Abstract

This study aims primarily at an account of sensory experience and perception uncommitted to objectual sense data or sense impressions. In the end it does make room for sense impressions, but only as entities somehow abstracted from phenomenological attention to sense experience. The "phenomenological standpoint" is attained by imagining "that a transparent screen has been placed at right angles about three feet from your eyes between you and all the objects before you," and by imagining further that the projection of the objects on such a screen has been cleverly painted on it so as to present an appearance just like that presented by the objects then actually before you. "It is to this possible picture that your attention must now be directed in order for you to be said to be attending to your sense experience itself".