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Timothy Murray (2008) Digital Baroque: New Media Art and Cinematic Folds
Film-Philosophy 14 (1):422-429 (2010)
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Similar books and articles
Act III A digital Deleuze : performance and new media. Like a prosthesis : critical performance à digital Deleuze / Timothy Murray ; Performance as the distribution of life : from Aeschylus to Chekhov to VJing via Deleuze and Guattari / Andrew Murphie ; The 'minor' arithmetic of rhythm : imagining digital technologies for dance.Stamatia Portanova - 2009 - In Laura Cull, Deleuze and performance. Edinburgh: Edinburgh University Press.
Visualizing law in the age of the digital baroque: arabesques and entanglements.Richard K. Sherwin - 2011 - New York, NY: Routledge.
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The Myth of Emancipation through Interaction. On the Relationship between Interactive Dimensions and Emancipating Potentials of Contemporary (Digital) Art.Lotte Philipsen - 2012 - Nordic Journal of Aesthetics 23 (43).
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Like a Prosthesis: Critical Performance à Digital Deleuze.Timothy Murray - 2009 - In Laura Cull, Deleuze and performance. Edinburgh: Edinburgh University Press. pp. 203.
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References found in this work
Cinema 1: The Movement Image.Gilles Deleuze, Hugh Tomlinson & Barbara Habberjam - 1988 - Journal of Aesthetics and Art Criticism 46 (3):436-437.
The inhuman: reflections on time.Jean-Francois Lyotard - 1991 - Stanford, Calif.: Stanford University Press.
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