Mitchell S. Green presents a systematic philosophical study of self-expression - a pervasive phenomenon of the everyday life of humans and other species, which has received scant attention in its own right. He explores the ways in which self-expression reveals our states of thought, feeling, and experience, and he defends striking new theses concerning a wide range of fascinating topics: our ability to perceive emotion in others, artistic expression, empathy, expressive language, meaning, facial expression, and speech (...) acts. He draws on insights from evolutionary game theory, ethology, the philosophy of language, social psychology, pragmatics, aesthetics, and neuroscience to present a stimulating and accessible interdisciplinary work. (shrink)

I describe a phenomenon that has not yet been described in the epistemology literature. I label this phenomenon expression-style exclusion. Expression-style exclusion is an example of how s...

Dorit Bar-On develops and defends a novel view of avowals and self-knowledge. Drawing on resources from the philosophy of language, the theory of action, epistemology, and the philosophy of mind, she offers original and systematic answers to many long-standing questions concerning our ability to know our own minds. We are all very good at telling what states of mind we are in at a given moment. When it comes to our own present states of mind, what we say goes; an (...) avowal such as "I'm feeling so anxious" or "I'm thinking about my next trip to Paris," it is typically supposed, tells it like it is. But why is that? Why should what I say about my present mental states carry so much more weight than what others say about them? Why should avowals be more immune to criticism and correction than other claims we make? And if avowals are not based on any evidence or observation, how could they possibly express our knowledge of our own present mental states? Bar-On proposes a Neo-Expressivist view according to which an avowal is an act through which a person directly expresses, rather than merely reports, the very mental condition that the avowal ascribes. She argues that this expressivist idea, coupled with an adequate characterization of expression and a proper separation of the semantics of avowals from their pragmatics and epistemology, explains the special status we assign to avowals. As against many expressivists and their critics, she maintains that such an expressivist explanation is consistent with a non-deflationary view of self-knowledge and a robust realism about mental states. The view that emerges preserves many insights of the most prominent contributors to the subject, while offering a new perspective on our special relationship to our own minds. (shrink)

This paper systematically analyzes two types of cosmic cognition pathways in the history of human civilization from the perspectives of philosophy of science and cognitive paradigms. One is the ancient Greek rational tradition, represented by Aristotle and Ptolemy, which constructs formalized models through mathematics and logic; the other is Laozi’s philosophy and its extension, the Lao-Yang Genesis Cosmology, which grasps the generative logic and dynamic balance of the universe through de-linguistic and de-modeling holistic insight. -/- This paper proposes and analyzes (...) the minimal cosmic expression of the Lao-Yang Genesis Cosmology—the 12-character cosmic law: Human → Earth → Heaven → Dao → Nature; Dao → One → Two → Three → All Things. Through the logical analysis of the hierarchical chain and the generative chain, the paper demonstrates that this model surpasses the formal systems of the ancient Greek rational tradition in four dimensions: “cognitive compression,” “systemic holism,” “stability,” and “simplicity.” Compared with the ancient Greek scientific philosophy, which relies on local assumptions and falsifiable models, Laozi’s philosophy and its extended system provide a cognitive framework closer to the natural laws of the universe, capable of achieving the unity of macroscopic understanding and operational applicability. -/- The paper further explores the implications of this cognitive framework for modern scientific methods, civilizational development, and ecological governance: science can serve as a local tool, while holistic insight and minimal expression provide global constraints; through cognitive simplification and civilizational alignment, systemic deviations can be reduced, enabling consistency between human behavior and cosmic order. The core objective of this paper is to demonstrate that, in terms of cognitive elevation and systemic holism, the Lao-Yang Genesis Cosmology provides philosophical and scientific guidance that is closer to the natural laws of the universe than the ancient Greek rational tradition. (shrink)

This paper examines Edmund Husserl's revised account of expression in his 1913–1914 revisions of the Logical Investigations. Rejecting the Investigations’ thesis that linguistic meanings are constituted in a distinctive class of essentially non-intuitive meaning intentions, Husserl develops a new conception of empty intention, a new analysis of the intuitively fulfilled discourse and a phenomenology of the indicative tendency. While these revisions have been acknowledged, their motivation, connection, and significance remain under-explored in the existing literature. By comparing the Investigations and (...) the Revisions, this paper shows how these developments fundamentally alter Husserl’s understanding of the relationship between language, thought, and intuition. The revised account of expression illuminates the dynamic interaction of these elements in the process of meaning-making, offering a balanced account of the interplay of presence and absence in our use of words. (shrink)

Actions expressive of emotion are widely thought to pose a problem for the view that actions admit of rational explanation. Supposing the standard, instrumentalist view of practical rationality, such actions seem not to admit of practical reasons. In this paper, I assess a distinctive line of response to this problem. As Helm (2001, 2016) and Bennett (2016, 2021) have proposed, we can make sense of expressive actions as rational since they are responses to a specific type of evaluative reason, which (...) differs from paradigm instrumental reasons. Whilst sympathetic to this line of response, I argue that Helm and Bennett go awry in developing it since they rely on an inadequate view of the expressive character of expressive actions. As they suppose, emotions are at least in part a specific form of evaluation and expressive actions express this evaluation. This view, I propose, fails to make expressive actions intelligible as rational responses to evaluative reasons. I indicate an alternative way of developing the view, on which it lives up to its promise. (shrink)

Expressions of emotion pose a serious challenge to the view that we perceive other people’s emotions directly. If we must perceive expressions in order to perceive emotions, then it is only ever the expressions that we are directly aware of, not emotions themselves. This paper develops a new response to this challenge by drawing an analogy between expressions of emotion and perceptual media. It is through illumination and sound, the paradigmatic examples of perceptual media, that we can see and hear (...) objects around us. Instead of screening these objects from view, however, they enable our perception while being transparent to us. With reference to perceptual constancy and transparency, I show how expressions show up in our experience of emotions in a surprisingly similar way. Given this, we can understand expressions as the media _through_ which we perceive emotions and overcome the above challenge to an otherwise attractive view. (shrink)

This article focuses on the “intention-image-expression” framework in the aesthetics of Chinese traditional music, discussing its generative mechanism and structural features in traditional musical practices such as the guqin, and further testing this framework within the contemporary context of AI music generation. Beginning with the relational chain of “intention-image-expression,” the article argues that meaning in traditional music is not determined by a single parameter such as pitch or beat. Rather, it is constructed through the combined action of performance (...) context, bodily technique, rhythmic elasticity, and cultural experience. Taking guqin notation and the handling of “rhythm and beat” as examples, the article then analyzes how traditional music forms a perceptible structural order through aesthetic orientations such as “blank-leaving,” qiyun, and “central harmony and peaceful balance,” thereby presenting a non-mechanical and non-linear logic of temporal organization and expression. Finally, the article turns to the technical pathways and evaluation methods of AI-generated music. It argues that current models and feature-engineering methods, including audio features, style classification, emotion recognition, and scale-based measurement, entail irreducible contextual losses when processing the “intention-image-expression” framework: generative systems are better at reproducing computable surface styles than at restoring the internal norms of traditional music sustained by communities of practice, performance discipline, and aesthetic judgment. (shrink)

Sue Campbell reinstates the personal as an important dimension in analytic philosophy of mind. She argues that the category of feelings has a unique role in psychological explanation: the expression of feelings is the attempt to communicate personal significance. To develop a model for affective meaning, the author moves attention away from the classic emotions to feelings that are more personal, inchoate, and idiosyncratic.

According to Dewey, we are responsible for our conduct because it is “ourselves objectified in action”. This idea lies at the heart of an increasingly influential deep self approach to moral responsibility. Existing formulations of deep self views have two major problems: They are often underspecified, and they tend to understand the nature of the deep self in excessively rationalistic terms. Here I propose a new deep self theory of moral responsibility called the Self-Expression account that addresses these issues. (...) The account is composed of two parts. The first part answers the question, What is a deep self? Theorists have tended to favor cognitive views that understand the deep self in terms of rationally formed evaluative judgment. I propose instead a conative view that says one’s deep self consists of a distinctive kind of pro-attitude, cares, and I provide an account of cares in terms of their distinctive psychological functional role. The second part answers the question, When does an action express one’s deep self? I criticize the agentially demanding conditions set out in existing views and propose a more minimalist alternative. I show that the Self-Expression account handles issues that bedeviled traditional deep self views, including how to explain moral responsibility for spontaneous, out of character, and weak-willed actions. (shrink)

The last decades have seen the emergence of a new academic conversation on entrepreneurial well-being amongst business ethicists and organisational scholars. In most cases, studies engaging in this line of discourse have linked entrepreneurship to global psychological measures of well-being in order to draw out the difference with other categories of work, typically with an emphasis on the non-financial values that can be gained from the pursuit of entrepreneurial activities. However, the intimate links that exist between entrepreneurship and the good (...) life have only been narrowly drawn. In fact, most previous studies have used and borrowed the theoretical and empirical language of mainstream and quantitatively oriented scholarship to explain the relations between the two—rather than developing the “thicker” language and conceptualisation that can be achieved through hermeneutics and reflexive analysis. In an attempt to address this, we explore and reflect on accounts from 66 transnational entrepreneurs, who share their experiences of entrepreneurial life and well-being whilst living and starting up their companies abroad, in China. Adopting a reflective narrative approach, inspired by the work of Charles Taylor, the paper draws on rich qualitative data from in-depth interviews (totalling 117 h of recordings) to illustrate the moral depth and the historical complexity of transnational entrepreneurs’ motivations and experiences of well-being and to further conceptualise entrepreneurial well-being as a hermeneutic process of self-expression. Our findings and interpretations open an ontological-moral window to new understandings and crucial new directions for advancing scholarship on entrepreneurship, business ethics, and well-being. (shrink)

I investigate the meaning and significance of Spinoza’s elusive concept of “expression”. I do so by situating expression among his canonical relations of conception, causation, and inherence. I argue that, for Spinoza, expression necessarily corresponds to what is sufficient for conception, but implies neither causation nor inherence. This correspondence with sufficient conditions on conception and the pulling apart of expression from causation and inherence has important consequences for our grasp of the interconnections among Spinoza’s key metaphysical (...) relations. But it also has profound implications for our understanding of the essential structure of Spinoza’s ontology itself, and for the proper assessment of his rationalism. I explore these consequences by explicating Spinoza’s assertion that substance and each of its attributes are “conceived through themselves”, and by demonstrating that, on his view, the relation of conception is not to be accounted for in causal terms. A systematic treatment of the expression relation sheds new light on these issues. The result is a view of the underpinnings of Spinoza’s metaphysics that is as surprising as it is compelling. (shrink)

Crowdfunded microfinance provides financial resources to impoverished entrepreneurs across the globe based on online appeals describing the entrepreneur’s values and venture potential and is considered a key player in the ethical finance movement. Despite knowledge that the content of the appeals impacts funding success, little is known regarding the role of religious expression, which is common and consequential in socially-oriented contexts. We leverage role congruity theory to address a theoretical tension concerning the effects of religious expression on crowdfunded (...) microfinance funding outcomes. Religious expression is associated with perceptions of trustworthiness, rule-following, and ethicality—qualities that would suggest an entrepreneur would likely avoid opportunist behavior and repay the loan. However, appeals to a higher power may be incongruent with the role of an entrepreneur to the extent that such expression communicates a lack of proactiveness and self-reliance. We use a two-study design to help resolve this tension. Our field study incorporating 253,130 loans from Kiva reveals that religious expression negatively influences funding, particularly for women. Our experiment using 1,795 individual loan assessments shows that the negative influence of religious expression is attenuated when individual lenders exhibit higher levels of religiosity. Post hoc analysis suggests campaigns can mitigate the negative impact of religious expression by being careful to also include aspects highlighting an entrepreneurial orientation. Overall, our work extends prior research suggesting that language tied to ethical or virtuous behaviors is generally not rewarded by lenders as using such language may make the applicant appear inconsistent with role of a stereotypical entrepreneur. (shrink)

Many philosophers favour the simple knowledge account of assertion, which says you may assert something only if you know it. The simple account is true but importantly incomplete. I defend a more informative thesis, namely, that you may assert something only if your assertion expresses knowledge. I call this 'the express knowledge account of assertion', which I argue better handles a wider range of cases while at the same time explaining the simple knowledge account's appeal. §1 introduces some new data (...) that a knowledge account of assertion well explains. §2 explains the simple knowledge account's advantage over two of its main competitors. §3 presents a problem for the simple account and offers a solution, which is to adopt the express knowledge account. §4 encapsulates the case for the express knowledge account, and offers a unifying vision for the epistemology of belief and assertion. §5 answers an objection. §6 briefly sums up. Even those who ultimately reject my conclusion can still benefit from the new data presented in §1, and learn an important lesson from the problem discussed in §3, which demonstrates a general constraint on an acceptable account of the norm of assertion. (shrink)

Le terme archê dans l’ Éthique à Nicomaque III désigne le « principe » d’une chose au sens de ce qui a pouvoir sur elle, la cause motrice des actions. Ce pouvoir de domination est exprimé par l’expression eph’hêmin, et c’est Aristote qui l’introduit pour la première fois dans le débat sur la responsabilité morale. Les chapitres où il discute le concept d’ eph’hêmin sont clairement de nature dialectique, et son analyse se situe très probablement à l’intérieur d’un débat (...) académique sur ces thèmes, dont on trouve des traces dans les Lois. Les disciples de Platon pouvaient trouver des difficultés à comprendre les thèses de Platon sur le rapport entre action et caractère, et Aristote propose une solution originale, fondée sur sa théorie des quatre causes. Contre Platon, il refuse de rejeter la responsabilité des actions et du caractère mauvais sur la cité et les éducateurs, et place l’origine du caractère dans les actions et les choix de l’individu. Avec ce choix, Aristote élargit le problème de la responsabilité humaine de la question traditionnelle de savoir si les méchants sont responsables de leurs mauvaises actions au problème général de la responsabilité de toutes les actions, bonnes ou mauvaises. (shrink)

I argue for the possibility of an extremely intimate connection between the emotional content of the music and the emotional state of the person who produces that music. Under certain specified conditions, the music may not just influence, but also partially constitute the musician’s emotional state.

Kaplan (1999) argued that a different dimension of expressive meaning (“use-conditional”, as opposed to truth-conditional) is required to characterize the meaning of pejoratives, including slurs and racial epithets. Elaborating on this, writers have argued that the expressive meaning of pejoratives and slurs is either a conventional implicature (Potts 2007) or a presupposition (Macià 2002 and 2014, Schlenker 2007, Cepollaro and Stojanovic 2016). We argue that an expressive presuppositional theory accounts well for the data, but that expressive presuppositions are not just (...) propositions to be added to a common ground. We hold that expressives, including pejoratives and slurs, make requirements on a contextual record governed by sui generis norms specific to affective attitudes and their expressions. (shrink)

Expressivism, broadly construed, is the view that the function of utterances in a given area of discourse is to give expression to our sentiments or other (non-cognitive) mental states or attitudes, rather than report or describe some range of facts. This view naturally seems an attractive option wherever it is suspected that there may not be a domain of facts for the given discourse to be describing. Familiarly, to avoid commitment to ethical facts, the ethical expressivist suggests that ethical (...) utterances (e.g., “Gratuitous torture is wrong”, “What John did was morally good”) do not serve to ascribe ethical properties to objects, actions, persons, or states of affairs. Instead, they simply function to give voice to certain of our sentiments (or ‘pro/con’ attitudes). Along similar lines, philosophers have entertained versions of expressivism about the aesthetic, the modal, the mental, what is funny, even about theoretical science and knowledge ascriptions. (shrink)

The concept of expression in the arts is Janus-faced. On the one hand expression is an author-centered notion: many Romantic poets, painters, and musicians thought of themselves as pouring our or ex-pressing their own emotions in their artworks. And on the other hand, expression is an audience-centered notion, the communication of what is expressed by an author to members of an audience. Typically the word “expression” is used for the author-centered aspect of expression as a (...) whole, and the word “expressiveness” is used for the audience-centered aspect, and I shall keep to this usage. In this paper I shall argue that although expression is closely related to expressiveness, the two concepts are distinct and, in particular, expressiveness cannot be analyzed in terms of expression, as has been recently suggested by Stephen Davies and Jerrold Levinson. Nonetheless, the richest examples of expression in the arts involve both expression and expressiveness. (shrink)

The French philosopher Renaud Barbaras remarked that late in Maurice Merleau-Ponty’s career, “The phenomenology of perception fulfills itself as a philosophy of expression.” In _Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology, _Véronique M. Fóti_ _addresses the guiding yet neglected theme of expression in Merleau-Ponty’s thought. She traces Merleau-Ponty’s ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the “new biology” in the second of (...) his lecture courses on nature of 1957–58, and in his late ontology, articulated in 1964 in the fragmentary text of _Le visible et l’invisible _. With the exception of a discussion of Merleau-Ponty’s 1945 essay “Cezanne’s Doubt,” Fóti engages with Merleau-Ponty’s late and final thought, with close attention to both his scientific and philosophical interlocutors, especially the continental rationalists. Expression shows itself, in Merleau-Ponty’s thought, to be primordial, and this innate and fundamental nature of expression has implications for his understanding of artistic creation, science, and philosophy. (shrink)

The hope that art could be personally or socially transformational is an important part of art history and contemporary art practice. In the twentieth century, it shaped a movement away from traditional media in an effort to make social life a medium. Artists imagined and created participatory situations designed to facilitate potentially transformative expression in those who engaged with the works. This chapter develops the concept of “transformative expression,” and illustrates how it informs a diverse range of such (...) works. Understanding these artworks in this way raises two interesting questions, one about the nature of aesthetic value and the other about the nature of action. Answers to these questions lie in understanding the social and aesthetic character of our capacity to distance ourselves from our commitments and act in the expressive, playful, spontaneous, or imaginative ways that participatory art invites. (shrink)

What is artistic style? In the literature one answer to this question has proved influential: the view that artistic style is the expression of personality. In what follows we elaborate upon and evaluatively compare the two most plausible versions of this view with a new proposal—that style is the expression of the artist’s ideals for her art. We proceed by comparing the views’ answers to certain questions we think a theory of individual artistic style should address: Are there (...) limits on what range of features can figure in a style? Can flaws be stylistic? Are there limits on the range of art forms across which a given style can be exhibited? To what extent is a style a kind of unity, and why? What makes style an artistic achievement? Why do we care about style? By considering the different views' answers to these questions we argue that our proposal is a workable theory of individual style and suggest that it fares better on the whole than both versions of the influential and widely accepted view. (shrink)

Why should people presume that you are correct when you ascribe beliefs, desires, or other attitudes to yourself? Put differently, why should people regard your ‘attitude avowals’ as ‘first-person authoritative’? One answer from the literature goes like this. First, you frequently bear agentive authority toward your attitudes insofar as only you can determine them by considering the reasons that bear on them. Second, in avowing your attitudes, you express your agentive authority to your hearers, thus making it clear that you (...) alone have the cognitive power to conform your attitudes to your avowals. Your hearers, recognizing what you have expressed, now possess a uniquely strong justification for believing what you say. I argue, however, that expressions of agentive authority fall short of explaining first-person authority. What is needed is a supplemental explanation of the epistemic ground that hearers have for believing that an avower's agentive authority, when exercised and expressed, has also been successfully exercised. The positive task of this paper is to construe this reason as an epistemic entitlement. My efforts thus lead me to a hybridized explanation of first-person authority for attitude avowals where both expression and entitlement play epistemic roles. (shrink)

Critics have argued that human-controlled avatar interactions fail to facilitate the kinds of expressivity and social understanding afforded by our physical bodies. We identify three claims meant to justify the supposed expressive limits of avatar interactions compared to our physical interactions. First, “The Limited Expressivity Claim”: avatars have a more limited expressive range than our physical bodies. Second, “The Inputted Expressivity Claim”: any expressive avatarial behaviour must be deliberately inputted by the user. Third, “The Decoding Claim”: users must infer or (...) figure out the expressive meaning of human-controlled avatars’ behaviour through cognitively onerous processes. With the aim of critically assessing all three claims, we analyze data collected through observations of and interviews with expert players of the avatar-based video game League of Legends. Focusing on Daniel Stern’s (2010) notion of vitality, we analyze the participants’ descriptions of seeing and interacting with other avatars during performance. Our analysis shows that the informants experience human-based avatarial interactions as qualitatively different than interactions with bots, that the informants see the movements of other players’ avatars as having different expressive styles, and that the informants actively use and manipulate this avatarial expressivity during performance. The results of our analysis, we argue, provide reasons for loosening or resisting the three claims concerning the limits of avatarial expressivity. (shrink)

Would suppressing deepfakes violate freedom of expression norms? The question is pressing because the deepfake phenomenon in its more poisonous manifestations appears to call for a response, and automated targeting of some kind looks to be the most practically viable. Two simple answers are rejected: that deepfakes do not deserve protection under freedom of expression legislation because they are fake by definition; and that deepfakes can be targeted if but only if they are misleadingly presented as authentic. To (...) make progress, following a discussion of why freedom of expression deserves protection in a democracy, the question is reframed. At issue is not whether the arrival of deepfakes brings new and potentially serious dangers (it does), nor whether these dangers call for measures that potentially limit freedom of expression (they do), but whether the need for such measures raises any new and unfamiliar freedom-of-expression challenges. The answer to that question, surprisingly, is no. The balancing act needed to cope with the arrival of deepfakes brings plenty of difficulties, certainly, but none of the measures likely to be effective in tackling deepfake harms raises freedom-of-expression concerns that aren’t familiar from consideration of non-deepfake harms. In that respect, at least, the arrival of deepfakes makes no difference. (shrink)

The discourse concerning musical expression hinges on a fundamental analogy between music and language. While the extant literature commonly compares music to language, this essay takes the reverse direction, following Wittgenstein’s approach. The discussion contrasts the theoretical underpinnings of the “music as language” simile with those of the “language as music” simile. The emphasis on characterization, performance, mutual tuning-in relationships, the interaction between language and music, and the open-ended effort to reorient ourselves as we draw in significance challenges the (...) “informing paradigm” that has been paramount across contemporary philosophical theories of musical expression. One of the most promising philosophical avenues that emerges as we move beyond the “informing paradigm” is recognizing the inseparable relationship between musical expression and our power to shape our own language. (shrink)

The notion of expression has been put to many uses in philosophy, yet it has received surprisingly little direct theoretical attention. Drawing on certain distinctions as employed in earlier work, this chapter tries to show how, properly understood, the notion of expression can indeed help address standing puzzles in seemingly disparate areas: a puzzle about so-called first-person authority (in philosophy of mind and epistemology), a puzzle about the motivational character of ethical claims (in metaethics), and a puzzle about (...) the origins of meaning (in the philosophy of language). In each case, this chapter argues that failure to draw crucial distinctions has led to undue dismissal of substantive expressivist proposals that could potentially resolve the relevant puzzles. (shrink)

Humble leadership can be described as a positive psychological feature that allows leaders to admit their limitations, be open to new ideas, and give a voice to others while also recognizing their merits. The present study (n = 268 participants) explored the persuasive effects of a female politician communicating a humble stance by considering the role emotional displays at play (joy, calmness, sadness, and anger) when discussing a moral issue (hosting immigrants). The results revealed that the politician elicited positive emotions (...) and evaluations of her competence and benevolence, especially when exhibiting a sad facial display, by contributing to the intention to accept the moral gist of her persuasive message. Overall, these ‘gendered’ effects are discussed in relation to the ‘political authenticity’, which can be perceived as high especially when the humble message is connected with several social reasons, as is the case with gender or social status. (shrink)

Contemporary discussions of self-knowledge share a presupposition to the effect that the only way to vindicate so-called first-person authority as understood by our folk-psychology is to identify specific “good-making” epistemic features that render our self-ascriptions of mental states especially knowledgeable. In earlier work, I rejected this presupposition. I proposed that we separate two questions: How is first-person authority to be explained? What renders avowals instances of a privileged kind of knowledge?In response to question, I offered a neo-expressivist account that, I (...) argued, is compatible with a variety of non-deflationary, substantive answers to question. Here I re-evaluate the relative merits of the neo-expressivist account in light of some recent attempts to capture first-person authority by appealing to the so-called transparency of mental self-attributions. I then canvass two recent appeals to transparency that give priority to question. Bearing in mind.. (shrink)

Expressives like damn and bastard have, when uttered, an immediate and powerful impact on the context. They are performative, often destructively so. They are revealing of the perspective from which the utterance is made, and they can have a dramatic impact on how current and future utterances are perceived. This, despite the fact that speakers are invariably hard-pressed to articulate what they mean. I develop a general theory of these volatile, indispensable meanings. The theory is built around a class of (...) expressive indices. These determine the expressive setting of the context of interpretation. Expressives morphemes act on that context, actively changing its expressive setting. The theory is multidimensional in the sense that descriptives and expressives are fundamentally different but receive a unified logical treatment. (shrink)

This essay ties together some main strands of the author’s research spanning the last quarter-century. Because of its broad scope and space limitations, he prescinds from detailed arguments and instead intuitively motivates the general points which are supported more fully in other publications to which he provides references. After an initial delineation of several distinct notions of meaning, the author considers such a notion deriving from the evolutionary biology of communication that he terms ‘organic meaning’, and places it in the (...) context of evolutionary game theory. That provides a framework for a special type of organic meaning found in the phenomenon of expression, of which the author here offers an updated characterization while highlighting its wide philosophical interest. Expression in turn generalizes to a paradigmatic form of human communication—conversation—and section 4 provides a taxonomy of conversation-types while arguing that attention to such types helps to sharpen predictions of what speakers say rather than conversationally implicate. We close with a view of fictional discourse on which authors of fictional works are engaged in conversation with their readers, and can provide them with knowledge in spite of the fictional character of their conversation. Such knowledge includes knowledge of how an emotion feels and is thus a route to empathy. (shrink)

According to limitarianism, it is morally impermissible to be too rich. We consider three main challenges to limitarianism: the redundancy objection, the inconclusiveness objection, and the commitment objection. As a distributive principle, we find that limitarianism fails to overcome the three objections—even taking recent theoretical innovations into account. Instead, we suggest that the core commitment of limitarianism can be drawn from the excess intuition. It entails that at some point, people's claims to retain wealth become qualitatively different: they become preposterous (...) from the point of view of interpersonal morality and justification. Extreme wealth, we argue, adds a distinctive expressive reason to worry about inequality and insufficiency, compounding these other distributive injustices. In retaining or wasting excess wealth while others have too little, the wealthy send a message of complete disregard for the interests of their co-citizens. They express that their disadvantaged compatriots have a diminished moral standing. (shrink)

This article engages critically with the theory of expression proposed by Mitchell Green in his Self-Expression (2007). In this book, Green argues that expressions are signals designed to convey information about mental states. By putting pressure on one of the examples Green uses in his book, I will challenge this thesis. I will then deepen this challenge by developing a contrast between two philosophical perspectives on expression, which I name the 'instrumental' and the `descriptive'. I take Green's (...) theory of expression to be an exemplar of the instrumental perspective. Expression, in the instrumental perspective, is a means for transmitting information about mental states from organism to organism. The descriptive perspective I articulate with the help of Maurice Merleau-Ponty and Ludwig Wittgenstein. On the descriptive view, expression is (at least a part of) an answer to the question what it is so much as to have mental states and a living body. I suggest at the end of the article that if we remain within the instrumental perspective, we will not be able to use expression to satisfactorily answer this question. (shrink)

Metaphorical utterances are construed as falling into two broad categories, in one of which are cases amenable to analysis in terms of semantic content, speaker meaning, and satisfaction conditions, and where image-construction is permissible but not mandatory. I call these image-permitting metaphors, and contrast them with image-demanding metaphors comprising a second category and whose understanding mandates the construction of a mental image. This construction, I suggest, is spontaneous, is not restricted to visual imagery, and its result is typically somatically marked (...) sensu Damasio. IDM’s are characteristically used in service of self-expression, and thereby in the elicitation of empathy. Even so, IDM’s may reasonably provoke banter over the aptness of the imagery they evoke. (shrink)

The Expressive Self argues the nature of the self lies in the fact that only in one's own case are acts of expression actual episodes of one's self-consciousness. The author provides novel accounts of Moore's paradox, self-deception, and McKinsey's paradox and addresses challenges from self-reference and first-person authority.

Many philosophers hold that punishment has an expressive dimension. Advocates of expressive theories have different views about what makes punishment expressive, what kinds of mental states and what kinds of claims are, or legitimately can be expressed in punishment, and to what kind of audience or recipients, if any, punishment might express whatever it expresses. I shall argue that in order to assess the plausibility of an expressivist approach to justifying punishment we need to pay careful attention to whether the (...) things which punishment is supposed to express are aimed at an audience. For the ability of any version of expressivism to withstand two important challenges, which I call the harsh treatment challenge’ and the ‘publicity challenge’ respectively. will depend on the way it answers them. The first of these challenges has received considerable discussion in the literature on expressive theories of punishment; the second considerably less. This is unfortunate. For careful consideration of the publicity challenge should lead us to favor a version of the expressive theory which has been under-discussed: the view on which punishment has an intended audience, and on which the audience is society at large, rather than—as on the most popular version of that view—the criminal. Furthermore, this view turns out to be better equipped to meet the harsh treatment challenge, and to be so precisely because of the way in which it meets the publicity challenge. (shrink)

The problem of generating generally capable agents is an important frontier in artificial intelligence (AI) research. Such agents may demonstrate open-ended, versatile, and diverse modes of expression, similar to humans. We interpret the work of Heintz & Scott-Phillips as a minimal sufficient set of socio-cognitive biases for the emergence of generally expressive AI, separate yet complementary to existing algorithms.

In their recent book, Inducing Immunity (2024), Roland Pierik and Marcel Verweij develop an account of collective immunization according to which liberal-democratic governments are sometimes justified in restricting people's freedom to refuse vaccination. In this commentary, I focus on a specific argument in the book about misinformation, freedom of expression and mandatory vaccination. Pierik and Verweij argue that, when vaccine misinformation threatens vaccination rates, governments—in order to increase or maintain vaccination rates—should consider mandatory vaccination before restricting freedom of (...) class='Hi'>expression. I summarize the argument and raise two issues to help advance the debate. (shrink)

Human expression is open-ended, versatile, and diverse, ranging from ordinary language use to painting, from exaggerated displays of affection to micro-movements that aid coordination. Here we present and defend the claim that this expressive diversity is united by an interrelated suite of cognitive capacities, the evolved functions of which are the expression and recognition of informative intentions. We describe how evolutionary dynamics normally leash communication to narrow domains of statistical mutual benefit, and how expression is unleashed in (...) humans. The relevant cognitive capacities are cognitive adaptations to living in a partner choice social ecology; and they are, correspondingly, part of the ordinarily developing human cognitive phenotype, emerging early and reliably in ontogeny. In other words, we identify distinctive features of our species' social ecology to explain how and why humans, and only humans, evolved the cognitive capacities that, in turn, lead to massive diversity and open-endedness in means and modes of expression. Language use is but one of these modes of expression, albeit one of manifestly high importance. We make cross-species comparisons, describe how the relevant cognitive capacities can evolve in a gradual manner, and survey how unleashed expression facilitates not only language use, but also novel behaviour in many other domains too, focusing on the examples of joint action, teaching, punishment, and art, all of which are ubiquitous in human societies but relatively rare in other species. Much of this diversity derives from graded aspects of human expression, which can be used to satisfy informative intentions in creative and new ways. We aim to help reorient cognitive pragmatics, as a phenomenon that is not a supplement to linguistic communication and on the periphery of language science, but rather the foundation of the many of the most distinctive features of human behaviour, society, and culture. (shrink)

I present two different models of moral responsibility -- two different accounts of what we value in behavior for which the agent can legitimately be held morally responsible. On the first model, what we value is making a certain sort of difference to the world. On the second model, which I favor, we value a certain kind of self-expression. I argue that if one adopts the self-expression view, then one will be inclined to accept that moral responsibility need (...) not require alternative possibilities. (shrink)

According to an influential view about directed expressive duties (e.g., duties to express gratitude to benefactors, remorse to victims, forgiveness to wrongdoers), these duties do not have rights as their correlates, because they are not demandable and enforceable. The chapter argues that this view is mistaken. Like other directed duties, directed expressive duties are demandable and enforceable. While this does not entail that these duties have rights as their correlates, it does create a strong presumption of this being the case. (...) This shifts the burden of proof from those who hold that expressive duties correlate with rights to those who deny it. (shrink)

Expressive accounts of practical reason, morality, and law are gaining increasing currency. At the most general level, expressive theories tell actors-whether individuals, associations, or the State-to act in ways that express appropriate attitudes toward various substantive values. In one well-known version, the State is required to express equal respect and concern toward citizens. Expressivists do not present this view as some radically new theory of morality and law. Instead, we claim that much of our existing practices of moral and legal (...) evaluation are best understood through expressivist perspectives-but that the more perspicaciously we can grasp the expressive structure of action, the more we can improve our evaluative practices. Expressivism is thus an internal account of existing normative practices, but one with sufficient critical capacity to exert leverage over those practices and to indicate where they ought to be reformed. This Article provides a more comprehensive account than has previously appeared of the aims and features of such theories. (shrink)

This paper proposes a semantics for free choice permission that explains both the non-classical behavior of modals and disjunction in sentences used to grant permission, and their classical behavior under negation. It also explains why permissions can expire when new information comes in and why free choice arises even when modals scope under disjunction. On the proposed approach, deontic modals update preference orderings, and connectives operate on these updates rather than propositions. The success of this approach stems from its capacity (...) to capture the difference between expressing the preferences that give rise to permissions and conveying propositions about those preferences. (shrink)

Scientific research is constrained by limited resources, so it is imperative that it be conducted efficiently. This paper introduces the notion of epistemic expression, a kind of representation that expedites the solution of research problems. Epistemic expressions are representations that (i) contain information in a way that enables more reliable information to place the most stringent constraints on possible solutions and (ii) make new information readily extractible by biasing the search through that space. I illustrate these conditions using historical (...) and contemporary examples of biomolecular structure determination. Then, I argue that the notion of epistemic expression parts ways with pragmatic accounts of scientific representation and an understanding of models as artifacts, neither of which require models to accurately represent. Explicating epistemic expression thus fills a gap in our understanding of scientific practice, extending Morrison and Morgan's (1999) conception of models as investigative instruments. (shrink)