Abstract

This essay accounts for the adolescent popularity of The Fountainhead and Atlas Shrugged by arguing that both novels indirectly appropriate the mid-twentieth-century figure of the rebel. By denying their “prime movers” much of a childhood, however, both novels heroize rebels who never suffer the dilemma that defines the adolescent according to Erik H. Erikson: the struggle between identity and role confusion. Following Erikson and Julia Kristeva, this essay reads Rand's prime movers as figures of a post-Oedipal fantasy of self-reconciliation and career-oriented drive—figures who invite their reader into the fantasy of a life lived without adolescence's defining identity crisis.