: Berkeley's Essay Towards a New Theory of Vision presents a theory of various aspects of the spatial content of visual experience that attempts to undercut not only the optico-geometric accounts of e.g., Descartes and Malebranche, but also elements of the empiricist account of Locke. My task in this paper is to shed light on some features of Berkeley's account that have not been adequately appreciated. After rehearsing a more detailed Lockean critique of the notion that depth is a proper (...) object of vision, Berkeley directs arguments he takes to be entirely parallel against the notion that vision has two-dimensional planar contents as proper objects. I show that this argument fails due to an illicit slide unnoticed by both Berkeley and his commentators—a slide present but innocuously so in the case of depth. Berkeley's positive account, according to which the apparent spatial content of vision is a matter of associations between, on the one hand, tactile and motor contents, and on the other hand non-spatial visual contents, also fails because of an illicit slide—again, unnoticed by Berkeley and his commentators. I close by discerning the salvageable and correct core of Berkeley's theory of the spatiality of vision. (shrink)

Husserl and Spatiality is an exploration of the phenomenology of space and embodiment, based on the work of Edmund Husserl. Little known in architecture, Husserl's phenomenology of embodied spatiality established the foundations for the works of later phenomenologists, including Maurice Merleau-Ponty's well-known phenomenology of perception. Through a detailed study of his posthumously published and unpublished manuscripts, DuFour examines the depth and scope of Husserl's phenomenology of space. The book investigates his analyses of corporeity and the 'lived body,' extending (...) to questions of intersubjective, intergenerational, and historical spatial experience, what DuFour terms the 'environmentality' of space. Combining in-depth architectural philosophical investigations of spatiality with a rich and intimate ethnography, Husserl and Spatiality speaks to themes in social and cultural anthropology from a theoretical perspective that addresses spatial practice and experience. Drawing on extensive fieldwork in Brazil, DuFour develops his analyses of Husserl's phenomenology through spatial accounts of ritual in the Afro-Brazilian religion of Candomblé. The result is a methodological innovation and unique mode of spatial description that DuFour terms a 'phenomenological ethnography of space.' The book's profoundly interdisciplinary approach makes an incisive contribution relevant to academics and students of architecture and architectural theory, anthropology and material culture, and philosophy and environmental aesthetics. (shrink)

A work of outstanding originality and importance, which will become a cornerstone in the philosophy of geography, this book asks: What is human science? Is a truly human science of geography possible? What notions of spatiality adequately describe human spatial experience and behaviour? It sets out to answer these questions through a discussion of the nature of science in the human sciences, and, specifically, of the role of phenomenology in such inquiry. It criticises established understanding of phenomenology in these (...) sciences, and demonstrates how they are integrally related to each other. The need for a reflective geography to accompany all empirical science is argued strongly. The discussion is orgamsed into four parts: geography and traditional metaphysics; geography and phenomenology; phenomenology and the question of human science; and human science, worldhood and place. The author draws upon the works, of Husserl, Heidegger, Gadamer and Kockelmans in particular. (shrink)

This paper aims to explore an experiential structure of embodiment and spatiality in relation to blind football. It derives from the phenomenological qualitative study of the pre-reflective bodily experience of Georgian national blind footballers. Drawing on the data generated by a phenomenologically grounded qualitative research (PGQR), the paper argues that there are intricate connections among pre-reflective bodily awareness, embodied skill acquisition and habit formation. Habits formed by pre-reflective embodied awareness are not merely a product of mechanically repeating patterns of (...) movement; rather they are situated and con-textualized within the built environment, such as the specially designed infrastructure of an adjusted pitch. Therefore, embodied habits during the game are closely related to auditory and tactile modalities of spatial awareness, as well as acquisition of a repertoire of skillful performances. The paper highlights embodiment and spatiality as invariant structures or existential frameworks, and fleshes out their pre-reflective and habitual modes as they unfold in the skillful performance of blind footballers. (shrink)

The paper does not suggest an outline of a comprehensive theory of existential spatiality. Its aim is much moderate – to reveal those aspects of the constitution of meaning within the totality of being in the world which delineate the scope of the problematic under investigation. Since these aspects are addressed by various kinds of constitutional analysis of meaning, a special effort is devoted to overcoming discrepancies among three basic phenomenological discourses – hermeneutic phenomenology, existential psychiatry, and phenomenology of (...) corporeity. (shrink)

The purpose of this article is to discuss the connection between Arendt and Merleau-Ponty’s political thought based on the relation between the contingency of action and the spatiality of conflict. Even though the shared concern for developing a phenomenology of action institutes a common ground between their theories, I intend to show that there are significant philosophical differences when it comes to their understanding of conflict and the space in which it unfolds. Although both authors approach the question of (...) action by decentering the subject and by rejecting the notion of an objective and “egocentered” space, the way in which history and the social sphere inform their elucidation of the spatiality of conflict reveals a mismatch between Arendt’s plurality and Merleau-Ponty’s coexistence. I argue that this mismatch holds important consequences as to what each of them understands by political action. (shrink)

This paper contains some preliminary reflections of a phenomenological philosopher on spatiality. They draw our attention to four basic forms of primordial spatiality essential to the understanding of the phenomenological and ontological conditions of activities pertaining to architecture as a discipline serving for the construction of the human habitat, namely: 1) the space of signification inaugurated by writing; 2) cartographic space constitutive of the representation of the world and locality; 3) oriented space and existential spatiality opened up (...) by the living-body; and 4) the Earth as Ground-Ark which is the ultimate space of the human habitat. Drawing textual and theoretical resources from the works of Merleau-Ponty, Heidegger, Derrida and especially of Husserl, these reflections conclude that there exists only one Earth as Ground-Ark on which is built the common human habitat. This is a “primitive truth”—”primitive” in the sense of primordial—a truth understood by the most primitive human civilizations. This is also a truth forgotten by the brilliant successors of Copernicus who, while dreaming of a technologically advanced humanity, contribute in spite of their success to the irrecoverable devastation of the Earth as the only space of our common habitat. (shrink)

While video games have blossomed into the foremost expression of contemporary popular culture over the past decades, their critical study occupies a fringe position in American Studies. In its engagement with video games, this book contributes to their study but with a thematic focus on a particularly important subject matter in American Studies: spatiality. The volume explores the production, representation, and experience of places in video games from the perspective of American Studies. Contributions critically interrogate the use of spatial (...) myths ("wilderness," "frontier," or "city upon a hill"), explore games as digital borderlands and contact zones, and offer novel approaches to geographical literacy. Eventually, Playing the Field II brings the rich theoretical repertoire of the study of space in American Studies into conversation with questions about the production, representation, and experience of space in video games. (shrink)

This paper focuses on the latent spatial philosophy in Heidegger’s ‘Being and Time’, highlighting a key aspect of the Heideggerian oeuvre that has mostly been overlooked by commentators. It outlines the concept of an original spatiality of being that is opposed to the philosophies of space in both physics and Cartesian metaphysics. Through an elaboration of the essentially relational character of Da-sein, it is argued that Heidegger’s vocabulary in ‘Being and Time’ yields an onto-topology that shows Da-sein’s primary spatial (...) embeddedness in the world. Finally, the paper argues that Heidegger’s concept of spatiality remained cursory due to its residual existentialist focus. In this context, it attempts a re-evaluation of its intellectual trajectory within the realm of the Spheres project. (shrink)

This paper extends Merleau-Ponty’s arguments regarding the interpersonal character of human spatiality and Bateson’s conception of the dynamically extended nature of consciousness. The central argument is that human communication is essentially spatial in nature, and that it is experienced and expressed as such. Using this analysis, the paper argues that Anorexia nervosa should not primarily be understood as an eating disorder, but rather as a spatially expressed and felt communication disorder. Moreover, it demonstrates that anorexia is not an illness (...) of an individual, but rather is a symptom of an ailing system of communication, most commonly that of an ailing family. By means of a novel interpretation of anorexia as a neurosis that both reflects a contracted environment and also offers a spatially significant gesture in response to this contracted environment, the paper helps to elucidate the spatial nature of communication in general and to show how acts of communication are not primarily acts or experiences of isolated individuals confronting other self-sufficient individuals, but are rather spatially shared and expressed experiences of intersubjectivity. (shrink)

The purpose of this article is threefold. Firstly, it aims to present, in an educational and non-technical fashion, the main ideas at the basis of Aerts’ creation-discovery view and hidden measurement approach : a fundamental explanatory framework whose importance, in this author’s view, has been seriously underappreciated by the physics community, despite its success in clarifying many conceptual challenges of quantum physics. Secondly, it aims to introduce a new quantum machine—that we call the δ quantum machine —which is able to (...) reproduce the transmission and reflection probabilities of a one-dimensional quantum scattering process by a Dirac delta-function potential. The machine is used not only to demonstrate the pertinence of the above mentioned explanatory framework, in the general description of physical systems, but also to illustrate (in the spirit of Aerts’ ∊-model) the origin of classical and quantum structures, by revealing the existence of processes which are neither classical nor quantum, but irreducibly intermediate. We do this by explicitly introducing what we call the k-model and by proving that its processes cannot be modelized by a classical or quantum scattering system. The third purpose of this work is to exploit the powerful metaphor provided by our quantum machine, to investigate the intimate relation between the concept of potentiality and the notion of non-spatiality , that we characterize in precise terms, introducing for this the new concept of process-actuality. (shrink)

ABSTRACT The aim of this paper is to draw important parallels between the way in which configured pictorial practices of early Cubism interpreted the idea of tactile space and the phenomenological concept of existential spatiality. It is argued that in dispensing with the “illusion of perspectival space” and deconstructing geometrical perspective, several Cubist artists developed a position of multi-perspectival realism with respect to what remains ungraspable in the three-dimensional visual rendering of space. Tactile space is the main theme of (...) early Cubist painting. Tactility remains concealed by linear perspective and three-dimensional space, and existentially primordial tactile space turns out to be the ungraspable which Cubist experiments has to disclose. At the same time, these artists succeeded in avoiding any kind of a reification of space as something that statically embraces what is situated in it. The paper is also preoccupied with Cubist “geometrical experimentation”. The claim is defended that it is precisely this experimentation that most essentially anticipates Heidegger’s analyses of the spatiality of the ready-to-hand and the spatiality of being-in-the-world. Parallels are also drawn with Merleau-Ponty’s spatiality of the perceiving-tactile body which was chiefly focused on the presupposition that the visibility attained through visual perception is imbued with invisibility stemming from the immediate tactility relating the perceiving body and the perceived entities – a presupposition shared by the early Cubists and the French phenomenologist. (shrink)

Spatiality, Sovereignty and Carl Schmitt: Geographies of the Nomosis an edited volume by Stephen Legg. The book was published in the midst of accruing attention to the issues of space and order in the writings of Carl Schmitt. The objective of the book must, therefore, be understood as a critical analysis of the different ways Schmitt’s concepts can inform and have informed the study of geopolitics. This review will provide a critical summary of the main themes in the book (...) and analyse the arguments made for and against using Schmitt. I will additionally assess the ways in which Marxist Geography can benefit from critically engaging with Schmitt. It will be argued that a critical engagement with Schmitt should start from a contextualised position and a subsequent fertile negation of his thinking. (shrink)

The purpose of this article is to investigate human spatiality and perception in general, with the experience of adventure sports as its background. These activities highlight especially our strong relationship with the world when we consider the specific way in which the environment participates in the development of human potential. We first analyse the notions of risk and instability as important elements in adventure sports. Then we explore the notion of experience and spatiality, considering the way in which (...) we establish our relationship with the world. The theoretical background is found in the phenomenology of Merleau-Ponty and Bachelard’s phenomenology of imagination to investigate perspectives of space among adventurers. We hold that more than a different range of corporeal techniques, adventure sports can teach us a way of interrogating and looking at the world. They require a peculiar sensibility that allows our body to experience the environment in favour of a corporeal wisdom. Alternative sports indicate the possibility that we have to build up different ways of inhabiting the world and comprehending it. (shrink)

In a society marked by transnational migration and religious globalization, spatial factors are assuming a central role in the understanding of social relations. This is most prominent in urban areas, where the coexistence of culturally and religiously diverse subjects imposes a forced sharing of territory. Starting from a study of the semiotic concept of the city, the contribution aims first of all to explore the claimed right of the other to use public space through the creation of aedes sacrae. It (...) will show how the construction of a place of worship of a ‘minority’ religion can alter the pre-existing urban geography, leaving its imprint on space. Through a brief examination of the Italian constitutional jurisprudence on the so-called “anti-mosque” legislation, the paper will also outline a semantically relational conception of the religious building, offering a starting point for a rethinking of spatial organisation. An intercultural application of law is then needed insofar as the aim is towards a non-hegemonic polyphonic rewriting of urban territory. (shrink)

This paper explores spatial justice in urban environments through immersive art and design, focusing on Amsterdam and Houston. It presents a case study from the Venice Biennale 2023, showcasing art's potential in fostering inclusive urban spaces. The study delves into the socio-political complexities of urban areas, highlighting often-ignored liminal spaces and their tensions and possibilities. Immersive art emerges as a transformative medium, capable of challenging and reshaping perceptions of space, and addressing systemic socio-economic disparities. Adopting a transdisciplinary approach, the research (...) combines insights from various fields to enrich discussions on spatial justice and inspire urban transformations. (shrink)

Recently the CJEU decision in the case of ‘Ewa Glawischnig-Piesczek v. Facebook Ireland Limited’ has raised the issue of the transcultural/trans-territorial signification of hate speech and hate crimes. Taking a cue from this decision and the related semiotic/legal implications, the paper proposes an analysis of the semio/pragmatic conditions for the production of performativity inherent in hate speech across different cultural universes of discourse. Given that web-based digital communication is global—at least, potentially—regardless of any spatial/political compartmentalization, it crosses different semio-cultural circuits. (...) This trans-spatiality implies transcultural crossings that can multiply and even transfigure the semantic implications of the original signifier and the related prognoses of ‘semantic effectiveness.’ Cultural boundaries therefore may function as a kind of ‘horizon of events’ for hate speech and, more inclusively, all linguistic acts and their legal signification/classification. The question then arises regarding whether and to what extent the performativity of hate speech is able to withstand the variation of cultural boundary conditions. Insofar as cultures are universes of experience, the issue to be investigated broadens, and ends up invoking the question of whether or not the production of performativity implicitly presupposes and tacitly epitomizes the semio-pragmatic implications/consequences (or, in Peircean terms, ‘bearings’) coextensive with cultural universes of experience. Were this the case, it would seem to call into question the very possibility of ‘making things only with words,’ or more explicitly, the alleged meaning of ‘linguistic acts.’. (shrink)

It’s often said that relational view of experience can’t provide an explanation of mode of presentation phenomena: the idea is that if experience is characterized merely as a relation to an object, then we can’t make sense of the idea that one and the same object can be given in perception in many different ways. I show that we can address this problem by looking at the causal structure in relational experience. Experience of an object is caused by experience of (...) particular properties it has, such as its color and location, and experience of the object is in turn a cause of experience of its properties as characteristics of that object. We can explain mode of presentation phenomena as a matter of there being different sets of properties that can cause perception of one and the same object. I discuss how experiments in vision science and computational models of vision can underwrite this way of finding the causal structure in experience, relationally conceived. I look at an alternative, internalist approach to mode of presentation phenomena, in terms of ‘mental paint’, and suggest that the internalist approach is simply incoherent. Finally, I point out that we have mode of presentation phenomena for the spatial aspects of vision, such as perception of spatial relations and spatial location, but that these phenomena resist analysis in any of the terms proposed so far.On a relational view, visual experience is a relation between the perceiver and the scene observed. It’s often said, quite wrongly, that relational views of experience cannot reckon with mode-of-presentation phenomena. I begin by explaining how a relational view of experience can make sense of the idea of the ‘way’ in which an object is given to the perceiver, in terms of the properties used to single out the object. I explain why relational views are to be preferred to approaches in terms of ‘mental paint’. I then sketch the problem posed by spatial perception. Spatial perception is peculiarly difficult to characterize on a relational view, because it’s difficult to characterize the way in which spatial locations and layouts are given to the subject. (shrink)

In this paper, I argue that two plausible claims for olfactory experience, (i) that this modality is spatially indeterminate regarding the spatial location of what it presents and (ii) that whatever it presents, it is experienced as external to the perceiver’s body, are in conflict with one another. I argue that a satisfactory answer to this puzzle requires us to accept as part of olfactory phenomenology aspects of experience that do not obviously belong to olfactory experience. I claim that this (...) ultimately leads to a modification of the idea that olfactory experience is spatially indeterminate. (shrink)

Considering the ways in which plants move and shape the places of their growth, this article suggests that performing arts should account for the vegetal model of movement. The implications of including plants in the category of “moving beings” are vast, as they touch upon the dynamic relation between immanence and transcendence, questions of time-scales appropriate to different kinds of beings and their responses to the environment, and phenomenologies of place corresponding to diverse forms of life. I argue that although, (...) for humans, performing vegetal movement is “performing the unperformable,” art grants us a unique access point to experiencing what is entailed in such movement and in the places wherein it unfolds. (shrink)

When do several objects compose a further object? The last twenty years have seen a great deal of discussion of this question. According to the most popular view on the market, there is a physical object composed of your brain and Jeremy Bentham’s body. According to the second-most popular view on the market, there are no such objects as human brains or human bodies, and there are also no atoms, rocks, tables, or stars. And according to the third-ranked view, there (...) are human bodies, but still no brains, atoms, rocks, tables, or stars. Although it’s pleasant to have so many crazy-sounding views around, I think it would also be nice to have a commonsense option available. The aim of this paper is to offer such an option. The approach I offer begins by considering a mereological question other than the standard one that has been the focus of most discussions in the literature. I try to show that the road to mereological sanity begins with giving the most straightforward and commonsensical answer to this other question, and then extending that answer to further questions about the mereology of physical objects. On the approach I am recommending, it turns out that all of the mereological properties and relations of physical objects are determined by their spatial properties and relations. (shrink)

This phenomenological-psychological study aims at discovering the essential constituents involved in congenitally blind people's spatial experiences. Nine congenitally blind persons took part in this study. The data were made up of half structured (thorough) interviews. The analysis of the data yielded the following three comprehension forms of spatiality; (i) Comprehension in terms of image-experience; (ii) Comprehension in terms of notions; (iii) Comprehension in terms of knowledge.Comprehension in terms of image experience is the form which is most concretely and clearly (...) experienced. It is important to notice, that this kind of image experience is not synonymous with a visually based image experience — a fact which is discussed in the article. The following three features, which are to be understood as a description of what characterizes congenitally blind people's image experience, are presented; (i) Experience of the whole; (ii) Synthesizing/Harmonizing; (iii) Spontanous presentation of the whole. Furthermore, comprehension in terms of image experience is made up of the following four constituents, which aim at specifying the conditions for the possibility of having an image experience; (i) The image experience is based on tactile experiences; (ii) The inner horizon of the object has to be limited in order for the tactile sense to constitute an image experience; (iii) The person must have reached a certain degree of familiarity with the object; (iv) The importance of the emotional investment in the object. (shrink)

the domain of Art critique and becoming a philosophical argument. How can we think of Perspective as symbolic Form? Is Perspective really a symbolic form? Why is Perspective so important? Because at the beginning of the Modern Age, Perspective as spiritual figure grounds many symbolic or even many scientific constructions. We could we say that perspective open the foundation of modern science as such. The “Geometrization” of Vision, beginning with perspective, will be for us the interpretative key in order to (...) understand the Modern Age as a whole. This understanding will allow us to understand the anthropologic dimension arising from the Modern Age, called „Perspectivism“. Assuming that perspective was neither only an invention of painting nor of geometry nor of philosophy, taken as singular fields of human inquiry, we will try to sketch the genesis of “perspective” from an interdisciplinary point of view. By doing so, we will also try to fix its deep significance for the anthropology of the Modern Age. Living and feeling in a perspectival world is the real invention of the Modern Age, one that overcame the closed Cosmos of the Middle Ages in order to reveal to mankind its own potential. Our interdisciplinary approach will proceed from many points of view and converge on the idea of a new kind of human experience. Such an interdisciplinary approach will open new questions about our present time. Are we justified in thinking of our experience today as perspectival? What does it mean today to think from perspectives in the manifold dimensions of our living and to face to the complexity of our times? (shrink)

Sellars once wrote that “‘the problem of time’ is rivaled only by the ‘mind-body problem’ in the extent to which it inexorably brings into play all the major concerns of philosophy”. Considering that time plays a major role both in our inner life and in the description of the outer world, one could suggest that two problems are deeply related: our progress in understanding bits of the problem of time might shed light into the mind-body problem and vice versa. In (...) this paper, I will test the plausibility of this suggestion, by focusing on a fundamental aspect of the relationship between the ‘time of physics’ and the ‘time of mind’, namely the problem of their compatibility. (shrink)

Literary histories are narratives, just like the literatures they describe. They construct not only a temporal framework but also a spatial arena for literary events, movements and authors—frequently following extra-literary agendas. Using the example of Hindi, the official language of the Republic of India, the article analyzes the conceptualisation of space within literary history by comparatively mapping the space of a sixteenth-century Hindi poet, Tulsi Das, as presented in three histories of Hindi literature (by two Western and one Indian historiographer) (...) from the periods of high colonialism, the struggle for independence andthe post-colonial era. The highly divergent spaces that emerge show that space can never be an objective ‘given’ and also testify to the significance of visualising verbally produced spaces cartographically, so that underlying socio-political dimensions can be perceived. (shrink)