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Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance
Cognition 118 (2):157-170 (2011)
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Citations of this work
Music Listening in Classical Concerts: Theory, Literature Review, and Research Program.Melanie Wald-Fuhrmann, Hauke Egermann, Anna Czepiel, Katherine O’Neill, Christian Weining, Deborah Meier, Wolfgang Tschacher, Folkert Uhde, Jutta Toelle & Martin Tröndle - 2021 - Frontiers in Psychology 12:638783.
Enhancement of Pleasure during Spontaneous Dance.Nicolò F. Bernardi, Antoine Bellemare-Pepin & Isabelle Peretz - 2017 - Frontiers in Human Neuroscience 11.
Impact of Lockdown Measures on Joint Music Making: Playing Online and Physically Together.Kelsey E. Onderdijk, Freya Acar & Edith Van Dyck - 2021 - Frontiers in Psychology 12:642713.
Pianism: Performance Communication and the Playing Technique.Barbara James - 2018 - Frontiers in Psychology 9.
Come on Baby, Light My Fire: Sparking Further Research in Socio-Affective Mechanisms of Music Using Computational Advancements.Ilana Harris & Mats B. Küssner - 2020 - Frontiers in Psychology 11:557162.
References found in this work
Core affect and the psychological construction of emotion.James A. Russell - 2003 - Psychological Review 110 (1):145-172.
What's basic about basic emotions?Andrew Ortony & Terence J. Turner - 1990 - Psychological Review 97 (3):315-331.
Facial expressions.Paul Ekman - 1999 - In Tim Dalgleish & Mick Power, Handbook of Cognition and Emotion. Wiley. pp. 16--301.
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