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Myth and music: a semiotic approach to the aesthetics of myth in music, especially that of Wagner, Sibelius and Stravinsky
The Hague: Mouton (1979)
Abstract
PART ONE 1. Introduction The purpose of this investigation is to explore the relations between myth and music. Although this research may be said to have a ...Other Versions
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Citations of this work
A. J. Greimas in the world: travels, translations, transmissions.Thomas F. Broden - 2021 - Semiotica 2021 (243):187-228.
Voicing Le Neutre in the invisible choir in Richard Wagner’s Parsifal.Anne Sivuoja-Gunaratnam - 2008 - Sign Systems Studies 36 (1):83-110.
Inédit 3 : Le sens et la musique. Propos recueillis par Marcello Castellana.Algirdas J. Greimas, Marcello Castellana & Marina Maluli Cesar - 2017 - Semiotica 2017 (214):41-50.
A sketch of Peirce’s Firstness and its significance to art.Dinda L. Gorlée - 2009 - Sign Systems Studies 37 (1-2):205-268.
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