The Distinct Basic Good of Aesthetic Experience and Its Political Import

American Catholic Philosophical Quarterly 87 (4):711-729 (2013)
  Copy   BIBTEX

Abstract

To protect art under the First Amendment, John Finnis claims that art is simply the expression of emotion. Later, to protect aesthetic experience from subjectivity, Finnis claims that aesthetic experience is just a form of knowledge. However, neither of these claims adequately accounts for the nature of their objects nor fully protects them. The expression of emotion—intrinsic to art in Finnis’s view—is not always clear or even present, yet people can still appreciate the work. Equally problematic, aesthetic experience is not mere knowledge. It involves something more: a response or judgment. So, what is the nature and purpose of art and aesthetic experience? I argue that the main purpose of art is to provide the possibility of an aesthetic experience. Further, aesthetic experience is a distinct basic good. This status as a basic good and as the purpose of art provides justification for the state to protect (and occasionally promote) art.

Other Versions

No versions found

Links

PhilArchive

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Aesthetic Judgement and Political Judgement.Henrik Kaare Nielsen - 2012 - Nordic Journal of Aesthetics 23 (43).
Characterizing Aesthetic Experience.Haewan Lee - 2008 - Proceedings of the Xxii World Congress of Philosophy 1:161-167.
Exploring the Relationship between Humor and Aesthetic Experience.Mordechai Gordon - 2012 - Journal of Aesthetic Education 46 (1):111-121.
The aesthetic experience.Derek Matravers - 2003 - British Journal of Aesthetics 43 (2):158-174.
Experience as art.Sor-Hoon Tan - 1999 - Asian Philosophy 9 (2):107 – 122.
Aesthetic quality and aesthetic experience.Michael H. Mitias (ed.) - 1988 - Würzburg: Königshausen & Neumann.
Mieczysław Wallis: Experience and Value.Monika Bokiniec - 2009 - Estetika: The European Journal of Aesthetics 46 (1):75-96.

Analytics

Added to PP
2013-10-26

Downloads
115 (#415,463)

6 months
12 (#966,368)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Michael R. Spicher
Boston Architectural College

Citations of this work

No citations found.

Add more citations

References found in this work

S. - 2008 - In A. P. Martinich, A Hobbes Dictionary. Wiley-Blackwell. pp. 269-298.
Fittingness.Chris Howard & Rach Cosker-Rowland (eds.) - 2022 - Oxford University Press.
The role of theory in aesthetics.Morris Weitz - 1956 - Journal of Aesthetics and Art Criticism 15 (1):27-35.
Street Art: The Transfiguration of the Commonplaces.Nicholas Alden Riggle - 2010 - Journal of Aesthetics and Art Criticism 68 (3):243-257.
The Creative Theory of Art.Nick Zangwill - 1995 - American Philosophical Quarterly 32 (4):307 - 323.

View all 6 references / Add more references