Vier Metaphysische Kapitel :1. Die Transzendenz des Lebens2. Die Wendung zur Idee3. Tod und Unsterblichkeit4. Das individuelle Gesetz.

Georg Simmel developed a "form" method for the newly revived field of sociology, drawing on the subjectivity/objectivity dialectic. While his book's organization differs from that of contemporary texts, his method remains implicit in the field to this day.

Published in 1918, _The View of Life_ is Georg Simmel’s final work. Famously deemed “the brightest man in Europe” by George Santayana, Simmel addressed a variety of topics across his essayistic writings, which have influenced scholars in aesthetics, ethics, epistemology, and sociology. Nevertheless, a set of core issues emerged over the course of his career, most centrally the genesis, structure, and transcendence of social and cultural forms and the nature and genesis of authentic individuality. Composed in the years before his (...) death, _The View of Life_ was, according to Simmel, his “testament,” a capstone work of profound metaphysical inquiry intended to formulate his conception of life in its entirety. Now Anglophone readers can at last read in full the work that shaped the argument of Heidegger’s _Being and Time_ and whose extraordinary impact on European intellectual life between the wars was extolled by Jürgen Habermas. Presented alongside these seminal essays are aphoristic fragments from Simmel’s last journal, providing a beguiling look into the mind of one of the twentieth century’s greatest thinkers. (shrink)

Georg Simmel: an introduction by K. P. Etzkorn.--The conflict in modern culture.--On the concept and tragedy of culture.--A chapter in the philosophy of value.--Sociological aesthetics.--On aesthetic quantities.--On the third dimension in art.--The dramatic actor and reality.--Psychological and ethnological studies on music.

This book is a first of its kind: an edited collection bringing the finest of Georg Simmel's writing on art and aesthetics together, and bringing many of these essays into English for the first time. Simmel is considered one of the founding fathers of modern sociology but he, like his contemporary Walter Benjamin, wrote about many aspects of life and culture. Simmel's intellectual contributions have long been recognized and he is a keystone in cultural theory of the early 20th century. (...) The essays in this collection are gathered topically and show the wide range of Simmel's thinking even within the arts: aesthetics, landscape, theater, sculpture, literature, and more. Austin Harrington is the brilliant guide behind this substantial volume. He served as editor and translator and also wrote an introduction. Richly informative and thoroughly familiar with Simmel's life and work, Harrington's introduction will itself be an important contribution to the scholarship on Simmel. (shrink)

Die Probleme der Geschichtsphilosophie, Eine erkenntnistheoretische Studie by Georg Simmel. This book is a reproduction of the original book published in 1892 and may have some imperfections such as marks or hand-written notes.

Einleitung des Herausgebers.--Die Probleme der Geschichtsphilosophie.--Beiträge zur Philosophie der Geschichte.--Das Problem der Soziologie.--Religion und Gesellschaft.--Der Fremde.--Soziologische Ästhetik.--Zur Philosophie des Schauspielers.--Der Henkel.--Bruchstücke aus einer Philosophie der Kunst.--Der Begriff und die Tragödie der Kultur.--Der Konflikt der modernen Kultur.--Das individuelle Gesetz.--Bibliographie (p. 256-260).

First published in 1916 in German, Rembrandt is one of Simmel's most important works. Is has never been translated into English--until now. Simmel attacks such questions as "What do we see in a work of Art?" and "What do Rembrandt's portraits tell us about human nature?" This is a major work by a major thinker concerning one of the world's most important painters.

Recoge cuatro articulos del filósofo y sociólogo alemán Georg Simmel: 1.- La cultura femenina. 2.- Lo relativo y lo absoluto en el problema de los sexos. 3.- El flirteo. 4.- Sobre el amor.

Die transzendenz des lebens.--Die wendung zur idee.--Tod und unsterblichkeit.--Das individuelle gesetz.

First published in 1897 in the avant-garde journal Jugend, Simmel’s fairy tale tells the story of the emergence of a sense of grievance about differences in the ability to grow roses which became constructed as a ‘terrible inequality’. Although moves were made to address this inequality so that everyone became able to grow roses, differences remained in how well different rose gardens grew, which in turn came to be perceived as an equally oppressive form of inequality. A translator’s note outlines (...) the significance of the text for the sociological analysis of inequality and the pursuit of equality, placing it in the context of related theories of inequality, recognition, distinction, the narcissism of minor differences, and ressentiment. (shrink)