Nietzsche sometimes praises the drive to order—to simplify, organize, and draw clear boundaries—as expressive of a vital "classical" style, or an Apollonian artistic drive to calmly contemplate forms displaying "epic definiteness and clarity." But he also sometimes harshly criticizes order, as in the pathological dialectics or "logical schematism" that he associates paradigmatically with Socrates. I challenge a tradition that interprets Socratism as an especially one-sided expression of, or restricted form of attention to, the Apollonian: they are more radically (...) disparate. Beyond strengthening the case for this basic point, I develop a distinctive account of what, exactly, distinguishes the Apollonian-classical and Socratic forms of order. To this end, I advance interrelated interpretations of Apollonian-classical simplicity and the "cold" calm that it elicits, by contrast to superficially similar Socratic phenomena. This illuminates Nietzsche's broader ambivalence toward science, in part by clarifying the nature and value of an idealized Apollonian science. (shrink)

Zen Classics: Formative Texts in the History of Zen Buddhism, eds Steven Heine & Dale S. Wright, viii + 283 pp, £14.99, ISBN 0-19-517525-5.

This paper presents how the classical architectural forms – Greek-roman forms – are preserved in early Christian churches built in the Palestinian area between the fourth and the sixth centuries AD. We follow the concept that architecture defines a non-verbal communication form, a language possible to be decoded. Will be discussed questions regarding long-term preservation or change of this buildings in a historical structure evaluating their formal and ideological aspects.

Chapter 3 explores the ways that the creative team’s desire for realism is manifested in La La Land. Because of the focus on realism in the depiction of Mia and Seb, the leading couple, there is something fundamentally different about the musical numbers in La La Land from those in the earlier films it attempts to emulate, particularly regarding the film’s audiovisual syntax and its relationship between technology and performing onscreen bodies. The chapter places some of La La Land’s most (...) distinctive stylistic traits in the broader context of other contemporary film musicals that navigate similar challenges in a variety of ways. The author also explores the concept of virtuosity in the film musical, arguing that technological virtuosity—the “virtuosic camera”—often overshadows human virtuosity in La La Land. This approach reflects current anxieties about the relationship between human expression and technological virtuosity. (shrink)

Discusses, and expands on, the Cartesian skeptical argument. According to this argument, we do not have knowledge about the external world since we cannot know that we are not being deceived into having false beliefs about the external world. The chapter strengthens this argument in order to establish that such knowledge is not even possible, and extends it to exclude knowledge about other times as well. It rejects G. E. Moore's reversal of the skeptical argument as counterintuitive. Anticipating the discussions (...) in later chapters, a _prima facie_ case is made for the impossibility of even reasonably believing anything about the external world, and for the consonance of the skeptical results with considerations about certainty. (shrink)

The term ‘logical form’ has been called on to serve a wide range of purposes in philosophy, and it would be too ambitious to try to survey all of them in a single essay. Instead, I will focus on just one conception of logical form that has occupied a central place in the philosophy of language, and in particular in the philosophical study of linguistic meaning. This is what I will call the classical conception of logical (...) class='Hi'>form. The classical conception, as I will present it in section 1, has (either explicitly or implicitly) shaped a great deal of important philosophical work in semantic theory. But it has come under fire in recent decades, and in sections 2 and 3 I will discuss two of the recent challenges that I take to be most interesting and significant. (shrink)

Diano's Form and Event has long been known in Europe as a major work not only for classical studies but even more for contemporary philosophy, anticipating the work of Deleuze, Badiou, Esposito, and Agamben. It now appears in English for the first time, with a substantial Introduction that situates the book in the genealogy of modern political philosophy.

In plant morphology, most structures of vascular plants can easily be assigned to pre-established organ categories. However, there are also intermediate structures that do not fit those categories associated with a classical approach to morphology. To integrate the diversity of forms in the same general framework, we constructed a theoretical morphospace based on a variety of modalities where it is possible to calculate the morphological distance between plant organs. This paper gives emphasis on shoot, leaf, leaflet and trichomes while (...) ignoring the root. This will allow us to test the hypothesis that classical morphology (typology) and dynamic morphology occupy the same theoretical morphospace and the relationship between the two approaches remains a question of weighting of criteria. Our approach considers the shoot (i.e. leafy stem) as the basic morphological structural unit. A theoretical data table consisting of as many lines as there are possible combinations between different modalities of characters of a typical shoot was generated. By applying a principal components analysis (PCA) to these data it is possible to define a theoretical morphospace of shoots. Typical morphological elements (shoots, leaves, trichomes) and atypical structures (phylloclades, cladodes) including particular cases representing ‘exotic’ structures such as the epiphyllous appendages of Begonia and ‘water shoot’ and ‘leaf’ of aquatic Utricularia were placed in the morphospace. The more an organ differs from a typical shoot, the further away it will be from the barycentre of shoots. By giving a higher weight to variables used in classical typology, the different organ categories appear to be separate, as expected. If we do not make any particular arbitrary choice in terms of character weighting, as it is the case in the context of dynamic morphology, the clear separation between organs is replaced by a continuum. Contrary to typical structures, “intermediate” structures are only compatible with a dynamic morphology approach whether they are placed in the morphospace based on a ponderation compatible with typology or dynamic morphology. The difference in points of view between typology and continuum leads to a particular mode of weighting. By using an equal weighting of characters, contradictions due to the ponderation of characters are avoided, and the morphological concepts of continuum’ and ‘typology’ appear as sub-classes of ‘process’ or ‘dynamic morphology’. (shrink)

A comprehensive analysis of the theories of property developed by four key figures in classical German philosophy that explores such central questions as the nature of property, what specific forms of property are justifiable and whether property rights ought to be respected or limited in the name of freedom.

The question of form in Peirce’s early thought constitutes the starting point of his reflection on the connection models of the parts of continua. I will show how, interpreted as reason rather than as cause, form becomes aproductive event. In thisproductive eventthe form, as “condition of possibility of the relation of the elementary parts of representation” becomes a modeling dynamic which, starting from interpretation, allows initiation of the process of the passage from substance to being. The problem (...) of this passage is the problem of a continuity that cannot be thought by the classical linear model of time. (shrink)

The chapter explores the role that different concepts of memory—_Erinnerung, Gedächtnis, Andacht_—play in classical German philosophy. Authors such as Hegel, Schelling, Fichte, Hölderlin, Novalis, and Schlegel are central in this discussion. At stake is the thematization of memory across philosophical disciplines as different as psychology, logic, the philosophy of history and religion, and the philosophy of art. The aim of the chapter is also to show how this thematization connects with the fundamental philosophical issues of the time such as (...) the issue concerning the structures of subjectivity—the “I,” self-consciousness, _Geist_—and its relation to objectivity; the problem of the foundation of philosophy and the nature of philosophy as science; the essence of artistic and poetic creativity; the moving principle of history. (shrink)

This work contains Peter Long's important essay, Logic, Form and Grammar , which resolves many difficulties for the logical form of an argument where the reasoning is hypothetical. Also included are two essays on classical problems in philosophical logic, relating to logical form and formal relations.

Form and Painting. The work process of vase painters in South Italy. A case study at the vases of the Museum für Kunst und Gewerbe Hamburg Mostly ancient Greek vases are subjects of studies of iconographic issues, of association with other archaeological material and of their context. During the researches of the south Italian redfigure vases of the late-classical period for the CVA Hamburg 2 there were recognized some technical details, that had not taken notice of or that (...) were insufficiently differentiated in former researches. This case study exposes in detail the single, one by one succeeding steps of the production of a vase by the potter and the painter. (shrink)

Akama et al. [1] systematically studied an arithmetical hierarchy of the law of excluded middle and related principles in the context of first-order arithmetic. In that paper, they first provide a prenex normal form theorem as a justification of their semi-classical principles restricted to prenex formulas. However, there are some errors in their proof. In this paper, we provide a simple counterexample of their prenex normal form theorem [1, Theorem 2.7], then modify it in an appropriate way (...) which still serves to largely justify the arithmetical hierarchy. In addition, we characterize a variety of prenex normal form theorems by logical principles in the arithmetical hierarchy. The characterization results reveal that our prenex normal form theorems are optimal. For the characterization results, we establish a new conservation theorem on semi-classical arithmetic. The theorem generalizes a well-known fact that classical arithmetic is $\Pi _2$ -conservative over intuitionistic arithmetic. (shrink)

Pragmatism as it originally arose in America has always been pluralist, always willing to find space for those who understood it in other ways. But in the emergence of neo-analytic pragmatism it is possible that the term has been stretched beyond its limits in a way that does more harm than good in veiling if not actually obscuring central tenets that are well worth preserving. The aim of this article is to describe some aspects of this phenomenon and to draw (...) some tentative conclusions. (shrink)

This article examines an often-mentioned but largely undeveloped concept in the work of Giorgio Agamben and in particular his Homo Sacer project: form-of-life. What is at stake in this concept is, I attempt to show, a way of thinking “politics” outside of the space of sovereignty. By examining a short text on this notion published just before the opening installment of the Homo Sacer sequence, this article demonstrates the way this early formulation of the concept is indebted to certain (...) strains of Italian workerist and post-workerist thought. The fundamental question this analysis poses, however, is whether the concept of form-of-life, being to some extent “beyond” the classical space of politics, should in fact be understood as fundamentally aesthetic in nature. (shrink)

In this bold book, Jonas Grethlein proposes a new dialogue between the fields of Classics and aesthetics. Ancient material, he argues, has the capacity to challenge and re-orientate current debates. Comparisons with modern art and literature help to balance the historicism of classical scholarship with transcultural theoretical critique. Grethlein discusses ancient narratives and pictures in order to explore the nature of aesthetic experience. While our responses to both narratives and pictures are vicarious, the 'as-if' on which they are premised (...) is specifically shaped by the form of the representation. Form emerges as a key to how narratives and pictures constitute an important means of engaging with experience. Combining theoretical reflections with close readings, this book will appeal to art historians as well as to textual scholars. (shrink)

Arabic logicians in the thirteenth century discussed a set of arguments raised by the theologian Fakhr al-Dīn al-Rāzī (d. 1210) that in some respects closely resembles Carroll’s paradox. Roughly, the paradox states that we can never reach a conclusion from a set of premises without incurring an infinite regress. The present article presents and discusses Rāzī’s formulation of the problem with syllogistic deduction, his own solutions to the problem, and the contributions of Afḍal al-Dīn al-Khūnajī (d. 1248) and Najm al-Dīn (...) al-Kātibī (d. 1276). It is argued that the proposed solutions developed by these authors are best understood as tending in the direction of Gilbert Ryle’s distinction between knowing-that and knowing-how. (shrink)

1. There is a sense in which, quite generally, with his logic Hegel can be considered the forerunner of many projects taken up by successive (non-classical) logics—and this despite the fact that He...

: The revival of philosophical pragmatism has generated a wealth of intramural debates between neopragmatists like Richard Rorty and contemporary scholars devoted to explicating the classical pragmatism of John Dewey and William James. Of all these internecine conflicts, the most divisive concerns the status of language and experience in pragmatist philosophy. Contemporary scholars of classical pragmatism defend experience as the heart of pragmatism while neopragmatists drop the concept of experience in favor of a thoroughly linguistic pragmatism. I argue (...) that both positions engender formidable risks. After discussing the present impasse, I describe a third version of pragmatism which involves a reconstruction of the classical pragmatist concept of experience in light of the criticisms of foundationalism crucial to the neopragmatist linguistic turn. This third version of pragmatism does justice to both Rorty and Dewey by focusing on experience as a temporal field. (shrink)

This is a detailed examination of the theological innovations of Kevin Vanhoozer and John Franke. Each proposes that doctrinal and systematic theology should be recast in the light of postmodernity. No longer can Christian theology be foundational, or have a stable metaphysical and epistemological framework. Vanhoozer advocates a theo-dramatic reconstruction of Christian doctrine, replacing the timeless propositions of the "purely cerebral theology" of the Reformed tradition in favor of a theology that does justice to the polyphony of multiple biblical genres. (...) Franke holds that theology is part of a three-way conversation between Scripture, tradition, and culture, with an uncertain outcome. This study shows that each of these proposals is based on misunderstanding and exaggeration, and that the case against foundationalism is unclear and unpersuasive. It is argued that Vanhoozer's appeal to revelation as divine speech-acts is not as radical as he thinks, and his epistemology is weak. In the hands of postmodernity, Christian theology abandons its exactness and the standards of care that are a notable feature of doctrinal constrictions. The book will be of importance to those with interest in Reformed theology or Christian theology more generally. It provides a clear assessment of the impact of the postmodern mindset on theology. (shrink)

For the “respectable” part of society there can be a presumption of virtuousness, rather like the presumption of innocence in the law. In both cases, the presumption can be defeated, as we learn more and get into specifics. We still might insist that to be genuinely virtuous is to be able to pass the more familiar sorts of tests of virtue, and to be reliably virtuous also in the ordinary business of life, especially in things that really matter. Something like (...) this is a necessary condition for virtue. Factors of motivation, especially those related to what a person's basic concerns are, can vary enormously. Imagine an extreme case. Someone might be inherently indifferent to what happens to other people, and have no sense of the inherent dignity or worthiness of moral principles, but also be totally convinced that God is watching his or her every move, and that the prospects of heaven or hell depend heavily on one's following accepted morality at every step. (shrink)

Blog of Classical Greek Philosophy is a reflective and analytical philosophy blog by Michael Martin that introduces central themes in classical Greek thought through close engagement with Plato’s dialogues and related philosophical issues. The blog examines the Socratic Method as a form of dialectical self-examination, then explores major themes from the Apology, Crito, and Phaedo, including wisdom, justice, the philosopher’s mission, death, law, and the immortality of the soul. It also extends beyond summary into philosophical argument, including (...) a structured treatment of Plato’s Argument from Opposites, a defense of classical foundationalism in epistemology, and an applied evaluation of Divine Command Theory through the Euthyphro Dilemma and Timmons’ criteria. Overall, the blog combines textual exposition, philosophical analysis, and apologetic reflection in a clear, educational format intended to make classical philosophy accessible while connecting it to broader questions in metaphysics, epistemology, and ethics. (shrink)

The idea of classical recapture has played a prominent role for non-classical logicians. In the specific case of non-classical theories of truth, although we know that it is not possible to retain classical logic for every statement involving the truth predicate, it is clear that for many such statements this is in principle feasible, and even desirable. What is not entirely obvious or well-known is how far this idea can be pushed. Can the non-classical theorist (...) retain classical logic for every non-paradoxical statement? If not, is she forced to settle for a very weak form of Classical Recapture, or are there robust versions of classical recapture available to her? These are the main questions that I will address in this paper. As a test case I will consider a paracomplete account of the truth-theoretic paradoxes and I will argue for two claims. First, that it is not possible to retain the law of excluded middle for every non-paradoxical statement. Secondly, that there are no robust versions of classical recapture available to the paracomplete logician. (shrink)

This article seeks to analyze the theory of technology formulated by the philosopher Herbert Marcuse (1898–1979). It shows the ways in which the author repurposes fundamental concepts of classical aesthetics in order to formulate a theory of technology aimed at liberating both nature and humanity. To this end, we argue that Marcuse mobilizes the theories of Immanuel Kant (1724–1804) and Friedrich Schiller (1759–1805). In the first part of the article, we tackle some important aspects of Kant’s and Schiller’s aesthetic (...) theories. We begin with an analysis of Kant’s Critique of the Power of Judgment (1790), focusing on central concepts that would later be absorbed by Schiller and Marcuse. Next, we try to show the reception of the Third critique in Schiller’s On the Aesthetic Education of Man (1795) and this author’s contribution to aesthetic studies within political thought. In the second part, we focus on Marcuse’s work, highlighting two key moments in his analysis on technology. We show that his theory undergoes transformation and development until it reaches its stable form in the 1960s and 1970s, during which the author proposes a new theory of technology based on human aesthetic possibilities whose goal is the liberation of nature. (shrink)

The publication of Form and Object: A Treatise on Things by Tristan Garcia, Prix de Flore-winning novelist, philosopher, essayist, and screenwriter is a genuine event in the history of philosophy. Situating this event within classical, modern, and contemporary dialectical space, Jon Cogburn evaluates Garcia's metaphysics, differential ontology, and militant anti-reductionism through a series of seemingly incompatible oppositions concerning: substance and process, analysis and dialectic, simple and whole, and discovery and creation. Cogburn also includes a critical assessment of the (...) consequences of Garcia's philosophy, the various unresolved problems in his treatise, and the future prospects of speculative metaphysics. (shrink)

This paper provides a brief overview of the relationship between libertarian political theory and the Universal Basic Income (UBI). It distinguishes between different forms of libertarianism and argues that a one form, classical liberalism, is compatible with and provides some grounds of support for UBI. A classical liberal UBI, however, is likely to be much smaller than the sort of UBI defended by those on the political left. And there are both contingent empirical reasons and principled moral (...) reasons for doubting that the classical liberal case for UBI will be ultimately successful at all. (shrink)

In Justification without Awareness (2006), Michael Bergmann presents a dilemma for internalism from which he claims there is “no escape”: The awareness allegedly required for justification is either strong awareness, which involves conceiving of some justification-contributor as relevant to the truth of a belief, or weak awareness, which does not. Bergmann argues that the former leads to an infinite regress of justifiers, while the latter conflicts with the “clearest and most compelling” motivation for endorsing internalism, namely, that for a belief (...) to be justified its truth must not be an accident from the subject’s perspective. Bergmann’s dilemma might initially seem to have the force of a knock-down argument against the classical foundationalist accounts he considers, if not against all forms of internalism. I argue, however, that the weak-awareness horn of Bergmann’s dilemma is unsuccessful. Classical foundationalists can hold on to the main motivation for internalism and avoid a vicious regress of justifiers. (shrink)

The ancient semantic paradoxes were thought to undermine the rationalist metaphysics of Plato, and their modern relatives have been used by Russell and others to administer some severe logical and epistemological shocks. These are not just tricks or puzzles, but are intimately connected with some of the liveliest and most basic philosophical disputes about logical form, universals, reference and predication. Dr Cargile offers here an original and sustained treatment of this range of issues, and in fact presents an unfashionable (...) defence of a platonistic ontology. He argues that the paradoxes arise not from mistakes in classical assumptions about truth or from an ontology that includes propositions and properties, but from mistakes in describing what propositions and properties are conveyed by particular linguistic expressions. The book should interest, and may well surprise, philosophers and others concerned with semantics and the foundations of logic. (shrink)

In this work, a neo-classical relativistic mechanics theory is presented where the spin of an electron is an inherent part of its world space-time path as a point particle. The fourth-order equation of motion corresponds to the same covariant Lagrangian function in proper time as in special relativity except for an additional spin energy term. The theory provides a hidden-variable model of the electron where the dynamic variables give a complete description of its motion, giving a classical mechanics (...) explanation of the electron’s spin, its dipole moments, and Schrödinger’s zitterbewegung, These features are also described mathematically by quantum mechanics theory, of course, but without any physical picture of an underlying reality. The total motion of the electron can be decomposed into a sum of a local spin motion about a point and a global motion of this point, called here the spin center. The global motion is sub-luminal and described by Newton’s Second Law in proper time, the time for a clock fixed at the spin center, while the total motion occurs at the speed of light c, consistent with the eigenvalues of Dirac’s velocity operators having magnitude c. The local spin motion is an inherent perpetual motion, which for a free electron is periodic at the ultra-high zitterbewegung frequency and its path is circular in a spin-center reference frame. In an electro-magnetic field, this spin motion generates magnetic and electric dipole energies through the Lorentz force on the electron’s point charge. The electric dipole energy corresponds to the spin-orbit coupling term involving the electric field that appears in the corrected Pauli non-relativistic Hamiltonian, which has long been used to explain the doublet structure of the spectral lines of the excited hydrogen atom. Pauli’s spin-orbit term is usually derived, however, from his magnetic dipole energy term, including also the effect of Thomas precession, which halves this energy. The magnetic dipole energy from Pauli’s and Dirac’s theory is twice that in the neo-classical theory, a discrepancy that has not been resolved. By defining a spin tensor as the angular momentum of the electron’s total motion about its spin center, the fundamental equations of motion can be re-written in an identical form to those of the Barut–Zanghi electron theory. This allows the equations of motion to be expressed in an equivalent form involving operators applied to a state function of proper time satisfying a neo-classical Dirac–Schrödinger spinor equation. This state function produces the dynamic variables from the same operators as in Dirac’s theory for the electron but without any probability implications. It leads to a neo-classical wave function that satisfies Dirac’s relativistic wave equation for the free electron by applying the Lorentz transformation to express proper time in the state function in terms of an observer’s space-time coordinates, showing that there is a close connection between the neo-classical theory and quantum mechanics theory for the electron’s dynamics. (shrink)

The relationship between classical and quantum theory is of central importance to the philosophy of physics, and any interpretation of quantum mechanics has to clarify it. Our discussion of this relationship is partly historical and conceptual, but mostly technical and mathematically rigorous, including over 500 references. For example, we sketch how certain intuitive ideas of the founders of quantum theory have fared in the light of current mathematical knowledge. One such idea that has certainly stood the test of time (...) is Heisenberg's `quantum-theoretical Umdeutung (reinterpretation) of classical observables', which lies at the basis of quantization theory. Similarly, Bohr's correspondence principle (in somewhat revised form) and Schroedinger's wave packets (or coherent states) continue to be of great importance in understanding classical behaviour from quantum mechanics. On the other hand, no consensus has been reached on the Copenhagen Interpretation, but in view of the parodies of it one typically finds in the literature we describe it in detail. On the assumption that quantum mechanics is universal and complete, we discuss three ways in which classical physics has so far been believed to emerge from quantum physics, namely in the limit h -> 0 of small Planck's constant (in a finite system), in the limit N goes to infinity of a large system with $N$ degrees of freedom (at fixed h), and through decoherence and consistent histories. The first limit is closely related to modern quantization theory and microlocal analysis, whereas the second involves methods of C*-algebras and the concepts of superselection sectors and macroscopic observables. In these limits, the classical world does not emerge as a sharply defined objective reality, but rather as an approximate appearance relative to certain ``classical" states and observables. Decoherence subsequently clarifies the role of such states, in that they are ``einselected", i.e. robust against coupling to the environment. Furthermore, the nature of classical observables is elucidated by the fact that they typically define (approximately) consistent sets of histories. This combination of ideas and techniques does not quite resolve the measurement problem, but it does make the point that classicality results from the elimination of certain states and observables from quantum theory. Thus the classical world is not created by observation (as Heisenberg once claimed), but rather by the lack of it. (shrink)

[…] their mistake is not that they are only form, but that form is missing. (Hegel 1986, 239)1. As far as the ‘association of friends’ edition1 can be believed, Hegel makes this judgment about the...

There is a fault line running through classical liberalism as to whether or not democratic self-governance is a necessary part of a liberal social order. The democratic and non-democratic strains of classical liberalism are both present today—particularly in America. Many contemporary libertarians and neo-Austrian economists represent the non-democratic strain in their promotion of non-democratic sovereign city-states (startup cities or charter cities). We will take the late James M. Buchanan as a representative of the democratic strain of classical (...) liberalism. Since the fundamental norm of classical liberalism is consent, we must start with the intellectual history of the voluntary slavery contract, the coverture marriage contract, and the voluntary non-democratic constitution (or pactum subjectionis). Next we recover the theory of inalienable rights that descends from the Reformation doctrine of the inalienability of conscience through the Enlightenment (e.g., Spinoza and Hutcheson) in the abolitionist and democratic movements. Consent-based governments divide into those based on the subjects' alienation of power to a sovereign and those based on the citizens' delegation of power to representatives. Inalienable rights theory rules out that alienation in favor of delegation, so the citizens remain the ultimate principals and the form of government is democratic. Thus the argument concludes in agreement with Buchanan that the classical liberal endorsement of sovereign individuals acting in the marketplace generalizes to the joint action of individuals as the principals in their own organizations. (shrink)

The Aharonov–Bohm phase shift in a particle interference pattern when electrons pass a long solenoid is identical in form with the optical interference pattern shift when a piece of retarding glass is introduced into one path of a two-beam optical interference pattern. The particle interference-pattern deflection is a relativistic effect of order $$1/c^{2}$$, though this relativity aspect is rarely mentioned in the literature. Here we give a thorough analysis of the classical electromagnetic aspects of the interaction between a (...) solenoid or toroid and a charged particle. We point out the magnetic Lorentz force which the solenoid or toroid experiences due to a passing charge. Although analysis in the rest frame of the solenoid or toroid will involve back Faraday fields on the charge, the analysis in the inertial frame in which the charge is initially at rest involves forces due to only electric fields where forces are equal in magnitude and opposite in direction. The classical analysis is made using the Darwin Lagrangian. We point out that the classical analysis suggests an angular deflection independent of Planck’s constant $$\hbar $$, where the deflection magnitude is identical with that given by the traditional quantum analysis, but where the deflection direction is unambiguous. (shrink)

Neo-classical liberals aim to offer a more consistent, coherent, and morally ambitious form of liberalism than the traditional classical and social liberal alternatives by providing grounds for a strong commitment to both individual economic liberty and social justice. The key neo-classical liberal claim is that the stringent protection of negative economic liberty does not conflict with, but is rather an essential component of, a commitment to political and social justice. My focus in this article is not (...) on this key neo-classical claim itself, but rather on the conceptually prior question of the meaning and institutional implications of the negative conception of individual economic liberty. In addressing this question I trace some lines of argument which derive from the classical political economy of the late eighteenth and early nineteenth centuries. Drawing in particular on ideas and arguments developed by the American economist and social critic Henry George, I argue that a fully coherent and defensible conception of negative economic liberty is compatible with a commitment to a strongly conditional form of private landownership, but is incompatible with a commitment to absolute private property in land. (shrink)

This article provides an overview of controversies in the history of Chinese philosophy concerning the diversity of meanings of the term Li , as well as the comparative issues raised in various attempts by modern Chinese and Western interpreters to come to terms with this diversity of meanings. Revisiting the earliest pre-philosophical uses of the term, an attempt is then made to synthesize the insights of previous interpreters and open up a new path for investigating its distinctive implications in (...) class='Hi'>classical Chinese thought, Chinese Buddhism, and Neo-Confucianism. (shrink)

This article examines various models of legal interpretation and their implications for comparative law, drawing inspiration from Rodolfo Sacco’s early career theories. It contrasts the Tarskian Correspondence Model, which seeks objective reality in legal texts, with the Symphonic Model, which interprets legal language as a harmonious interplay of elements. The Tarskian model reflects classical legal thought’s search for fixed meanings, while the Symphonic model aligns with contemporary legal practice’s nuanced understanding. Further, the article explores Heraclitean Realism, acknowledging the fluidity (...) of language and meaning, and the Provocative Tapestry Model, which introduces paradox and tension in legal interpretation. These models are likened to narrative genres, offering varied approaches to understanding legal discourse: the Tarskian model as a detective novel, the Symphonic model as a comedy, the Living Tapestry model as a melodrama, and the Provocative Tapestry model as a tragedy. The article argues that these models of legal interpretation do not inherently carry a political essence; the political stance emerges from the choices of interpreters. It emphasizes the need for human agency in the application of legal norms and the responsibility of legal professionals to actively engage in the interpretation process. Comparative law is discussed as a discipline that benefits from understanding these diverse interpretative models, as it seeks to analyze legal systems across jurisdictions. The article concludes that while narrative styles in legal interpretation have political histories, they are not bound to specific ideologies, highlighting the versatility and subjectivity in the field of legal interpretation. (shrink)

This article defends the view that the logical vocabulary of syllogistic is sufficient for representing the logical form of rules and laws of non-syllogistic (classical or non-classical) predicate logic. This representation requires replacement only of the descriptive vocabulary of syllogistic (i. e. of variables for terms) by non-syllogistic descriptive signs. The validity of rules and laws of modern (classical or non-classical) predicate logic rests on the validity of rules and laws which can without exception be (...) represented in the formal language of syllogistic. Expressions of this language are representations of logical form. Frege's view that relationships between logical subjects and logical predicates can be „reduced“ to relationships between functions and arguments confuses logical and grammatical subjects as well as logical and grammatical predicates. (shrink)

Michael Dummett and Dag Prawitz have argued that a constructivist theory of meaning depends on explicating the meaning of logical constants in terms of the theory of valid inference, imposing a constraint of harmony on acceptable connectives. They argue further that classical logic, in particular, classical negation, breaks these constraints, so that classical negation, if a cogent notion at all, has a meaning going beyond what can be exhibited in its inferential use. I argue that Dummett gives (...) a mistaken elaboration of the notion of harmony, an idea stemming from a remark of Gerhard Gentzen's. The introduction-rules are autonomous if they are taken fully to specify the meaning of the logical constants, and the rules are harmonious if the elimination-rule draws its conclusion from just the grounds stated in the introduction-rule. The key to harmony in classical logic then lies in strengthening the theory of the conditional so that the positive logic contains the full classical theory of the conditional. This is achieved by allowing parametric formulae in the natural deduction proofs, a form of multiple-conclusion logic. (shrink)

Classical proof forests are a proof formalism for first-order classical logic based on Herbrand’s Theorem and backtracking games in the style of Coquand. First described by Miller in a cut-free setting as an economical representation of first-order and higher-order classical proof, defining features of the forests are a strict focus on witnessing terms for quantifiers and the absence of inessential structure, or ‘bureaucracy’.This paper presents classical proof forests as a graphical proof formalism and investigates the possibility (...) of composing forests by cut-elimination. Cut-reduction steps take the form of a local rewrite relation that arises from the structure of the forests in a natural way. Yet reductions, which are significantly different from those of the sequent calculus, are combinatorially intricate and do not exclude the possibility of infinite reduction traces, of which an example is given.Cut-elimination, in the form of a weak normalisation theorem, is obtained using a modified version of the rewrite relation inspired by the game-theoretic interpretation of the forests. It is conjectured that the modified reduction relation is, in fact, strongly normalising. (shrink)

It is agreed on all hands that both fictional narratives and the familiar genres of classical music possess an inner structure that both can be perceived and be appreciated aesthetically. It is my argument here that this inner structure plays a crucially different role in fictional narrative than it does in classical music, confining myself here to 'absolute music' (which is to say, pure instrumental music without text, programme, dramatic setting, or other 'extra-musical' content). The argument, basically, is (...) that whereas the sophisticated listener to the absolute music repertory is keenly, consciously aware of the inner structure, the sophisticated reader of fictional narrative, the principal exemplar being the novel, is not so aware. Therefore, whereas musical structure directly contributes to aesthetic satisfaction, narrative structure contributes only indirectly (which is not to deny that, at times, the reader is consciously aware of narrative structure, and that, at such times, it does contribute directly to aesthetic satisfaction). (shrink)

Matter and Form explores the relationship between natural science and political philosophy from the classical to contemporary eras, taking an interdisciplinary approach to the philosophic understanding of the structure and process of the natural world and its impact on the history of political philosophy. It illuminates the importance of philosophic reflection on material nature to moral and political theorizing, mediating between the sciences and humanities and making a contribution to ending the isolation between them.