In the classical Stueckelberg-Horwitz-Piron relativistic Hamiltonian mechanics, a significant aspect of evolution of the classical n-body particle system with mutual interaction is the method by which events along distinct particle world lines are put into correspondence as a dynamical state. Approaches to this procedure are discussed in connection with active and passive symmetry principles.

The classical two-body system with Lorentz-invariant Coulomb work function V = -k/ρ is solved in 3+1 dimensions using the manifestly covariant Hamiltonian mechanics of Stückelberg. Particular solutions for the reduced motion are obtained which correspond to bound attractive, unbound attractive, and repulsive scattering motion. A lack of perihelion precession is found in the bound attractive orbit, and the semiclassical hydrogen spectrum subsequently contains no fine structure corrections. It is argued that this prediction is indicative of the correct classical special relativistic (...) two-body theory. (shrink)

In December 1967, Louis Washkansky, a grocer living in South Africa, became the first person to awaken after a heart transplant. Some accounts say that his first words were, “I am the new Frankenstein.” Others claim that Christiaan Barnard, his transplant surgeon, uttered these. Much as people have long mixed up who Frankenstein is—creature or creator?—in Mary Shelley's novel, so patient and surgeon, repaired and repairer, are confused in retellings of this post‐op Frankensteinian moment. Whether Washkansky identified with Frankenstein's monster (...) or not, he was probably feeling a bit monstrous after taking the donor heart of Denise Darvall into his chest. I know I was, over thirty years later, standing naked before a mirror and gazing at my shorn and bloated torso for the first time since a kidney transplant. My boundaries had been rearranged: a crescentic scar marked the frontier between me and not‐me. (shrink)

The problem of two relativistically-moving pointlike particles of constant mass is undertaken in an arbitrary Lorentz frame using the classical Lagrangian mechanics of Stückelberg, Horwitz, and Piron. The particles are assumed to interact at events along their world lines at a common “world time,” an invariant dynamical parameter which is not in general synchronous with the particle proper time. The Lorentz-scalar interaction is assumed to be the Coulomb potential (i.e., the inverse square spacetime potential) of the spacetime event separation. The (...) classical orbit equations are found in 1 + 1 spacetime dimensions in the hyperbolic angle coordinates for the reduced problem. The solutions to the reduced motion in these coordinates are the spacetime generalizations of the nonrelativistic Kepler solutions. and they introduce an invariant eccentricity which is a function of other known constants of the motion for the reduced problem. Solutions compatible with physical scattering are obtained by the assumption that the eccentricity is a given function of the ratio of the particle masses. (shrink)

In the covariant Hamiltonian mechanics with action-at-a-distance, we compare the proper time and dynamical time representations of the coordinate space world line using the differential geometry of nongeodesic curves in 3+1 Minkowski spacetime. The covariant generalization of the Serret-Frenet equations for the point particle with interaction are derived using the arc length representation. A set of invariant point particle kinematical properties are derived which are equivalent to the solutions of the equations of motion in coordinate space and which are functions (...) of either the proper time or the dynamical time. Expressions for the quantities are given for the example of the covariant harmonic oscillator and comments are offered regarding the measurability of the dynamical time. (shrink)

Much recent critical practice, sharpened by an engagement with theory, has questioned conventional notions about literature. There has been a tendency to democratize our understanding of literature, so as to include a wide range of cultural practices that might formerly have been excluded from literary-critical concern. In addition, more attention is being paid to the conditions surrounding literary production and teaching. Critical projects of this kind have a particular urgency and relevance in South Africa today. The country is characterized by (...) processes of repression and democratic struggle. Debates about South African literature take place within a context where there are intimate links between political and literary discourses. The essays in this book reveal the complex and arguably inevitable politicization of South African literary culture. (shrink)