Abstract

The aesthetic experience of Laurence Sterne’s The Life and Opinion of Tristram Shandy, Gentleman is not reducible to an interpretation of plot or a linear critical analysis on the level of structure. Instead, it is thematized around a particular paradox of “double chronology” of autobiography, which continues the unfolding of the text yet simultaneously disrupts it. As such, Tristram Shandy’s lack of plot is a secondary phenomenon to the textual game of detour and digression it plays. This essay is less concerned with providing a closed argument and much more concerned with opening up inquiry into time and the aesthetics of reading with brief recourse to Paul Ricoeur and Hans-Georg Gadamer. Overall, I hope to indicate how Tristram Shandy provides a space wherein the pleasure of reading itself is disclosed