Since antiquity the Phaedo has been considered the source of "the twin pillars of Platonism" -- the theory of ideas and the immortality of the soul. Burger's attempt to trace the underlying argument of the work as a whole leads to a radical rethinking of the status of those doctrines.

The paper examines a puzzling sequence of verb tenses at Phaedo 100b3-9. It rejects the idea, almost universal among commentators, that the puzzle is to be solved by construing the first verbal expression as if it were equivalent to a future. The paper then offers another solution and explores its implications for understanding the broader philosophical context of the passage. What emerges is that the new solution provides a valuable clue to figuring out what precisely Socrates has in mind (...) when he speaks at 100b4 of the ‘mode of explanation’ with which he is presently engaged. Hence, the tightly focused linguistic discussion at the paper’s outset ultimately takes on a good deal of significance for the interpretation of this difficult but important section of the dialogue. (shrink)

In the Phaedo, Socrates leads us to expect that his final argument will address the details of Cebes’ cloakmaker objection. Nonetheless, almost all commentators treat the final argument as unconnected to these details. This paper argues that close attention to Cebes’ objection, Socrates’ restatement of it, and Socrates’ final argument shows that the final argument does offer a detailed response. According to the objection, the soul suffers as it brings life to the body, which ultimately leads to its destruction. (...) Socrates argues that, on the contrary, bringing life to the body is precisely what ensures the soul’s immortality and indestructability. Cebes’ objection targets Socrates’ so-called ‘affinity argument’. In responding to Cebes’ objection, the final argument fills in the account of the soul that Socrates put forward in the affinity argument. In doing so, it identifies one precise way in which the soul is akin to the divine. (shrink)

The Phaedo is acknowledged to be one of Plato's masterpieces, showing him both as a philosopher and as a dramatist at the height of his powers. For its moving account of the execution of Socrates, the Phaedo ranks among the supreme literary achievements of antiquity. It is also a document crucial to the understanding of many ideas deeply ingrained in western culture, and provides one of the best introductions to Plato's thought. This new edition is eminently suitable for (...) readers new to Plato, offering a readable translation which is accessible without the aid of a commentary and assumes no prior knowledge of the ancient Greek world or language. (shrink)

Plato's Phaedo is a literary gem that develops many of his most famous ideas. David Ebrey's careful reinterpretation argues that the many debates about the dialogue cannot be resolved so long as we consider its passages in relative isolation from one another, separated from their intellectual background. His book shows how Plato responds to his literary, religious, scientific, and philosophical context, and argues that we can only understand the dialogue's central ideas and arguments in light of its overall structure. (...) This approach yields new interpretations of the dialogue's key ideas, including the nature and existence of 'Platonic' forms, the existence of the soul after death, the method of hypothesis, and the contemplative ethical ideal. Moreover, this comprehensive approach shows how the characters play an integral role in the Phaedo's development and how its literary structure complements Socrates' views while making its own distinctive contribution to the dialogue's drama and ideas. (shrink)

Phaedo of Elis was well-known as a writer of Socratic dialogues, and it seems inconceivable that Plato could have been innocent of intertextuality when, excusing himself on the grounds of illness, he made him the narrator of one of his own: the "Phaedo". In fact the psychological model outlined by Socrates in this dialogue converges with the evidence we have (especially from fragments of the Zopyrus) for Phaedo's own beliefs about the soul. Specifically, Phaedo seems to (...) have thought that non-rational desires were ineliminable epiphenomena of the body, that reason was something distinct, and that the purpose of philosophy was its 'cure' and 'purification'. If Plato's intention with the "Phaedo" is to assert the separability and immortality of reason (whatever one might think about desire and pleasure), then Phaedo provides a useful standpoint for him. In particular, Phaedo has arguments that are useful against the 'harmony-theorists' (and are the more useful rhetorically speaking since it is only over the independence of reason that Phaedo disagrees with them). At the same time as allying himself with Phaedo, however, Plato is able to improve on him by adding to the demonstration that reason is independent a proof that it is actually immortal. (shrink)

Plato seems to have been pessimistic about how most people stand with regard to virtue. However, unlike the Stoics, he did not conclude that most people are vicious. Rather, as we know from discussions across several dialogues, he countenanced decent ethical conditions that fall short of genuine virtue, which he limited to the philosopher. Despite Plato's obvious interest in this issue, commentators rarely follow his lead by investigating in detail such conditions in the dialogues. When scholars do investigate what kind (...) of virtue, if any, Plato thinks is open to non-philosophers, they typically look to the Republic. But in the Republic Plato sets out an ideal city; therefore, the virtue available to non-philosophers there is likely different from what he thinks is available to them in the real world. If we want to determine Plato's thoughts about the virtue of actual non-philosophers, we must look elsewhere. In this paper, I set my sights on the Phaedo. (shrink)

In the Phaedo the character Socrates argues that suicide is morally wrong. This is in fact one of only two places in the entire Platonic corpus where suicide is discussed. It is a brief passage, and a notoriously perplexing one. In this article, I distinguish between two arguments that Socrates gives in support of his claim. I argue that one of them is not to be taken literally, while the other represents the deeper reason for the prohibition of suicide. (...) I further relate the question of suicide to the overarching concerns of the Phaedo as a whole: the nature of our incarnate “imprisonment”, the nature and purpose of philosophy, the philosophical “purification” of the soul, the human pursuit of knowledge, and the nature of the divine. (shrink)

This article argues that the Phaedo is written as a new sort of story of how a hero faces death; this story provides an alternative to existing tragedy, as understood by Plato. The opening of the Phaedo makes clear that two features that Plato closely associates with tragedy, pity and lamentation, are inappropriate responses to Socrates’ impending death, and that tuchē (chance) did not affect his happiness. This is the first step in the dialogue’s sustained engagement with tragedy. (...) Tragedy for Plato falls under the category of stories about heroes and gods. Plato wrote the Phaedo so that we would see Socrates as a philosophical hero, a replacement for traditional heroes such as Theseus or Heracles. I argue that in fact the Phaedo meets every requirement in Republic Books 2–3 for how to tell stories about heroes and gods and so belongs to the same broad category as tragedy. Within this framework, it tells its new story of how the true hero faces death. (shrink)

At Phaedo 105c, Socrates introduces a type of explanation (αἰτία) he describes as “clever.” Rather than explaining a body’s hotness in terms of the body’s participation in the Form Hot, for example, the clever αἰτία attributes a body’s hotness to the presence of fire in the body. Traditional interpretations argue that the clever αἰτία accounts for the interaction between fire and the body in terms of logical entailment relationships among the Forms. On this view, fire makes bodies hot because (...) fire participates in the Form Fire and the Form Fire entails the Form Hot. In Part One of this paper, Jelinek shows that this traditional interpretation yields problematic results. In Part Two, Jelinek considers the possibility that the clever αἰτία is a hybrid explanation that invokes both Forms and particulars as irreducible sources of explanation. Though an explanation that invokes particulars as explanatory modes may seem at odds with Plato’s Form-based metaphysics, Jelinek shows that this kind of explanation can be plausibly attributed to him. This novel interpretation of the clever αἰτία attributes to Plato a more complex and nuanced understanding of explanation than previously thought. (shrink)

The argument at Phaedo 74 B 4‐C 6 that the equal itself is ‘something different from’ sets of physical equals depends on Leibniz's Law: there is a property that perceptible equals have that the equal itself does not have. What I call the ‘epistemic interpretation’ holds that the property is an epistemic one: having appeared unequal. The ‘ontological interpretation’ holds that the property is not epistemic, but simply the property of being unequal. The most natural reading of the text (...) favours the epistemic interpretation; scholarly support for the ontological interpretation is based on the widely held view that on the epistemic interpretation the argument is manifestly invalid. But this view implicitly relies on an impoverished sense of ‘appearing’ as equivalent to ‘being thought’. Drawing on an analogy with colour perception, I elaborate an experiential sense of ‘appearing’ which makes Plato's argument on the epistemic interpretation philosophically defensible. (shrink)

David Bostock examines the theories and arguments put forward by Plato in his Phaedo, in which he attempts to show that the soul is immortal. This excellent introduction to Plato's often difficult arguments discusses such important philosophical problems as the nature of the mind, the idea of personal identity, the question of how we understand language, and the concept of cause, reason, and explanation.

Plato's Meno and Phaedo are two of the most important works of ancient western philosophy and continue to be studied around the world. The Meno is a seminal work of epistemology. The Phaedo is a key source for Platonic metaphysics and for Plato's conception of the human soul. Together they illustrate the birth of Platonic philosophy from Plato's reflections on Socrates' life and doctrines. This edition offers new and accessible translations of both works, together with a thorough introduction (...) that explains the arguments of the two dialogues and their place in Plato's thought. (shrink)

Plato's Phaedo, written by legendary author Plato, is widely considered to be one of the greatest classic texts of all time. This great classic will surely attract a whole new generation of readers. For many, Plato's Phaedo is required reading for various courses and curriculums. And for others who simply enjoy reading timeless pieces of classic literature, this gem by Plato is highly recommended. Published by Classic Books International and beautifully produced, Plato's Phaedo would make an ideal (...) gift and it should be a part of everyone's personal library. (shrink)

If one includes the methodological preface the final argument of the Phaedo is by far the longest, as well as the one Socrates’ audience and Plato's readers are most ready to accept, and is often regarded as the one argument in the Phaedo that Plato himself accepted. Nevertheless it is also the most obscure, elusive, and frustrating of the arguments, whose intention as well as validity are in continual dispute. It has aptly been compared to an intricate maze, (...) and while it is perhaps appropriate that Socrates, who is portrayed in the dialogue as a kind of Theseus battling the Minotaur of fear of death, should finally pick his way through a labyrinth of distinctions, it is exceptionally difficult for the reader to find the thread and follow it. (shrink)

The publication of Mr. R. S. Bluck's stimulating Phaedo prompts me to ask the following questions concerning the traditional interpretation of the cosmographical passage beginning 108 e. Do the terms of 108 e-109 a in combination with 110 b 5 ff. and Timaeus 40 b-c and 62 d ff. prove conclusively that in the Phaedo Plato thinks of the earth as a spherical body? Granted that he does, need his description of the earth, as a setting for his (...) eschatological myth, conform with the spherical theory? (shrink)

The argument at _Phaedo_ 74 b 4‐ c 6 that the equal itself is ‘something different from’ sets of physical equals depends on Leibniz's Law: there is a property that perceptible equals have that the equal itself does not have. What I call the ‘epistemic interpretation’ holds that the property is an epistemic one: having appeared unequal. The ‘ontological interpretation’ holds that the property is not epistemic, but simply the property of being unequal (that is: physical equals suffer the compresence (...) of opposites, while the equal itself does not). The most natural reading of the text favours the epistemic interpretation; scholarly support for the ontological interpretation is based on the widely held view that on the epistemic interpretation the argument is manifestly invalid. But this view implicitly relies on an impoverished sense of ‘appearing’ as equivalent to ‘being thought’. Drawing on an analogy with colour perception, I elaborate an experiential sense of ‘appearing’ which makes Plato's argument on the epistemic interpretation philosophically defensible. (shrink)

What happens to the soul after death? Does it simply vanish, or does it continue to exist beyond the body? In the Phaedo, Plato presents Socrates’ final conversation with his companions before his execution, a discussion where he makes the case that the soul is immortal. Through a series of arguments, Socrates seeks to demonstrate that the soul exists before birth and endures beyond physical death. However, his companions, Simmias and Cebes, challenge his reasoning with thought-provoking objections. Does Socrates (...) ultimately prove the soul’s immortality, or do his challengers expose doubts that remain unresolved? (shrink)

In lieu of an abstract, here is a brief excerpt of the content: [99] JOURNAL OF THE HISTORY OF PHILOSOPHY 23:1 JANUARY 198 5 Book Reviews Kenneth Dorter. Plato's 'Phaedo': An Interpretation. Toronto: University of Toronto Press, 1982. Pp. xi + 233. $28.50. Kenneth Dorter of the University of Guelph has given us a useful and unusual study of the Phaedo, which will attract the interest of a variety of Plato's readers. He provides the careful studies of the (...) dialogue's arguments for immortality to be expected in a sound commentary, paying close attention to the text as well as to recent scholarship, and displaying a good sense of argument. What gives the book additional interest, however, are its features as an interpretation of the Phaedo. Two stand out. First, Dorter wishes to give full weight not only to the logic of the arguments but also to the dramatic details of Plato's writing, believing these to be important in disclosing Plato's intentions. Secondly, he reads the Phaedo in light of a more general understanding of Plato's philosophy, especially the nature of the soul in its cosmic as well as individual aspects. Much of this is set out in a final speculative chapter, where Dorter seeks to make intelligible Plato's developing conception of soul by means of such notions as energy and poles of consciousness. Not every reader will be persuaded; but Dorter is to be commended for an attempt to move the discussion beyond the Phaedo and Plato's own vocabulary. The study gains its coherence from Dorter's belief that Plato's view of soul cannot support the ostensible aim of the dialogue, to provide reassurance of personal immortality. Although he has no doubt that for the Platonic Socrates there is "a meaningful sense in which we may be called immortal" (94, cf. 159), Dorter's analysis must be stretched to provide that sense. In part this is a result of his assessment of the arguments. The first, from reciprocity in nature, can at most show that, given the eternal nature of the world, soul and corporeality in general must continue to exist. The argument from recollection can point only to a non-empirical element in our knowledge ; that from the soul's kinship with the divine is best seen as an analogy developed to awaken within us a sense of eternity. The final argument, though containing fallacies (157), will support the conclusion that immortal soul is imperishable as long as soul is regarded as motive force in the universe, in the first argument's sense. In none of these discussions, then, can Plato's reasoning yield up personal survival. But there is another part to Dorter's case, underlying this conclusion. For Plato the individual human being is a composite of soul and body; so even if Plato were to prove the immortality of the soul he could never establish personal survival (63-64). It is not surprising then that Dorter is left with a doctrine of immortality either reduced to a "discovery of eternity within ourselves" (77), or else dissolved into a principle of enduring cosmic energy. So in neither case does it seem meaningful for Plato to say that we are immortal: the eternal which we sense is no more us than it is anything else. Although it is of course possible that Plato did not intend this consequence of his arguments, Dorter thinks otherwise. In support he invokes literary features of the dialogue to argue that Plato operates on one level for the less sophisticated (who wish to be persuaded of personal survival) and on another for the philosophically reflective reader. Dorter treats the textual evidence for this claim with an appropriate modesty, and tries to justify Plato's apparent duplicity as an attempt to convince the weak by a 'noble lie' (95-97). Nevertheless this leads Dorter to mix together too quickly for this reader popular religion, myth, and metaphor. To the fact that Plato does not espouse the language of popular religion literally, Dorter adds his own view of myth as an imaginative appeal to emotion that can be translated without loss into rational discourse (7, 165, a95). So the accounts of the afterlife at 8oc-84 b... (shrink)

I argue that according to Socrates in the Phaedo we should not merely evaluate bodily pleasures and desires as worthless or bad, but actively avoid them. We need to avoid them because they change our values and make us believe falsehoods. This change in values and acceptance of falsehoods undermines the soul’s proper activity, making virtue and happiness impossible for us. I situate this account of why we should avoid bodily pleasures within Plato’s project in the Phaedo of (...) providing Pythagorean and Orphic ideas with clearer meanings and better justifications. (shrink)

As Socrates recounts his search for causes (aitiai) in the Phaedo, he identifies the following as genuine causes: intelligence (nous), seeming best, choice of the best, and the forms. I argue that these causes should be understood as norms prescribing the conditions their effects must meet if those effects are to be produced. Thus, my account both explains what Socrates’ causes are and the way in which they cause what they cause.

Recent studies suggest that the form and style of Plato's dialogues have significant associations with their philosophical contents. Few scholars, however, have focused on the role of disagreements in epistemic improvement within the context of Plato's Phaedo. This paper seeks to unearth a ‘theory of disagreement’ underpinning the Phaedo by examining the conversation between Socrates and his interlocutors. In doing so, I will highlight the epistemic importance of recognizing disagreements. It is shown that there is a positive relationship (...) between the correct method of philosophical argument and epistemic modesty, which plays a crucial role in solving disagreements and facilitating epistemic improvement. (shrink)

The book is written for anyone seriously interested in Plato's thought and in the history of literary theory or of rhetoric. No knowledge of Greek is required. The focus of this account is on how the resources both of persuasive myth and of formal argument, for all that Plato sets them in strong contrast, nevertheless complement and reinforce each other in his philosophy.

I am pleased to have been able to vindicate Plato from the oft-rehearsed charge of not having distinguished relations from qualities. Not only does Phaedo 102B7-C4 show quite clearly that he did make the proper distinction, but the theory of relations he adumbrated there is logically sound and ontologically viable. Furthermore, it is refreshing to think of relations not as Forms or universals, but as chains of ontologically tied universals.Naturally, now that we have a clear understanding of Plato's (...) class='Hi'>Phaedo theory of relations and relational facts there is plenty of work to do. We must examine the other dialogues for alterations or even preservation of that theory. Moreover, there are those arguments of Aristotle that purport to reduce Plato's Theory of Forms to absurdity on account of relations. But of this I shall say more at some other time. (shrink)

Towards the close of Book V of theRepublicPlato tells us that the true philosopher has knowledge and that the objects of knowledge are the Forms. By contrast, the ‘lovers of sights and sounds’, he tells us, have no more than belief, the objects of which are physical particulars. He then goes on to present us with some very radical-sounding assertions about the nature of these physical particulars. They are bearers of opposite properties, he says, in so thorough-going a manner that (...) we cannot say of them that they are nor that they are not: they lie somewhere between being and utter non-being.This passage of theRepublic still awaits an agreed interpretation and I want to suggest as a reason for this that it is usually interpreted in isolation. I will argue that it becomes easier to understand when seen against the background of Plato's developing thought. To be more precise, it makes sense when taken as a rejection by Plato of one of his earlier beliefs: namely, a doctrine of essentialism to be found in thePhaedo.The greater part of this paper then will be an attempt to show thatRepublicV is a rejection of thePhaedo'sdoctrine of essences. Its concluding part will try to explain why that doctrine was rejected. (shrink)

Phaedo. As I recall. when these points had been granted him, and it was agreed that each of the forms was something, and that the other things, partaking in them. took the name of the forms themselves, he next asked: ‘If you say that that is so, then whenever you say that Simmias is taller than Socrates but shorter than Phaedo, you mean the, don't you, that both things are in Simmias, tallness and shortness?’.

ABSTRACTAt least in some dialogues, Plato has been thought to hold the so-called Two Worlds Theory, according to which there can be belief but not knowledge about sensibles, and knowledge but not belief about forms. The Phaedo is one such dialogue. In this paper, I explore some key passages that might be thought to support TW, and ask whether they in fact do so. I also consider the related issue of whether the Phaedo argues that, if knowledge is (...) possible at all, we can have it only when discarnate. (shrink)

In Plato’s dialogues, Socrates calls things like justice, piety, and largeness “forms.” In several of these dialogues, he makes clear that forms are very different from familiar objects like tables and trees. Why, exactly, does he think that they differ and how are they supposed to do so? This chapter argues that in the Phaedo Socrates does not assume that they are different, but rather, over five stages of the dialogue, provides an account of how and why they do (...) so. To fully understand the claims made in the first stage, one must look to the next stage, and so on until the final stage. Socrates' ultimate reason for distinguishing forms from ordinary objects does not depend on our intuitions about things like justice and largeness, nor on the distinction between universals and particulars. Ultimately, forms cannot be ordinary objects because the form of f-ness must cause every f-thing to be f, but no ordinary object could serve as such a cause. They cannot do so because they have multiple parts and are receptive of opposites; by contrast, the form of f-ness must be simple and unchanging, since it causes every f-thing to be f. (shrink)

This is an English translation of one of Plato’s great dialogues of Socrates talking about death, dying, and the soul due to his impending execution. Included is an introduction and glossary of key terms. Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Plato’s immediate audience.

According to an interpretation that has dominated the literature, the traditional interpretation as I call it, the recollection argument aims at establishing the thesis that our learning in this life consists in recollecting knowledge the soul acquired before being born into a body, or thesis R, by using the thesis that there exist forms, thesis F, as a premise. These entities, the forms, are incorporeal, immutable, and transcendent in the sense that they exist separately from material perceptibles, which in turn (...) are related to them through participation and by being caused by them in some sense. But the properties of transcendence, immutability and incorporeality are sufficient to signal forms, and so the thesis that there exist forms claims that there exists entities with at least these three properties. In the first section of this paper, I argue that strong textual and more general exegetical reasons suggest that the traditional interpretation is mistaken. Furthermore, this interpretation, as I argue in the second section, fails to credit Plato with a proper argument for recollection. In section III, I present an alternative account of the argument for R in the "Phaedo". At the same time I defend a more general interpretation according to which the metaphysical doctrine Plato offers in the "Phaedo" represents a natural continuation of the philosophical position that stands at the centre of the dialectical conversations we find in the shorter Socratic dialogues. (shrink)

The ending of the Phaedo is one of the most powerful and memorable moments in the entire Platonic corpus. It is not simply the end of a single dialogue, but a depiction of the end of the life of the man (Socrates) who is a looming presence in nearly everything that Plato wrote. In this article I offer an in-depth analysis of the final scene of the Phaedo. I argue that Plato very carefully constructs the scene for the (...) sake of specific philosophical, dramatic, and political ends. Plato uses it to unify the Phaedo as a singular text, while also provoking us to reflect on the nature of our lives, our deaths, and the possibilities and limits of philosophy itself. (shrink)

In this paper I examine the moral psychology of the Phaedo and argue that the philosophical life in this dialogue is a temperate life, and that temperance consists in exercising epistemic discernment by actively withdrawing assent from incorrect evaluations the body inclines us to make. Philosophers deal with bodily affections by taking a correct epistemic stance. Exercising temperance thus understood is a necessary condition both for developing and strengthening rational capacities, and for fixing accurate beliefs about value. The purification (...) philosophers strive for, and the purifying role of philosophy, should then be understood as a clarificatory act consisting in making one’s thoughts clear and withdrawing assent from erroneous evaluative content in our desires and pleasures. Along the way, I argue that philosophers must neither avoid situations and activities that cause bodily affections as much as possible, nor ignore or care little about them. (shrink)

In the _Phaedo Socrates says that as a young man he thought it a great thing to know the causes of things; but finding existing accounts unsatisfying, he fell back on a method of his own, hypothesizing that Forms are causes. I argue that part of what this hypothesis says is that certain phenomena--the ones for which it postulates Forms as causes--are the result of processes whose object was to produce them. I then use this conclusion to explain how Socrates' (...) discussion of causality in the _Phaedo might be supposed to contribute to his final argument for immortality. (shrink)

Socrates’ autobiography in Phaedo signifies an attempt to incorporate earlier philosophical thinking in a progressive evolution culminating in the Platonic theory of Forms. In the “second sailing”, the “hypothesis of Forms” is not a hypothetical assumption, an arbitrary claim or conjecture, but something to be “sup-posed” prior to any further knowledge or statement. The careful reading and reconstruction of the famous simile of the “sun in eclipse” leads to crucial consequences concerning the attempt to “take refuge in the logoi”. (...) The Forms “sup-posed” in the logoi do not indicate a new “transcendent” object, but aim at the same target as that of the senses: at the truth of beings of our world. The “second sailing” follows a different route, but has the same direction as the “first sailing” of the physiologoi. (shrink)