Abstract

This article examines a range of problems centring on the theorization of cultural identity and cultural property by reference to debates about the appropriation of the Maori `tattoo' or ta moko and the authenticity of contemporary Maori tattooing practices. Through a consideration of the relationship between cultural identity and tattooing, it addresses a problematic concerning the articulation of indigenous `property', `ownership' or `authority' in legal, anthropological and philosophical discourses. Theorizations of `tattoo' as `cultural property', for example, generally assume a certain `proper' relationship between subject and object, precomprehended in terms of Western legal-philosophical concepts. Against the background of these issues, the use of ta moko as a form of signature or authorizing mark of identification is taken to highlight issues concerning the complex relationship between the attribution of certain cultural practices, characteristics or `properties' to a certain group and the notions of authorship and authority that underwrite such designations.