Features of semantic prosody -- The evaluative and the hidden -- The diachronic and the synchronic -- Semantic prosody and lexical environment -- Semantic prosody and corpus data -- Semantic prosody and the concordance -- Intuition, introspection, and corpus data -- Semantic prosody and lexical priming.

Recent experiments have shown that people iconically modulate their prosody corresponding with the meaning of their utterance. This article reports findings from a story reading task that expands the investigation of iconic prosody to abstract meanings in addition to concrete ones. Participants read stories that contrasted along concrete and abstract semantic dimensions of speed and size. Participants read fast stories at a faster rate than slow stories, and big stories with a lower pitch than small stories. The effect (...) of speed was distributed across the stories, including portions that were identical across stories, whereas the size effect was localized to size-related words. Overall, these findings enrich the documentation of iconicity in spoken language and bear on our understanding of the relationship between gesture and speech. (shrink)

Conveying emotions in spoken poetry may be based on a poem’s semantic content and/or on emotional prosody, i.e. on acoustic features above single speech sounds. However, hypotheses of more direct sound–emotion relations in poetry, such as those based on the frequency of occurrence of certain phonemes, have not withstood empirical (re)testing. Therefore, we investigated sound–emotion associations based on prosodic features as a potential alternative route for the, at least partially, non-semantic expression and perception of emotions in poetry. We first (...) conducted a pre-study designed to validate relevant parameters of joy- and sadness-supporting prosody in the recitation, i.e. acoustic production, of poetry. The parameters obtained thereof guided the experimental modification of recordings of German joyful and sad poems such that for each poem, three prosodic variants were constructed: one with a joy-supporting prosody, one with a sadness-supporting prosody, and a neutral variant. In the subsequent experiment, native German speakers and participants with no command of German rated the joyfulness and sadness of these three variants. This design allowed us to investigate the role of emotional prosody, operationalized in terms of sound-emotion parameters, both in combination with and dissociated from semantic access to the emotional content of the poems. The findings from our pre-study showed that the emotional content of poems (based on pre-classifications into joyful and sad) indeed predicted the prosodic features pitch and articulation rate. The subsequent perception experiment revealed that cues provided by joyful and sad prosody specifically affect non-German-speaking listeners’ emotion ratings of the poems. Thus, the present investigation lends support to the hypothesis of prosody-based iconic relations between perceived emotion and sound qualia. At the same time, our findings also highlight that semantic access substantially decreases the role of cross-language sound–emotion associations and indicate that non-German-speaking participants may also use phonetic and prosodic cues other than the ones that were targeted and manipulated here. (shrink)

Drug resistant epilepsy is one of the most complex, multifactorial and polygenic neurological syndrome. Besides its dynamicity and variability, it still provides us with a model to study brain-behavior relationship, giving cues on the anatomy and functional representation of brain function. Given that onset zone of focal epileptic seizures often affects different anatomical areas, cortical but limited to one hemisphere, this condition also let us study the functional differences of the left and right cerebral hemispheres. One lateralized function in the (...) human brain is emotional prosody, and it can be a useful ictal sign offering hints on the location of the epileptogenic zone. Besides its importance for effective communication, prosody is not considered an eloquent domain, making resective surgery on its neural correlates feasible. We performed an Electronic databases search (Medline and PsychINFO) from inception to July 2017 for studies about prosody in epilepsy. The search terms included “epilepsy,” “seizure,” “emotional prosody,” and “vocal affect.” This review focus on emotional prosody processing in epilepsy as it can give hints regarding plastic functional changes following seizures (preoperatively), resection (post operatively), and also as an ictal sign enabling the assessment of dynamic brain networks. Moreover, it is argued that such reorganization can help to preserve the expression and reception of emotional prosody as a central skill to develop appropriate social interactions. (shrink)

Prosody, in motherese as in all forms of language, has a very different form and a very different use than the central lexical, phonological, and syntactic components of language. Whereas the prosodic aspects of motherese probably derive from primate vocalization, this does not help us to understand how the more distinctive parts of language emerged.

Speech prosody is essential for verbal communication. In this commentary I provide an integrative overview, arguing that speech prosody is subserved by the same anatomical and neurochemical mechanisms involved in the processing of reward/affective outcomes.

The processing of emotional nonlinguistic information in speech is defined as emotional prosody. This auditory nonlinguistic information is essential in the decoding of social interactions and in our capacity to adapt and react adequately by taking into account contextual information. An integrated model is proposed at the functional and brain levels, encompassing 5 main systems that involve cortical and subcortical neural networks relevant for the processing of emotional prosody in its major dimensions, including perception and sound organization; related (...) action tendencies; and associated values that integrate complex social contexts and ambiguous situations. (shrink)

This investigation examined whether speakers produce reliable prosodic correlates to meaning across semantic domains and whether listeners use these cues to derive word meaning from novel words. Speakers were asked to produce phrases in infant‐directed speech in which novel words were used to convey one of two meanings from a set of antonym pairs (e.g., big/small). Acoustic analyses revealed that some acoustic features were correlated with overall valence of the meaning. However, each word meaning also displayed a unique acoustic signature, (...) and semantically related meanings elicited similar acoustic profiles. In two perceptual tests, listeners either attempted to identify the novel words with a matching meaning dimension (picture pair) or with mismatched meaning dimensions. Listeners inferred the meaning of the novel words significantly more often when prosody matched the word meaning choices than when prosody mismatched. These findings suggest that speech contains reliable prosodic markers to word meaning and that listeners use these prosodic cues to differentiate meanings. That prosody is semantic suggests a reconceptualization of traditional distinctions between linguistic and nonlinguistic properties of spoken language. (shrink)

Prosodic parameters, as we saw in Chapter 1, can contribute to the lexical or morphological identity of words in many languages. Languages differ a great deal in the way in which they use prosody in their lexicon.

The model presented in the target article is biased towards a cognitive-symbolic understanding of language, thus ignoring its other important aspects. Possible relationships of this cognitive-symbolic subsystem to pragmatics and prosody of language are discussed in the first part of the commentary. In the second part, the issue of a purely social versus biological mechanisms for transition from protolanguage to properly language is considered.

Our starting point for the origins of language goes beyond prosody or infant-directed speech to highlight the affective, multimodal, and co-constructed nature of meaning-making that was likely present before the split between African great apes and hominins. Analysis of vocal and gestural caregiving practices in hominins, and of meaning-making via gestural interaction in African great apes, supports our thesis.

Professor Postgate speaks of ‘the regrettable silence of the principal editors of Plautus upon the subject.’ As a minor editor, I beg to defend my colleagues by pointing out that the scansions dĭŭtíus and dyūtius are subject of a note in Dziatzko's and Hauler's editions of the Phormio of Terence and in the Plautus Report in Bursian of 1879 . Also that a reference to the index of my larger edition of the Captiui will show that the word is discussed (...) in my section on Prosody : ‘The same doubt exists regarding the scansion of diutius , the by-form of the fuller form dĭūtĭŭs .’. (shrink)

Editors and writers on the prosody of Plautus and Terence disagree about the prosody of the final -a in the nominative and vocative of proper names taken from the Greek First Declension. The fact that they are often quoted as examples of syllaba anceps either at the diaeresis of longer iambic lines or at loci Iacobsohniani would seem to imply that they normally scan as Latin First Declension nouns with short -a in the nominative and vocative singular. So (...) R. Kauer in the commentary of his edition of Terence's Andria on line 301 writes ‘die griechischen Eigennamen auf -a —Sosia, Byrria, Chaerea, Phaedria usw.—haben bei Terenz stets kurzes -a’. (shrink)

Professor Skutsch has convicted me of one error—the inclusion of Eun. 465 in my list on p. 208. I do not feel, however, that he has proved that Phaedria is a dactyl in Terence. The essence of his argument, as I see it, depends on the figures in the last two rows of the first two columns on p. 90, and may be stated as follows: ‘Forms undeniably dactylic, such as Pamphile, are always followed by a disyllabic thesis. The thesis (...) after all critical examples of Phaedria is disyllabic. Therefore “Phaedria is proved to be a dactyl”.’ My objection to this argument is not that it is not a logical syllogism, but that it seeks to establish the prosody of Phaedria without considering the prosody of the other Phaedria-typt1 names in Terence. These are listed on p. 208 of my article . The following cases, I suggest, merit consideration. (shrink)

Motherese is a form of affective prosody injected automatically into speech during caregiving solicitude. Affective prosody is the aspect of language that conveys emotion by changes in tone, rhythm, and emphasis during speech. It is a neocortical function that allows graded, highly varied vocal emotional expression. Other mammals have only rigid, species-specific, limbic vocalizations. Thus, encephalization with corticalization is necessary for the evolution of progressively complex vocal emotional displays.

This article investigates the role of prosody in conversational humor in the HBO series Sex and the City in an exploratory study. Specifically, we examine how pitch and pauses are part of the prosodic bundle that can be used to mark an utterance as humoristic. We find that the use of prosodic resources participates not only in the marking but also the creation of humor. In this regard, we view pitch variation and pauses as having communicative strategies and cognitive (...) benefits. They are part of the performance of humor and participate in the characterization of the personage. The authors suggest the existence of a repertoire of prosodic devices associated to humor and to a particular discourse. (shrink)

In this paper we evaluate the role of prosodic information in inferring dialogue-specific functions of speech acts. We report the results of an empirical study in which participants are exposed to recordings of certain utterances and, next, asked to recognize discursive contexts from which the heard utterances may come. The recorded utterances are quotations: staged utterances produced by speakers asked to read aloud dialogues specially constructed for the study. We analyse prosodic cues produced by recorded speakers and argue that they (...) play a key role in depicting demonstrated target utterance. We assume that participants’ decisions manifest their implicit understanding of dialogue-specific functions of target utterances. The empirical part of our study shows that the efficiency rate of the prosodic cues produced by recorded speakers is 76%. We use the results of our prosodic analysis of recorded utterances to account for some cases of incorrect interpretations reported in the study. (shrink)

This study investigated the influence of emotional prosody on memory within a dual-process recognition framework. While emotional events are generally better remembered, it remains unclear if emotional prosody specifically enhances memory during recognition. In Experiment 1, a modified Remember/Know paradigm assessed the emotional enhancement of memory effect of emotional prosody and its role in dual-process recognition. Experiment 2 utilised a divided attention task paradigm to explore whether this memory enhancement stems from regulation of attentional resources. Results from (...) Experiment 1 and single-task conditions of Experiment 2 revealed an emotional enhancement of memory for happy and sad prosodies. Specifically, emotional prosodies (i.e. happy and sad tones paired with neutral words) led to recollection, but not familiarity. However, under divided attention task conditions in Experiment 2, the memory enhancement effect of happy and sad prosodies disappeared, suggesting that this effect is dependent on the attentional resources available at encoding. This study confirms emotional enhancement of memory effect of emotional prosody during recollection retrieval and reveals this effect originates from increased attentional resources allocation to emotional stimuli during encoding. (shrink)

Human–Human and Human–Robot Interaction are known to be influenced by a variety of modalities and parameters. Nevertheless, it remains a challenge to anticipate how a given mobile robot’s navigation and appearance will impact how it is perceived by humans. Drawing a parallel with vocal prosody, we introduce the notion of movement prosody, which encompasses spatio-temporal and appearance dimensions which are involved in a person’s perceptual experience of interacting with a mobile robot. We design a novel robot motion corpus, (...) encompassing variables related to the kinematics, gaze, and appearance of the robot, which we hypothesize are involved in movement prosody. Initial results of three perception experiments suggest that these variables have significant influences on participants’ perceptions of robot socio-affects and physical attributes. (shrink)

Most studies examining children's understanding of transitive sentences focus on the morphosyntactic properties of the construction and ignore prosody. But adults use prosody in many different ways to interpret ambiguous sentences. In two studies we investigated whether 5-year-old German children use prosody to determine participant roles in object-first (OVS) sentences with novel verbs (i.e., whether they use prosodic marking to overrule word order as a cue). Results showed that children identify participant roles better in this atypically ordered (...) construction when sentences are realized with the marked, OVS-typical intonational pattern, especially in combination with case marking (Study 1). In a second study, we embedded these sentences into an appropriate discourse context. The results show that, even in the absence of any case marking, children understand participant roles when they are realized with the appropriate intonational pattern. These findings demonstrate that young children can use intonation to help identify participant roles in transitive sentences, at least in marked constructions such as the German object-first (OVS) construction. (shrink)

Research into people’s comprehension of novel noun-noun phrases has long neglected the possible influences of prosody during meaning construction. At the same time, work in conceptual combination has disagreed about whether different classes of interpretation emerge from single or multiple processes; for example, whether people use distinct mechanisms when they interpret octopus apartment as property-based (e.g., an apartment with eight rooms) or relation-based (e.g., an apartment where an octopus lives). In two studies, we manipulate the prosodic emphasis patterns of (...) novel noun-noun combinations (placing stress on the modifier noun, the head noun, or dual stress on both nouns) and ask participants to generate an interpretation for the novel phrase. Results show that people are faster to generate property-based interpretations when dual emphasis stresses both nouns equally, with prosody having little effect on the speed of relation-based interpretations. These findings highlight a role for prosody during meaning construction and underline important differences between relation- and property-based interpretations that are difficult to reconcile with unitary process views of conceptual combination. (shrink)

By manipulating the location of prosodic boundary and the semantic bias of the ambiguous “V+N1+de+N2” phrase, which is composed of one verb (V), one noun (N1), one functional word (de), and another noun (N2), this study investigated how prosodic boundary and the semantic bias affect the processing of temporary ambiguous sentences formed by the ambiguous phrase “V+N1+de+N2” through an eye movement experiment. We found the effect of prosodic boundary in the late processing stage and observed an interaction between prosodic boundary (...) and the semantic bias of ambiguous phrases as well. The participants required more time for fixation and more regressions occurred when the meaning of the ambiguous phrase guided by prosodic boundary was inconsistent with context, especially when the ambiguous phrase was biased to the narrative-object phrase. This result suggests that prosodic boundary affects the processing of temporal ambiguous sentences and is influenced by the semantic bias of the ambiguous phrase. These findings provide further evidence from Chinese that indicate that implicit prosody plays a general role in language comprehension. (shrink)

Twenty English-speaking listeners judged the emotive intent of utterances spoken by male and female speakers of English, German, Chinese, Japanese, and Tagalog. The verbal content of utterances was neutral but prosodic elements conveyed each of four emotions: joy, anger, sadness, and fear. Identification accuracy was above chance performance levels for all emotions in all languages. Across languages, sadness and anger were more accurately recognized than joy and fear. Listeners showed an in-group advantage for decoding emotional prosody, with highest recognition (...) rates for English utterances and lowest recognition rates for Japanese and Chinese utterances. Acoustic properties of stimuli were correlated with the intended emotion expressed. Our results support the view that emotional prosody is decoded by a combination of universal and culture-specific cues. (shrink)

Neurocognitive models (e.g., Schirmer & Kotz, 2006) have helped to characterize how listeners incrementally derive meaning from vocal expressions of emotion in spoken language, what neural mechanisms are involved at different processing stages, and their relative time course. But how can these insights be applied to communicative situations in which prosody serves a predominantly interpersonal function? This comment examines recent data highlighting the dynamic interplay of prosody and language, when vocal attributes serve the sociopragmatic goals of the speaker (...) or reveal interpersonal information that listeners use to construct a mental representation of what is being communicated. Our comment serves as a beacon to researchers interested in how the neurocognitive system “makes sense” of socioemotive aspects of prosody. (shrink)

Any complete theory of lexical access in production must address how words are produced in prosodic contexts. Levelt, Roelofs & Meyer make some progress on this point: for example, they discuss resyllabification in multiword utterances. I present work demonstrating that word articulation takes into account overall prosodic context. This research supports Levelt et al.'s hypothesized separation between metrical and segmental information.

The majority of evidence on social anxiety -linked attentional biases to threat comes from research using facial expressions. Emotions are, however, communicated through other channels, such as voice. Despite its importance in the interpretation of social cues, emotional prosody processing in SA has been barely explored. This study investigated whether SA is associated with enhanced processing of task-irrelevant angry prosody. Fifty-three participants with high and low SA performed a dichotic listening task in which pairs of male/female voices were (...) presented, one to each ear, with either the same or different prosody. Participants were instructed to focus on either the left or right ear and to identify the speaker’s gender in the attended side. Our main results show that, once attended, task-irrelevant angry prosody elicits greater interference than does neutral prosody. Surprisingly, high socially anxious participants were less prone to distraction from attended-angry prosody than were low socially anxious individuals. These findings emphasise the importance of examining SA-related biases across modalities. (shrink)

The aim of the present study is to describe the prosodic systems of the Greek and Latin languages and to find out the versification systems which have been realized in the poetical practice. The Greek language belongs typologically among the mora-counting languages and thus provides possibilities for the emergence of purely quantitative verse, purely syllabic verse, quantitative-syllabic verse and syllabic-quantitative verse. There is no purely quantitative or purely syllabic verse in actual Greek poetry; however, the syllabic-quantitative versification systems (the Aeolian (...) tradition) and quantitative-syllabic versification systems (the Aeolian tradition) were in use. The Latin language, on the other hand, has a number of features, which characterize it as a stress-counting language. Since at the same time there exists also the opposition of short and long syllables, there are preconditions for the syllabic, accentual and quantitative principle, as well as for the combinations of these. The Roman literary heritage shows examples of purely accentual, syllabic-quantitative, quantitative-syllabic, as well as of several other combinatory versification systems. (shrink)

In this paper we use Conversation Analysis to investigate conversational humor in talk-in-interaction. We attempt to better understand how the latter is produced and co-constructed by participants in accounting for the devices used by participants in their sequential environment. The framework of CA enables us to take into account the various means available to speakers to communicate, orient to the others, etc. From our data, reported speech, confirmation request/answer, and repetitions appear as the main discursive devices to create humor. We (...) focused on prosodic cues that are strongly involved in these devices and then contribute to the humorous tonality of the talk. Finally, the co-construction of conversational humor is mainly described through the notion of orientation and prosodic orientation. (shrink)

The study of conversational humor has received relatively little empirical attention with almost no examinations of the role of vocal signals in spontaneous humor production. Here we report an analysis of spontaneous humorous speech in a rural Brazilian collective farm. The sample was collected over the course of ethnographic fieldwork in northeastern Brazil, and is drawn specifically from the monthly communal business meetings conducted in Portuguese. Our analyses focused on humorous utterances identified by the subsequent presence of laughter. Acoustic features (...) of these utterances were compared to non-humorous utterances by the same speakers of similar length and immediately preceding them to look for prosodic contrasts. This corpus provided a unique opportunity for examining the way people mark their humorous productions in a non-humorous environment. Contrary to the notion that speakers must mark their production of humor in order to facilitate audience understanding, no significant marking of a joking “frame” was detected across a range of acoustic dimensions. The only consistent difference — that the set-up and punch line segments were louder than baseline speech before it — does not well support a marking hypothesis and more likely reflects speaker adjustments to the acoustic conditions of the meeting hall. We present these data from the perspective of the encryption theory of humor that predicts speakers will not generally mark spontaneous, conversational humor in most contexts. (shrink)

• Why does topicalization decline in Middle English but not disappear? If the change a parametric one, it should go to completion. Otherwise, topicalization, a clear case of stylistic variation might be expected to be stable in frequency over time.

As a native speaker of English who has been living and working in France for the last 50 years, I often wonder what I could answer, if asked to summarise what I actually know today about the prosodic differences between the French and English languages, two languages which I obviously know rather well. I could certainly give a talk or write an essay on the subject, but how many of the differences which I might describe could be called established facts?

I Choose the word metrical rather than prosodical, to make it plain at the outset that I am not concerned with the rule in Priscian—not of Priscian, for its irrelevance is sufficient proof of that—G.L.K. II p. 82 7–9 ‘gnus quoque uel gna uel gnum terminantia longam habent uocalem paenultimam, ut regnum stagnum benignus malignus abiegnus priuignus Pelignus’, still less with the illegitimate inference sometimes drawn from it, that this pair of consonants, like ns and nf, lengthened a short vowel (...) whenever they followed it. The present dispute is not about vowels but about syllables; the power of gn to make position, as they say, like st or x, and so to impede the flow of verse. (shrink)