirit no longer distinguishes between call and answer for one who became a son of God by grace, faith, and good works. (shrink)

Starting from the current trend to digitise the university, this thesis aims to clarify the specific relation between university thinking and its use of media. This thesis is an investigation concerning the sensorial and medial conditions which enable the event of thinking to emerge at the university, i.e. conditions which do not make thinking necessary, but possible. Thinking is approached as an event which can happen while studying at the university, not as an outcome, nor a disposition or skill. The (...) ambition of this thesis is theory development and of making a contribution in the field of philosophy of education. The theoretical framework discussed in chapters one and two will allow first, an analysis of the university sensorium inspired by the work of Ivan Illich who, through a history of the senses, pioneered this kind of research applied to medieval reading practices. Secondly, the work of media philosopher Vilém Flusser is used to operationalize the analysis of media at the university; this thesis will use the Flusserian concepts of code, modes of consciousness, transcoding, gestures, intellectual field, dialogue and apparatus. The methodology consists of a novel approach inspired by Flusser’s phenomenology of gestures: in order to find traces of thinking, this investigation looks for gestures (with media) occurring in university practices, gestures which seem to imply some form of coding or transcoding. The first chapter critically discusses Ivan Illich’s historical hypothesis of the mediatic specificity of the university thinking. Illich works with a particular conception of the history of the senses through which he shows how the invention of the optical text and its way of reading gave rise to a new way of thinking which was later fostered by the university. The text emerges as an instrumental way of using the book for studying and thinking, a profanation and suspension of the book. This move is taken to be the signature move of the university which enables a particular way of thinking: abstract and non-visual thinking, which is made present through the event of reading. The second chapter introduces the media-theoretical framework of Flusser by discussing his particular take on codes and the modes of consciousness enabled by the dominant codes. Provisionally, transcoding is taken to be an indication of the event of thinking. The threshold introduces the approach of a phenomenology of gestures which will be used in the following two chapters. The third chapter examines the practice of university lecturing from a sensorial and gestural perspective by using several direct observations of lectures and historical reports of lectures. It was found that the lecture does not promote any particular sense, hence no particular mode of consciousness, and that the media in the lecture suffers a continuous transcoding. Thinking in the lecture was described as a thinking which suddenly makes itself present for all those attending the lecture. The fourth chapter examines MOOCs which are taken to be the digital counterpart of the university course. The specific media usage enabled by MOOCs is described starting from two case studies: an xMOOC and the bMOOC (designed by KU Leuven and LUCA researchers). Using interviews and an autoethnographic account, this chapter finds indications of what could be digital gestures in the MOOC and concludes that thinking in the MOOC occurs as a collective construction of a techno-image. The fifth and final chapter outlines the theoretical contributions of this thesis. The kind of thinking made possible by university practices is described as a form of collective thinking, non-productive and anti-apparatus. The ways in which this thinking is made possible are theorised by introducing the notion of mediatic displacement, a specific event in which the particular logic of media is suspended in such a way as to make room for a thinking which is not determined by any mediality. The notion of intellectual askesis is proposed for the collective enactment of attention, as the sensorial condition which makes possible the mediatic displacement. In light of these findings, the thesis proposes to understand the promise of the digital university as still a utopian project to come, because it cannot yet enable the sensorial and collective attention techniques which the classical university managed to enact through its study practices. (shrink)

The word ‘sport’ next to Nietzsche’s name may raise eyebrows among many Nietzsche readers. ‘What an odd pairing?’ one may ask. We prefer Nietzsche and arts or something from the domain of the Geist. Sport is embedded in mass culture and Nietzsche detests anything that has to do with masses; fandom, an important part of sport culture, is nothing Nietzsche would look at favourably but call it a manifestation of the herd instinct. Besides, clubs and sports organizations control this sporting (...) culture through political and economic apparatuses. On the other hand, modern sports, far from producing higher types and the overhuman, appeal to the lowest common denominator, the person on the street and all athletes are equal. All of these objections notwithstanding, one may still speak of a sporting spirit that embodies play, ecstasy in the sense of Dionysian, inventiveness, agonism, grand spectacle, festivity, a specific type of aesthetics and a form of askesis of the body, and a specific outlet for enactment of active justice and a Gestalt of power relations. Playfulness and game-making are crucial in sports, and play is key to Nietzsche’s thought. Sport is a form of letting go, losing oneself in the game, and can be construed as a field for Dionysian forces. Agonism, a significant aspect of Nietzsche’s thought, applies to all competitive sports. Furthermore, sport constitutes one of the major types of spectacles in our age. Finally, sport belongs to the regime of the body, a form of askesis, which Nietzsche would have supported as opposed to the ascetic idealism. In what ways do Nietzsche’s ideas on interpretation shed light on sport and its various aspects as listed above? What hermeneutic tools do we have to interpret sport as a field of culture? These were the guiding questions for this essay. (shrink)

continent. 2.2 (2012): 66–75 ~*~ We’re Doomed. Pessimism is the night-side of thought, a melodrama of the futility of the brain, a poetry written in the graveyard of philosophy. Pessimism is a lyrical failure of philosophical thinking, each attempt at clear and coherent thought, sullen and submerged in the hidden joy of its own futility. The closest pessimism comes to philosophical argument is the droll and laconic “We’ll never make it,” or simply: “We’re doomed.” Every effort doomed to failure, every (...) project doomed to incompletion, every life doomed to be unlived, every thought doomed to be unthought. Pessimism is the lowest form of philosophy, frequently disparaged and dismissed, merely the symptom of a bad attitude. No one ever needs pessimism, in the way that one needs optimism to inspire one to great heights and to pick oneself up, in the way one needs constructive criticism, advice and feedback, inspirational books or a pat on the back. No one needs pessimism, though I like to imagine the idea of a pessimist activism. No one needs pessimism, and yet everyone—without exception—has, at some point in their lives, had to confront pessimism, if not as a philosophy then as a grievance—against one’s self or others, against one’s surroundings or one’s life, against the state of things or the world in general. There is little redemption for pessimism, and no consolation prize. Ultimately, pessimism is weary of everything and of itself. Pessimism is the philosophical form of disenchantment—disenchantment as chanting, a chant, a mantra, a solitary, monophonic voice rendered insignificant by the intimate immensity surrounding it. In pessimism, the first axiom is a long, low, funereal sigh. ~*~ We’re Still Doomed. No one has time for pessimism. After all, there are only so many hours in a day. Whatever our temperament, happy or sad, engaged or disengaged, we know pessimism when we hear it. The pessimist is usually understood as the complainer, forever pointing out what is wrong with the world without ever once offering a solution. But more often than not pessimists are the quietest of philosophers, submerging their own sighs within the lethargy of discontent. What little sound it makes is of interest to no one—“I’ve heard it all before,” “tell me something I don’t know,” sound and fury, signifying nothing. In raising problems without solutions, in posing questions without answers, in retreating to the hermetic, cavernous abode of complaint, pessimism is guilty of that most inexcusable of Occidental crimes—the crime of not pretending it’s for real. Pessimism fails to live up to the most basic tenet of philosophy—the “as if.” Think as if it will be helpful, act as if it will make a difference, speak as if there is something to say, live as if you are not, in fact, being lived by some murmuring non-entity both shadowy and muddied. Had it more self-assurance and better social skills, pessimism would turn its disenchantment into a religion, possibly calling itself The Great Refusal. But there is a negation in pessimism that refuses even such a Refusal, an awareness that, from the start, it has already failed, and that the culmination of all that is, is that all is for naught. Pessimism tries very hard to present itself in the low, sustained tones of a Requiem Mass, or the tectonic rumbling of Tibetan chant. But it frequently lets loose dissonant notes at once plaintive and pathetic. Often, its voice cracks, its weighty words abruptly reduced to mere shards of guttural sound. ~*~ Maybe It’s Not So Bad, After All. If we know pessimism when we hear it, this is because we’ve heard it all before—and we didn’t need to hear it in the first place. Life is hard enough. What you need is a change of attitude, a new outlook, a shift in perspective... a cup of coffee. If we have no ears for pessimism, this is because it is always reducible to something as reliably mutable as a voice. If pessimism is so frequently disparaged, it is because it brings everyone down, determined as it is to view each day as a bad day, if only by virtue of the fact that it is not yet a bad day. For pessimism the world is brimming with negative possibility, the collision of a bad mood with an impassive world. In fact, pessimism is the result of a confusion between the world and a statement about the world, a confusion that also prevents it from fully entering the hallowed halls of philosophy. If pessimism is so often dismissed, this is because it is often impossible to separate a “bad mood” from a philosophical proposition (and do not all philosophies stem from a bad mood?) The very term “pessimism” suggests a school of thought, a movement, even a community. But pessimism always has a membership of one—maybe two. Ideally, of course, it would have a membership of none, with only a scribbled, illegible note left behind by someone long forgotten. But this seems unrealistic, though one can always hope. ~*~ Anatomy of Pessimism. Though it may locate itself at the margins of philosophy, pessimism is as much subject to philosophical analysis as any other form of thought. Pessimism’s lyricism of failure gives it the structure of music. What time is to the music of sorrow, reason is to a philosophy of the worst. Pessimism’s two major keys are moral and metaphysical pessimism, its subjective and objective poles, an attitude towards the world and a claim about the world. For moral pessimism, it is better not to have been born at all; for metaphysical pessimism, this is the worst of all possible worlds. For moral pessimism the problem is the solipsism of human beings, the world made in our own image, a world-for-us. For metaphysical pessimism, the problem is the solipsism of the world, objected and projected as a world-in-itself. Both moral and metaphysical pessimism are compromised philosophically; moral pessimism by its failure to locate the human within a larger context, and metaphysical pessimism by its failure to recognize the complicity in the very claim of realism. This is how pessimism makes its music of the worst, a generalized misanthropy without the anthropos . Pessimism crystallizes around this futility—it is its amor fati , rendered as musical form. ~*~ Melancholy of Anatomy. There is a logic of pessimism that is fundamental to its suspicion of philosophical system. Pessimism involves a statement about a condition . In pessimism each statement boils down to an affirmation or a negation, just as any condition boils down to the best or the worst. With Schopenhauer, that arch-pessimist, the thinker for whom the philosopher and the curmudgeon perfectly overlap, we see a no-saying to the worst, a no-saying that secretly covets a yes-saying (through asceticism, mysticism, quietism), even if this hidden yes-saying is a horizon at the limits of comprehension. With Nietzsche comes the pronouncement of a Dionysian pessimism, a pessimism of strength or joy, a yes-saying to the worst, a yes-saying to this world as it is. And with Cioran yet another variation, futile yet lyrical, a no-saying to the worst, and a further no-saying to the possibility of any other world, in here or out there. With Cioran one approaches, but never reaches, an absolute no-saying, a studied abandonment of pessimism itself. The logic of pessimism moves through three refusals: a no-saying to the worst (refusal of the world-for-us, or Schopenhauer’s tears); a yes-saying to the worst (refusal of the world-in-itself, or Nietzsche’s laughter); and a no-saying to the for-us and the in-itself (a double refusal, or Cioran’s sleep). Crying, laughing, sleeping—what other responses are adequate to a life that is so indifferent? ~*~ Cosmic Pessimism. Both moral and metaphysical pessimism point to another kind, a pessimism that is neither subjective nor objective, neither for-us nor in-itself, and instead a pessimism of the world-without-us. We could call this a cosmic pessimism ... but this sounds too majestic, too full of wonder, too much the bitter aftertaste of the Great Beyond. Words falter. And so do ideas. And so we have a cosmic pessimism, a pessimism that is first and last a pessimism about cosmos , about the necessity and possibility of order. The contours of cosmic pessimism are a drastic scaling-up or scaling-down of the human point of view, the unhuman orientation of deep space and deep time, and all of this shadowed by an impasse, a primordial insignificance, the impossibility of ever adequately accounting for one’s relationship to thought—all that remains of pessimism is the desiderata of affects—agonistic, impassive, defiant, reclusive, filled with sorrow and flailing at that architectonic chess match called philosophy, a flailing that pessimism tries to raise to the level of an art form (though what usually results is slapstick). ~*~ Song of Futility. An ethics of futility pervades pessimism. Futility, however, is different from fatality, and different again from simple failure (though failure is never simple). Failure is a breakage within the heart of relations, a fissure between cause and effect, a fissure hastily covered over by trying and trying again. With failure, there is always plenty of blame to go around; it’s not my fault, it’s a technical difficulty, it’s a miscommunication. For the pessimist, failure is a question of “when,” not “if”—failure as a metaphysical principle. Everything withers and passes into an obscurity blacker than night, everything from the melodramatic decline of a person’s life to the banal flickering moments that constitute each day. Everything that is done undone, everything said or known destined for a kind of stellar oblivion. When scaled up in this way, failure becomes fatality. Fatality is the hermeticism of cause and effect. In fatality, everything you do, whatever you do, always leads to a certain end, and ultimately to the end—though that end, or the means to that end, remain shrouded in obscurity. Nothing you do makes a difference because everything you do makes a difference. Hence the effects of your actions are hidden from you, even as you deceive yourself into thinking that, at last, this time you will outwit the order of things. By having a goal, planning ahead, and thinking things through carefully, we attempt, in a daily Prometheanism, to turn fatality to our advantage, to gain a glimpse of an order that seems buried deeper and deeper in the fabric of the universe. But even fatality has its comforts. The chain of cause and effect may be hidden from us, but that’s just because disorder is the order we don’t yet see; it’s just complex, distributed, and requires advanced mathematics. Fatality still clings to the sufficiency of everything that exists... When fatality relinquishes even this idea, it becomes futility. Futility arises out of the grim suspicion that, behind the shroud of causality we drape over the world, there is only the indifference of what exists or doesn’t exist; whatever you do ultimately leads to no end, an irrevocable chasm between thought and world. Futility transforms the act of thinking into a zero-sum game. ~*~ Song of the Worst. At the center of pessimism lies the term pessimus , “the worst,” a term as relative as it is absolute. The worst is about as bad as it gets, “the worst” as “the best” in disguise, shrouded by the passage of time or the twists and turns of fortune. For the pessimist, “the worst” is the propensity for suffering that gradually occludes each living moment, until it eclipses it entirely, overlapping perfectly in death... which, for the pessimist, is no longer “the worst.” Pessimism is marked by an unwillingness to move beyond “the worst,” something only partially attributable to a lack in motivation. In pessimism “the worst” is the ground that gives way beneath every existent—things could be worse, and , things could be better. “The worst” invariably implies a value judgment, one made based on scant evidence and little experience; in this way, pessimism’s greatest nemesis is its moral orientation. Pessimism’s propositions have all the gravitas of a bad joke. Perhaps this is why the true optimists are the most severe pessimists—they are optimists that have run out of options. They are almost ecstatically inundated by the worst. Such an optimism is the only possible outcome of a prolonged period of suffering, physical or metaphysical, intellectual or spiritual. But does this not also describe all the trials and tribulations of each day—in short, of “life?” It seems that sooner or later we are all doomed to become optimists of this sort (the most depressing of thoughts...) ~*~ Song of Doom. Rather than serving as a cause for despair, gloom and doom are the forms of consolation for any pessimist philosophy. Neither quite affects nor quite concepts, gloom and doom transform pessimism into a mortification of philosophy. Doom is not just the sense that all things will turn out badly, but that all things inevitably come to an end, irrespective of whether or not they really do come to an end. What emerges from doom is a sense of the unhuman as an attractor, a horizon towards which the human is fatally drawn. Doom is humanity given over to unhumanity in an act of crystalline self-abnegation. Gloom is not simply the anxiety that precedes doom. Gloom is literally atmospheric, climate as much as impression, and if people are also gloomy, this is simply the by-product of an anodyne atmosphere that only incidentally involves human beings. Gloom is more climatological than psychological, the stuff of dim, hazy, overcast skies, of ruins and overgrown tombs, of a misty, lethargic fog that moves with the same languorousness as our own crouched and sullen listening to a disinterested world. In a sense, gloom is the counterpoint to doom—what futility is to the former, fatality is to the latter. Doom is marked by temporality—all things precariously drawn to their end—whereas gloom is the austerity of stillness, all things sad, static, and suspended, a meandering smoke hovering over cold lichen stones and damp fir trees. If doom is the terror of temporality and death, then gloom is the horror of a hovering stasis that is life. At times I like to imagine that this realization alone is the thread that connects the charnel ground Aghori and the graveyard poets. ~*~ Song of Spite. There is an intolerance in pessimism that knows no bounds. In pessimism spite begins by fixing on a particular object of spite—someone one hardly knows, or someone one knows too well; a spite for this person or a spite for all of humanity; a spectacular or a banal spite; a spite for a noisy neighbor, a yapping dog, a battalion of strollers, the meandering idiot walking in front of you on their smart phone, large loud celebrations, traumatic injustices anywhere in the world regurgitated as media blitz, spite for the self-absorbed and overly performative people talking way too loud at the table next to you, technical difficulties and troubleshooting, the reduction of everything to branding, spite of the refusal to admit one’s own errors, of self-help books, of people who know absolutely everything and make sure to tell you, of all people, all living beings, all things, the world, the spiteful planet, the inanity of existence... Spite is the motor of pessimism because it is so egalitarian, so expansive, it runs amok, stumbling across intuitions that can only half-heartedly be called philosophical. Spite lacks the confidence and the clarity of hatred, but it also lacks the almost cordial judgment of dislike. For the pessimist, the smallest detail can be an indication of a metaphysical futility so vast and funereal that it eclipses pessimism itself—a spite that pessimism carefully places beyond the horizon of intelligibility, like the experience of dusk, or like the phrase, “it is raining jewels and daggers.” ~*~ Song of Sleep. A paraphrase of Schopenhauer: what death is for the organism, sleep is for the individual. Pessimists sleep not because they are depressed, but because for them sleep is a form of ascetic practice. Sleep is the askesis of pessimism. If, while sleeping, we have a bad dream, we abruptly wake up, and suddenly the horrors of the night vanish. There is no reason to think that the same does not happen with the bad dream we call “life.” ~*~ Song of Sorrow. Nietzsche, commenting on pessimism, once castigated Schopenhauer for taking things too lightly. He writes: ...Schopenhauer, though a pessimist, really —played the flute. Every day, after dinner: one should read his biography on that. And incidentally: a pessimist, one who denies God and the world but comes to a stop before morality—who affirms morality and plays the flute... what? Is that really—a pessimist? We know that Schopenhauer did possess a collection of instruments, and we also know that Nietzsche himself composed music. There is no reason to think that either of them would ever banish music from the Republic of philosophy. But Nietzsche’s jibes at Schopenhauer are as much about music as they are about pessimism. For the pessimist who says no to everything and yet finds comfort in music, the no-saying of pessimism can only be a weak way of saying yes—the weightiest statement undercut by the flightiest of replies. The least that Schopenhauer could’ve done is to play the bass. I’m not a big fan of the flute, or, for that matter, wind instruments generally. But what Nietzsche forgets is the role that the flute has historically played in Greek tragedy. In tragedy, the flute ( aulos ) is not an instrument of levity and joy, but of solitude and sorrow. The Greek aulos not only expresses the grief of tragic loss, but it does so in a way that renders weeping and singing inseparable from each other. The classicist Nicole Loraux calls this the mourning voice . Set apart from the more official civic rituals of funerary mourning, the mourning voice of Greek tragedy constantly threatens to dissolve song into wailing, music into moaning, and the voice into a primordial, disarticulate anti-music. The mourning voice delineates all the forms of suffering—tears, weeping, sobbing, wailing, moaning, and the convulsions of thought reduced to an elemental unintelligibility. In the collapsed space between the voice that speaks and the voice that sings, pessimism discovers its mourning voice. Pessimism: the failure of sound and sense, the disarticulation of phone and logos . Have we rescued Schopenhauer from Nietzsche? Probably not. Perhaps Schopenhauer played the flute to remind himself of the real function of the mourning voice—sorrow, sighs, and moaning rendered indistinguishable from music, the crumbling of the human into the unhuman. Failure par excellence of pessimism. ~*~ Song of Nothing. In Buddhist thought, the First Noble Truth of existence is encapsulated in the Pali term dukkha , conventionally translated as “suffering,” “sorrow,” or “misery.” The Buddhist teachings are clear, however, that this is an objective claim, and not simply one point of view among others. Existence is suffering and sorrow—and yet this is not, the teachings tell us, a pessimistic attitude. It is likely that Schopenhauer, reading the Buddhist texts available to him, recognized some filiation with the concept of dukkha . But dukkha is a multi-faceted term. There is, certainly, dukkha in the usual sense of the suffering, strife, and loss associated with living a life. But this is, in turn, dependent on the finitude and temporality of dukkha , existence as determined by impermanence and imperfection. And this ultimately points to the way in which both suffering and finitude are grounded by the paradoxical groundlessness of dukkha as a metaphysical principle—the insubstantiality and the emptiness of all that is. Beyond what is worse to me, beyond a world ordered for the worst, there is the emptiness of dukkha as an impersonal suffering... the tears of the cosmos. In this context, it is easy to see how Schopenhauer’s pessimism attempts to compress all the aspects of dukkha into a nothingness at the core of existence, a Willlessness coursing through the Will. Though one thing for certain is that with Schopenhauer we do not find the “ever-smiling” countenance of Buddhism—or do we? The texts of the Pali Canon also contain lists of the different types of happiness—including the happiness of renunciation and the strange happiness of detachment. But Buddhism considers even the different types of happiness as part of dukkha , in this final sense of nothingness or emptiness. Perhaps Schopenhauer understood Buddhism better than he is usually given credit for. Thus the experiment of Schopenhauer’s philosophy—the point at which a Western pessimus and an Eastern dukkha overlap or exchange glances. Empty sorrow, a lyricism of indifference. The result is a strange, and ultimately untenable, nocturnal form of Buddhism. ~*~ Cioran once called music a “physics of tears.” If this is true, then perhaps metaphysics is its commentary. Or its apology. ~*~ Pessimism would be more mystical were it not for its defeatism. Mysticism is much too proactive for the pessimist, and pessimism too impassive even for the mystic. At the same time, there is something enviable about mysticism—despite its sufferings. There is a sense in which pessimists are really failed mystics. ~*~ You, the Night, and the Music. In a suggestive passage, Schopenhauer once noted that, “music is the melody to which the world is the text." Given Schopenhauer’s view on life—that life is suffering, that human life is absurd, that the nothingness before my birth is equal to the nothingness after my death—given all this, one wonders what kind of music Schopenhauer had in mind when he described music as the melody to which the world is text—was it opera, a Requiem Mass, a madrigal, or perhaps a drinking song? Or something like Eine kleine Nachtmusik , a little night music for the twilight of thought, a sullen nocturne for the night-side of logic, an era of sad wings sung by a solitary banshee. Perhaps the music Schopenhauer had in mind is music eliminated to non-music. A whisper would suffice. Perhaps a sigh of fatigue or resignation, perhaps a moan of despair or sorrow. Perhaps a sound just articulate enough that it could be heard to dissipate. ~*~ Teach me to laugh through tears. ~*~ Pessimism always falls short of being philosophical. My back aches, my knees hurt, I couldn’t sleep last night, I’m stressed-out, and I think I’m finally coming down with something. Pessimism abjures all pretenses towards system—towards the purity of analysis and the dignity of critique. We didn’t really think we could figure it out, did we? It was just passing time, taking a piss, something to do, a bold gesture put forth in all its fragility, according to rules that we have agreed to forget that we made up in the first place. Every thought marked by a shadowy incomprehension that precedes it, and a futility that undermines it. That pessimism speaks, in whatever voice, is the singing testimony to this futility and this incomprehension—take a chance and step outside, lose some sleep and say you tried... ~*~ Is there a music of pessimism? And would such a music be audible? ~*~ The impact of music on a person compels them to put their experience into words. When this fails, the result is a faltering of thought and language that is itself a kind of music. Cioran writes: “Music is everything. God himself is nothing more than an acoustic hallucination.” ~*~ If a thinker like Schopenhauer has any redeeming qualities, it is that he identified the great lie of Western culture—the preference for existence over non-existence. As he notes: “If we knocked on the graves and asked the dead whether they would like to rise again, they would shake their heads.” In Western cultures it is commonly accepted that one celebrates birth and mourns death. But there must be a mistake here. Wouldn’t it make more sense to mourn birth and celebrate death? Strange though, because the mourning of birth would, presumably, last the entirety of that person’s life, so that mourning and living would the be same thing. ~*~ To the musical idea of the harmony of the universe corresponds the philosophical principle of sufficient reason. Like the music of mourning, pessimism gives voice to the inevitable breakdown of word and song. In this way, music is the overtone of thought. ~*~ The Patron Saints of Pessimism. The patron saints of pessimism watch over suffering. Laconic and sullen, the patron saints of pessimism never seem to do a good job at protecting, interceding, or advocating for those who suffer. Perhaps they need us more than we need them. Lest we forget, there do exist patron saints of philosophy, but their stories are not happy ones. There is, for instance, the fourth century Saint Catherine of Alexandria, or Catherine of the Wheel, named after the torture device used on her. A precocious fourteen year old scholar, Catherine was subject to continual persecution. After all forms of torture failed—including the “breaking wheel”—the emperor finally settled for her decapitation, a violent yet appropriate reminder of the protector of philosophers. There are also patron saints of music and musicians, but theirs too are sad stories. In the second century, Saint Cecilia was also subject to persecution and torture. As she knelt to receive the blade that would separate her head from her body, she ardently sang a song to God. It took three attempts before she was fully decapitated, all the while she continued, perhaps miraculously, to sing. Does pessimism not deserve its own patron saints, even if they are unworthy of martyrdom? But in our search, even the most ardent nay-sayers frequently lapse into brief moments of enthusiasm—Pascal’s love of solitude, Leopardi’s love of poetry, Schopenhauer’s love of music, Nietzsche’s love of Schopenhauer, and so on. Should one then focus on individual works of pessimism? We could include Kierkegaard’s trilogy of horror— Sickness Unto Death , The Concept of Dread , and Fear and Trembling —but all these are undermined by their fabricated and unreliable authors. Besides, how can one separate the pessimist from the optimist in works like Unamuno’s The Tragic Sense of Life , Shestov’s Postetas Clavium , or Edgar Saltus’ under-read The Philosophy of Disenchantment ? Even in cases where the entire corpus of an author is pessimistic, the project always seems incomplete—witness Cioran’s trajectory, from his first book, On the Heights of Despair , to the last unpublished notebooks of acrid and taut aphorisms. And this is to say nothing of literary pessimism, from Goethe’s sorrowful Werther, to Dostoevsky’s underground man, to Pessoa’s disquiet scribbler; Baudelaire’s spleen and ennui, the mystical Satanism of Huysmans and Strindberg, the hauntologies of Mário de Sá-Carniero, Izumi Kyoka, H.P. Lovecraft, grumpy old Beckett... even the great pessimist comedians. All that remains are singular, perhaps anomalous statements of pessimism, a litany of quotes and citations crammed into fortune cookies. Patron saints are traditionally named after a locale, either a place of birth or of a mystical experience. Perhaps the better approach is to focus on the places where pessimists were forced to live out their pessimism—Schopenhauer facing an empty Berlin lecture hall, Nietzsche mute and convalescent at the home of his sister, Wittgenstein the relinquished professor and solitary gardener, Cioran grappling with Alzheimer’s in his tiny writing alcove in the Latin Quarter. ~*~ There’s a ghost that grows inside of me, damaged in the making, and there’s a hunt sprung from necessity, elliptical and drowned. Where the moving quiet of our insomnia offers up each thought, there’s a luminous field of grey inertia, and obsidian dreams burnt all the way down. ~*~ If pessimism has any pedagogical value, it is that the failure of pessimism as a philosophy is inextricably tied to the failure of pessimism as voice. I read the following, from Shestov’s The Apotheosis of Groundlessness : When a person is young he writes because it seems to him he has discovered a new almighty truth which he must make haste to impart to forlorn humankind. Later, becoming more modest, he begins to doubt his truths: and then he tries to convince himself. A few more years go by, and he knows he was mistaken all round, so there is no need to convince himself. Nevertheless he continues to write, because he is not fit for any other work, and to be accounted a superfluous person is so horrible. (shrink)

Of the many things Nietzsche subjects to unyielding critique, none would seem a clearer target than the ideal signified by “the saint.” Despite passages from early works that praise the saint, it seems that high regard for the saint is among the skins that Nietzsche sheds when he breaks with Schopenhauer and Wagner and comes into his own. However, this article argues that Nietzsche does not simply leave the saint behind. The term signifies a type that Nietzsche both values and (...) critiques. On this reading, Nietzsche’s positive idea of the saint contains four essential and mutually implied components: (1) the affect of cleanliness or purity (Reinlichkeit); (2) the activity that Zarathustra calls “bestowing love” (schenkende Liebe); (3) a modified but thoroughgoing asceticism (Askese, Askesis); and (4) the cultivation of “gratitude” (Dankbarkeit). The author concludes with a consideration of Nietzsche’s proclamation in Ecce Homo that “as a disciple of Dionysus, I would rather be a satyr than a saint.” This line does not conflict with his commitment to holiness, but corroborates it. (shrink)

“I went to the woods because I wished to live deliberately.” In order “to look again at the actual words of Walden, the main literary monument to the era’s eccentric etymological speculation” (Michael West), “deliberately” is the best place to start. This article aims to subject Walden’s most notable (instance of the) adverb to Thoreau’s hermeneutic methodology, “laboriously seeking [its] meaning” and minding the “perpetual suggestions and provocations” of etymology (100). In other words, it is an attempt to read the (...) word as deliberately as he, a Harvard-trained translator of the Classics and connoisseur of Enlightenment and Romantic philological theories, wrote it. The article tracks the appearance of the adverb in Thoreau’s writing of his best-known line and paragraph, tackles its lexical meaning, and delves into the wordplay that its proper etymology offers: deliberare = to weigh; libra = the scales. Throughout, Thoreau’s philosophical ambitions for the word—and the activities of reading and living—are tied to the ancient practice of askesis. (shrink)

Building and expanding on Peter Sloterdijk’s work, in this essay I explore the interrelation between anthropotechnics qua practice of the self and the political sphere, with a view, in particular, to providing a genealogy of some of its recent developments. I first analyse the birth of anthropotechnics within the framework of the axial revolution (Karl Jaspers), as withdrawal and return to a common world bereft of certainty and self-evidence (section 2). Next, I show how the rise of asceticism shaped some (...) of the central problematiques of classical politics and, in particular, political agonism and metaphysics, the latter here understood as a geometrical theory of political order (section 3). Against this background, I discuss how modern anthropotechniques have altered the classical relation between individual askesis and collective security, and how this, in turn, has paved the way for a certain understanding of self-mobilisation to saturate the government of the self in the twenty-first century (section 4). (shrink)

This paper examines Foucault's history of the ancient practices of the self. It suggests that his historical reconstruction usefully distinguishes quite different models of self-cultivation in antiquity, and in doing so helps us to identify and understand the parameters and ambitions of much nineteenth-century German philosophy, especially the ethics of self-cultivation Nietzsche formulates in his middle works. However, it also shows how FoucaultÕs casual formulation of an 'aesthetic of existence' is seriously misleading as a guide to the ancient practices of (...) the self, most notably the Stoic tradition. This paper argues that Foucault does not properly take into account how Stoicism conceives the desire to flee from or break with oneself, which Foucault places at the centre of his own askesis, as a pathological agitation that requires therapy. From the Stoic perspective, in other words, Foucault's askesis of constantly losing oneself is symptomatic of a failure to care for oneself. (shrink)

By expanding on Hans-George Gadamer’s critique of contemporary formalist approaches to art, wherein the artist pursues an artwork with a “disinterested” self, this paper endeavors to underline the transformative aspect of aesthetic experience. Even though it acknowledges the epistemological difference between Gadamer’s phenomenological approach and the Arab-Islamic one, particularly Ibn Sīnā’s treatment of arts and aesthetics, it nonetheless discovers some subtle similarities between the two. Consequently, it articulates artistic endeavor as an act of askesis (spiritual exercise) aimed at theosis (...) (becoming like God). (shrink)

Bodies and Pleasures has been characterized as a confessional discourse that manages to subvert confessional practice. Here it is characterized and discussed as an askesis that works to transform confessional practice as it transforms the writer/reader. Two questions emerge through that transformation: How is race to be lived? What are the possibilities for political subjectivity in the absence of dualism and the intensification of awareness of our normalization?

With this phenomenological contribution to Diadocus of Photicea’s anthropological theology, my main goal is to show how this saint, according to John Meyedorff’s nice words, has been “one of the main popularizers of the desert spirituality in the Byzantine world”. The spiritual experience of the taste of God is then in no way the privilege of the circle of initiates nor is it reserved for monks, who are sometimes idealized as athletes of God. What is at stake is the whole (...) spiritual life, the whole daily journey of life, not only a provisional illuminated prayer-state. Diadochus therefore is still of interest for us today. We understand then how this experimental and experiential way does not include in the end a distinction between divine grace and human effort. Not that the parts played by human beings and God end up in a confusion, but, as we will see, since grace is given to the human being from baptism onward, it keeps on being more and more effective, as the human being practices, exercises (askesis), makes efforts (epimeleia), that is, namely, enters more and more into the invocation of the name of Jesus. So divine grace and human effort literally co-operate, work together, and spontaneously enter into a kind of danse in which they gradually become two in one. (shrink)

Resistance and Techniques of Virginity: A Feminist Reading of The Confessions of the Flesh What is the feminist relevance of Foucault’s posthumously published Confessions of the Flesh? This question is part of a larger debate on the usefulness of the later Foucault in conceptualizing resistance against patriarchal power relationships. This paper follows those who argue in favor of the feminist potential of his concepts of freedom and care for the self, in particular the notions of ascesis and askesis. I (...) argue that resistance against gendered norms is explicit in his discussion of counter-conduct (1978), which he links to late-medieval mysticism and to excessive, physical experiences. Both the gender-component and the excessive corporeal experiences disappear, however, from his later concept of askesis, which suggests that Foucault’s omission of women coincides with a displacement of the suffering body as a site of resistance. In the second part of this essay, I argue that this thesis is complicated by the recently published Confessions of the Flesh, and its lengthy discussion of early-Christian virginity. I conclude by commenting on the historiographical limits to recuperate moments of resistance. (shrink)

In this article, I explore the legacy of Karl Marx in Michel Foucault’s thinking. Focusing on such concepts as accumulation and discipline, reproduction and biopolitics, truth regime and ideology, askesis and revolution, I suggest four models allowing a deeper understanding of their controversial relationship: complementarity, confrontation, rejection, and reconciliation. As such, this study aims to offer “minority reading” against the neoliberal takes on Foucault, while showing how much his “alliance” with Marx would be an asset for contemporary left struggles.

In lieu of an abstract, here is a brief excerpt of the content:RECENT INTERPRETATIONS OF EARLY CHRISTIAN ASCETICISM ROBIN DARLING YOUNG The Oatholio University of A.merioa Washington, D.O. Peter Brown, The Body and Society: Men, Women and Sexual Renunciation in Early Christianity. New York: Columbia University Press, 1988. Sebastian Brock and Susan Ashbrook Harvey, Holy Women of the Syria.n Orient. Be1·keley: University of California Press, 1987. Elizabeth A. Clark, Ascetic Piety and Women's Faith. Essays on Late Ancient Christianity. Lewiston/Queenston: The (...) Edwin Mellen Press, 1986. Elain~ Pagels, Adam, Eve and the Serpent. New York: Vintage Books/Random House, 1988. Introduction FROM THE FIRST century, the development of patristic Christology, both orthodox and heterodox, was the result of a collective reflection upon the identity and redemptive action of Jesus, the Logos, who was en arche and became incarnate at a specific point in the history of the cosmos. Likewise, the development of the patristic theory of askesis, tihe devout discipline of the Christian, beginning within the New Testament canon, was a discussion of how the Christian might, through his moral life, move toward the goal offered him by the Logos: conversion to, identification with, and eventual unification with Jesus Christ. This occurred by the means of progressive discipline and love in the company of other believers and employed methods older than Christianity itself. What made and makes Christian askesis unique as a U4 ROBIN DARLING YOUNG religious self-discipline is the personal identification of the believer with Christ. It is undeniable that Christolo~J, soteriology, and ascetical theory have been linked historically. The answer to the question, "Who do men say that I am?" (Mt. 16.13) will imply the form of the response to the divine imperative of " follow me" (:~11. 16.24,Q5). Those theologians of the early church who were blessed with consistency almost automatically adjusted their Christology and their moral theology. A concise statement of this connection may be found in Irenaeus's Against Heresis (5.18-20). "[Christ] caused man to cleave to and to become one with God... unless man had been joined to God, he could never have become a partaker of immortality." The result of the incarnation is the imperative.for human beings, now freed by the " most holy and merciful Lord, [who] loves the human race" (18.6), to model their actions after his (20.2). Origen's Exhortation to 1Vlartyrdom recalls the earlier formulation of Paul when he refers to " the mind of Christ within us" (ch. 4) and states that "Now it is revealed whether or not we have taken up our cross and followed Jesus. This will have happened if Christ is living in us " (12). The willingness to face martyrdom was the great test of Christ's inner presence : " I think that they love God with all their soul who with a great desire to be in union with God withdraw and separate their soul not only from the earthly hody but from eveTything material " (3). Such an exhortation, which sees askesis as a preparation for martyrdom as well as a mode of life, had already been clear-·ly enunciated hy Ignatius (To the Ephesians, 4). Ignatius, "called Theophoros (God-bearer)," wrote that he had "welcomed that beloved name of yours, earned through your natural righteousness in accordance with faith and love in Christ Jesus, our savior. Imitating God [incarnate] and inflamed by the blood of God [in the Eucharist] you accomplished your common task perfectly." EARLY CHRISTIAN ASCETICISM H5 Together with Paul, Ignatius left a legacy of early Christi.an opinion remarkable for the unity it proposes between Christ.and the Christian. Reflecting upon the incarnation, it understands Christ,as redeemer and model for Christians. Although critical Biblical scholarship has for decades prescinded from a portrait of Christ himself, as opposed to the communities founded hy him, most early Christians considered him to have been a single, celibate person. They did not, of course, think of Christ as a monk in the later sense of the term, hut their insistence that the Christian moral life of ascesis and sacrifice,be modeled upon Jesus' own life can he seen a:s preparing the way for such a view of Christ. The best reason for... (shrink)

The distinctive contribution of the Axial Age is the innovation of sustained spiritual practice to effect a “systematic deconstruction” of ordinary consciousness and effect a transformation of the self. India is paradigmatic with well-known forms like Hindu yoga and Buddhist meditation. Taoism, clearly, and with some demonstration, Confucianism are shown to be Chinese analogues focused on the idea of self-cultivation. For Greece, the work of Pierre Hadot is seminal: philosophy as practically focused on the spiritual transformation of the self through (...) askesis. Israel is the least evidenced case, with the suggestive possibility that early prophets undertook “training for ecstasy” within guilds whereas later prophets focus on textual interpretation as involving systematic self-disciplinary rigor. All critically renounce “this worldly” power for a higher, “other worldly,” transcendence. (shrink)

Attention to virtue ethics in Eastern Christianity complicates the dominant narrative within the field by revealing new ways of conceptualizing classical problems in virtue theory, new insights into the dynamics of virtues’ development, as well as new contexts for applied virtue ethics. Human flourishing is understood as the progressive realization of theosis—a godly mode of being cultivated through liturgy and askesis, marked by the embodiment of the full range of virtues, and crowned by a radical love.

Several versions of Diogenes of Sinope’s death are reported in Book VI of the Lives and Opinions of Eminent Philosophers. The heirs of Diogenes have transmitted to posterity that of suicide by self-asphyxiation, a death they deem worthy of his philosophy. This study aims to identify the Cynic foundation of Diogenes’ suicide by reconstructing the Cynic outlook on voluntary death. Several fragments and testimonies show that the Cynics consider life and death indifferent: what matters above all is to lead a (...) good life. Suicide is only justified when the philosopher’s body suffers from extreme and lasting weakness. To reach and maintain his ideal of freedom, the Cynic must submit his body to a training that requires some physical strength. Therefore, as soon as he loses the capacity to practise the Cynic askesis because of the physical limitations brought on by old age or illness, the philosopher does not hesitate commit suicide. This justification is attested in the exhortations to suicide formulated by the Cynics and in the accounts of the self-inflicted deaths of Metrocles, Heracles, Demonax and Peregrinus. (shrink)

L’objet du livre est, comme son titre l’indique, une analyse de la notion d’« art de vivre » dans la philosophie stoïcienne. Selon l’auteur, la philosophie stoïcienne est conçue par les stoïciens comme un « art de vivre », « appuyé sur des principes rationnels (logoi) qui s’expriment dans le comportement (erga, bios) de quelqu’un après une période d’entraînement pratique (askesis) » (p. 118), ou « exercices spirituels ». L’ouvrage propose donc une interprétation de la philosophie stoïcienne d...

Surprisingly little attention has been devoted to Musonius Rufus, a noted teacher and philosopher in first–century CE Rome, despite ample evidence for his impact in the period. This paper attempts to situate Musonius in relation to his philosophical predecessors in order to clarify both the contemporary status of the Stoic tradition and the value of engaging with the central figures of that school’s history. I make the case for seeing Cleanthes as a particularly prominent predecessor for Musonius and reaffirm the (...) importance of framing his philosophical commitments in the context of the Stoic tradition. On this latter point, I attempt to connect Musonius’ perspective on askesis and moral development with that of Posidonius (and Seneca). In doing so, I push back against the sometimes overly schematic intellectualism attributed to Stoic ethics generally. (shrink)

There are various ways to come to terms with human matters — as we must still call them, begging the question — among them the issue of what matters to humans. One can adopt a resolutely and perhaps narrowly scientific stance and gather empirical evidence about human preferences and their actual or putative grounding in order to so describe what mattering means to humans. One can choose a genealogical or historical perspective and study the ways in which humans have explicitly (...) and implicitly conceived of themselves as recipients of mattering throughout human history — this typically generates philosophy as commentary. Or one can choose the apparent askesis of armchair-phenomenology — a kind of self-imposed sensory deprivation indulged in by philosophers whose intent it is it to conceptually elucidate the structure of the human condition as, among other things, a site of mattering.There are of course many shades and combinations of these attitudes, but as a rule people in the truth business tend to think of themselves as especially one or the other. Harry Frankfurt, for instance, clearly favours the third description as the properly philosophical or theoretical endeavour: the paucity of footnotes supplying substantiating empirical evidence for key statements in his arguments is matched only by the paucity of deferential references to dead philosophers in the course of his thought subsequent to its departure in Descartes.Yet Frankfurt’s non-historical and relatively self-enclosed philosophical practice is not aggressive or dogmatic: it takes itself seriously enough to pursue its task in its own terms, but this ‘structural’ attempt to “see things clearly for what they are” seems in principle open to interruptions from more strictly scientific and from textual-historical fellow-thinkers. More specifically, it appears to me that a short-circuit between Frankfurt’s thought and an alternative philosophical constellation can do more than generate bullshit. In what follows I should like to briefly outline one or two such interruptions in the margin of Frankfurt’s impressive achievement. (shrink)

This is a study of D. H. Th. Vollenhoven’s type-focused historiography of philosophy and its development with respect to pre-Socratic philosophy. It uses the work of Pierre Hadot on philosophical askesis, the work of Martha Nussbaum on therapeutic argument, and recent work on the transformative character of Aquinas’s Summa contra Gentiles and Summa theologiae to question some of the central assumptions of Vollenhoven’s methodology. In the process, Vollenhoven’s practice is compared to and contrasted with the historiographical practice of Aristotle (...) in his Metaphysics. What emerges is a way to acknowledge the continued worth of type-focused reading and the religious intuitions that gave rise to it, but on the basis of different methodological assumptions and to different historiographical effects. (shrink)

In this paper I venture to examine from several different (but related) perspectives the ambivalent significance of practice in Greek thought. On the one hand, philosophical culture (vita contemplative or theoria) evolves in stark opposition to political culture (vita activa). On the other hand, philosophy in the era of post-Socratic schools takes the form of a spiritual practice (askesis) oriented on the conversion or transformation of the soul of a pupil, and quite often is defined as a preparation for (...) social life (both in the ethical and political aspect). I discuss the Greek problem of anthropocentrism in the context of the critical opposition of bios theoretikos and bios politikos, special attention being paid to the internal tension between theoria (and its self-understanding) and philosophical practise as present in the schools. It is not my intention to deny the distance which separates theoria from praxis. Nevertheless, my objective is to bring out the ambivalence of the notion of theoretical contemplation in the context of Platonic dialectics. Near the end of the paper, I suggest – alluding to Nietzsche's judgment of the relation between post-Socratic and pre-Socratic philosophy – that one should approach with caution two very tempting visions of Greek philosophy. The one is the idea of alleged primacy of the practical over the theoretical in Greek philosophy. The other is the myth of the "primordial practise of the ancient sages", characterized in metaphysical terms. (shrink)

The aim of this thesis is to consider the relationship between philosophy and biography, and the bearing that this relationship has on debates concerning the nature and function of philosophy. There exists a certain tradition that conceives philosophy exclusively in terms of rational discourse and as such explicitly rejects the idea of any substantial relationship between philosophy and the way in which one lives. I shall argue that the claim that philosophy cannot have any impact upon biography is often based (...) upon an implicit conception of philosophy as primarily rational discourse. In contrast to this I shall draw upon Socratic and Stoic philosophical resources in order to reconstruct an alternative conception of philosophy as an art concerned with one's way of life. Central to this conception will be the relationship between philosophical discourse or argument and philosophical training or exercise. I shall argue that the ancient claim that philosophy is primarily expressed in one's behaviour presupposes a conception of philosophy as an art that involves both rational discourse and training or exercise as two equally important components. I shall argue that by adopting this alternative conception of philosophy as a techne it will be possible to understand properly the relationship between philosophy and biography. In Part One I shall outline the ancient idea that philosophy is something expressed in one's life, the Socratic conception of philosophy as an art, the Stoic development of this conception into an art of living, and some ancient objections to this Stoic conception. In Part Two I shall examine the relationship between philosophical discourse and exercises in Stoic philosophy, focusing upon the neglected concept of philosophical askesis. Central to this will be the literary form of such exercises and so I shall focus upon two texts concerned with philosophical exercises. (shrink)

Ladelle McWhorter's Bodies and Pleasures provides an unusual and important reading of Michel Foucault's later work. This response is an effort to introduce McWhorter's project and to describe the challenge it presents to engage in askesis, the transformative exercise of thinking, which McWhorter's work itself exemplifies.