At the beginning of the third section of Book II of Capital, Marx distinguishes between the direct process of the production of capital and the total process of its reproduction. The former includes both the work process as well as the value-creating process. As we shall see, the latter includes both the process of consumption mediated by circulation, as well as the process of reproduction of capital itself. In the different forms assumed by capital within its cycle, and even more (...) in the different forms assumed by this cycle, the movement of individual capital turns out to be a part of the total movement of social capital. (shrink)

This is the text of Mario Tronti’s lecture at the 2006 Historical Materialism conference. It provides a brief, evocative synopsis of Tronti’s understanding of the historical experience and contemporary relevance of operaismo, a theoretical and practical attempt, embodied in journals such as Quaderni Rossi and Classe Operaia, to renew Marxist thought and politics in the Italy of the 1960s through a renewed attention to class-antagonism and the changing composition of labour.

Starting from the idea that democracy always binds together a practice of domination and a project of liberation, Tronti formulates the conditions for a critique of democracy that would permit a rebirth of political thought in the current conjuncture. Bringing the heterodox Marxist traditions of ‘workerism’ and the ‘autonomy of the political’ together with the feminist thinking of difference, Tronti underscores the identitarian tendencies of democracy and the difficulties of combining democracy with a genuine notion of freedom. For Tronti, democracy (...) is increasingly synonymous with the pervasiveness of capitalism understood as ‘bourgeois society’, and the victory of ‘real democracy’ is the sociological victory of the bourgeoisie. The homo oeconomicus and the homo democraticus are fused into the dominant figure of democracy, the ‘mass bourgeois’. Against the depoliticizing consequences of ‘democratic Empire’, Tronti proposes a profound rethinking of our notion of politics, one which should not shy from reconsidering the elitist critiques of democracy. (shrink)