Abstract

Simon Schama's Dead Certainties is assessed in the light of the complex relationship between history and fiction, which share some limited common territory. Examples are cited from Mary Chesnut, Oscar Handlin, Georg Lukács, Herman Melville, Robert Penn Warren, P. D. James, and Wallace Stegner.Schama's book has some kinship to the skepticism found in "the new historicism" and "deconstruction," but also has its own differences from the fashionable "inverted positivism" which concludes that since evidence is not an open window on reality, it must be a wall precluding access to it. Only two of Schama's three narratives cohere, and while uncertainty may be a common theme, his historian's judgment tends to dissipate much of the mystery his fictionalizing technique creates. His idea of historical uncertainty arises from a fallacy that a "communion with the dead" , possible only for a time-traveler, represents authentic knowledge.Affirming that asking questions and relating narratives are not mutually exclusive, Schama joins the company of philosophers and historians who have also made this case